A00104 - Bill Pickett, Rodeo and Wild West Performer

Bill Pickett,  (b. December 5, 1870?, Williamson County, Texas — d. April 2, 1932, Tulsa, Oklahoma), American rodeo cowboy who introduced bulldogging, a modern rodeo event that involves wrestling a running steer to the ground.

Pickett was descended from American Indians (Cherokees) and African American slaves in the Southwest. He grew up in West Texas, learning to ride and rope as a boy, and became a ranch hand; he performed simple trick rides in town on the weekends. In 1900, he became a showman, sponsored by Lee Moore, a Texas rodeo entrepreneur. In 1907, Pickett signed with the 101 Ranch Wild West Show, becoming one of its star performers and assuming the status of a legendary figure for his masterful handling of both wild and domestic animals. For bulldogging, or steer wrestling, he perfected a technique of jumping from his horse, grabbing the steer around the neck or horns, sinking his teeth into the animal’s lip, and pulling it to the ground. Pickett’s most-grueling performance came in 1908 in a bullring in Mexico City. He there wrestled and rode a Mexican fighting bull for seven minutes before a riotous audience enraged at this original interpretation of the Mexican national pastime of bullfighting.

Pickett performed until about 1916, working as a cowhand and rancher thereafter. He later appeared in the silent films The Bull-Dogger (1921) and The Crimson Skull (1922). He died after being kicked by a horse in April 1932.

A00103 - Andrew Young, United States Ambassador to the United Nations and Mayor of Atlanta

Andrew Young, in full Andrew Jackson Young, Jr.    (b. March 12, 1932, New Orleans, Louisiana), American politician, civil-rights leader, and clergyman.

Young was reared in a middle-class African American family, attended segregated Southern schools, and later entered Howard University (Washington, D.C.) as a premed student. But he turned to the ministry and graduated in 1955 from the Hartford Theological Seminary (Hartford, Conn.) with a divinity degree.

A pastor at several African American churches in the South, Young became active in the civil-rights movement—especially in voter registration drives. His work brought him in contact with Dr. Martin Luther King, Jr., and Young joined with King in leading the Southern Christian Leadership Conference (SCLC). Following King’s assassination in 1968, Young worked with Ralph Abernathy until he resigned from the SCLC in 1970.

Defeated that year in his first bid for a seat in Congress, Young ran again in 1972 and won. He was re-elected in 1974 and 1976. In the House he opposed cuts in funds for social programs while trying to block additional funding for the war in Vietnam. He was an early supporter of Jimmy Carter, and, after Carter’s victory in the 1976 presidential elections, Andrew Young was made the United States’ Ambassador to the United Nations. His apparent sympathy with the Third World made him very controversial, and he was finally forced to resign in 1979 after it became known that he had met with a representative of the Palestine Liberation Organization. In 1981 Young was elected mayor of Atlanta, and he was re-elected to that post in 1985, serving through 1989.

A00102 - Melvin Van Peebles, Sweet Sweetback's Creator

Melvin Van Peebles, original name Melvin Peebles   (b. August 21, 1932, Chicago, Illinois), American filmmaker who wrote, directed, and starred in  Sweet Sweetback's Baadasssss Song (1971), a groundbreaking film that spearheaded the rush of African American action films known as "blaxploitation" in the 1970s. He also served as the film’s composer and editor.

After graduating from Ohio Wesleyan University (B.A., 1953), Van Peebles traveled extensively in Europe, Mexico, and the United States, working a variety of jobs that included painter, postal worker, and street performer along with a stint in the air force. While living in Paris, he wrote several French-language novels, including La Permission (1967), which he turned into his first feature film. The romantic drama was released in France in 1967 and in the United States (as The Story of a Three-Day Pass) the following year. Van Peebles made his Hollywood directorial debut with Watermelon Man (1970), a comedy about racial bigotry. He then turned to his pet project, Sweet Sweetback’s Baadasssss Song. Using mostly his own money and relying largely on non-professional actors and technicians, Van Peebles told the story of one African American man’s battle against European American authority. Violent, sexy, and angry, the film scored a huge success with African American audiences (it was one of the top box-office earners that year) while angering many European American critics.

Van Peebles had begun a musical career with the album Brer Soul (1969), which featured a mostly spoken vocal style that prefigured rap. He subsequently moved into Broadway musical theatre, adapting some of his recorded songs for the production Ain’t Supposed to Die a Natural Death (1971) and one of his novels for Don’t Play Us Cheap! (1972; film 1973). Thereafter he continued to write, act, compose, and direct for films, television, and the stage. Subsequent films in which he appeared include O.C. and Stiggs (1985), Boomerang (1992), The Hebrew Hammer (2003), and Peeples (2013). With the comedy Identity Crisis (1989), he ended a 16-year hiatus from screen directing, and he later wrote and directed Le Conte du ventre plein (2000; Bellyful) and Confessions of a Ex-Doofus-Itchy Footed Mutha (2008); none of these efforts, however, were widely seen. In addition to his entertainment career, Van Peebles became involved in commodities trading in the 1980s and was the first African American to hold a seat on the American Stock Exchange. 

Van Peebles’s son Mario, who played the character Sweetback as a boy in the 1971 film, became a noted film actor and director in his own right. Besides directing his father in such films as the western Posse (1993), Mario co-wrote, directed, and starred in the feature Baadasssss! (2003), about the making of Sweet Sweetback’s Baadasssss Song.

A00101 - George Washington Carver, Peanut Prophet and Agricultural Scientist

George Washington Carver,  (b. 1861?, near Diamond Grove, Missouri, — d. January 5, 1943, Tuskegee, Alabama), American agricultural chemist, agronomist, and experimenter whose development of new products derived from peanuts (groundnuts), sweet potatoes, and soybeans helped revolutionize the agricultural economy of the South. For most of his career he taught and conducted research at the Tuskegee Normal and Industrial Institute (now Tuskegee University) in Tuskegee, Alabama.

Carver was born into slavery, the son of a slave woman named Mary, owned by Moses Carver. During the American Civil War, the Carver farm was raided, and infant George and his mother were kidnapped and taken to Arkansas to be sold. Moses Carver was eventually able to track down young George but was unable to find Mary. Frail and sick, the motherless child was returned to his master’s home and nursed back to health. With the complete abolition of slavery in the United States in 1865, George was no longer a slave. Nevertheless, he remained on the Carver plantation until he was about 10 or 12 years old, when he left to acquire an education. He spent some time wandering about, working with his hands and developing his keen interest in plants and animals. He learned to draw, and later in life he devoted considerable time to painting flowers, plants, and landscapes.

By both books and experience, George acquired a fragmentary education while doing whatever work came to hand in order to subsist. He supported himself by varied occupations that included general household worker, hotel cook, laundryman, farm laborer, and homesteader. In his late 20s, he managed to obtain a high school education in Minneapolis, Kansas, while working as a farmhand. After a university in Kansas refused to admit him because he was black, Carver matriculated at Simpson College, Indianola, Iowa, where he studied piano and art, subsequently transferring to Iowa State Agricultural College (Ames, Iowa), where he received a bachelor’s degree in agricultural science in 1894 and a master of science degree in 1896.

Carver left Iowa for Alabama in the fall of 1896 to direct the newly organized department of agriculture at the Tuskegee Normal and Industrial Institute, a school headed by noted black American educator Booker T. Washington. At Tuskegee, Washington was trying to improve the lot of African Americans through education and the acquisition of useful skills rather than through political agitation. Washington stressed conciliation, compromise, and economic development as the paths for black advancement in American society. Despite many offers elsewhere, Carver would remain at Tuskegee for the rest of his life.

After becoming the institute’s director of agricultural research in 1896, Carver devoted his time to research projects aimed at helping Southern agriculture, demonstrating ways in which farmers could improve their economic situation. He conducted experiments in soil management and crop production and directed an experimental farm. At this time agriculture in the Deep South was in steep decline because the unremitting single-crop cultivation of cotton had left the soil of many fields exhausted and worthless, and erosion had then taken its toll on areas that could no longer sustain any plant cover. As a remedy, Carver urged Southern farmers to plant peanuts (Arachis hypogaea) and soybeans (Glycine max). As members of the legume family (Fabaceae), these plants could restore nitrogen to the soil while also providing the protein so badly needed in the diet of many Southerners. Carver found that Alabama’s soils were particularly well-suited to growing peanuts and sweet potatoes (Ipomoea batatas), but when the state’s farmers began cultivating these crops instead of cotton, they found little demand for them on the market. In response to this problem, Carver set about enlarging the commercial possibilities of the peanut and sweet potato through a long and ingenious program of laboratory research. He ultimately developed 300 derivative products from peanuts—among them milk, flour, ink, dyes, plastics, wood stains, soap, linoleum, medicinal oils, and cosmetics — and 118 from sweet potatoes, including flour, vinegar, molasses, ink, a synthetic rubber, and postage stamp glue.

In 1914, at a time when the boll weevil had almost ruined cotton growers, Carver revealed his experiments to the public, and increasing numbers of the South’s farmers began to turn to peanuts, sweet potatoes, and their derivatives for income. Much exhausted land was renewed, and the South became a major new supplier of agricultural products. When Carver arrived at Tuskegee in 1896, the peanut had not even been recognized as a crop, but within the next half century it became one of the six leading crops throughout the United States and, in the South, the second cash crop (after cotton) by 1940. In 1942 the U.S. government allotted 2,023,428 hectares (5,000,000 acres) of peanuts to farmers. Carver’s efforts had finally helped liberate the South from its excessive dependence on cotton.

Among Carver’s many honors were his election to Britain’s Society for the Encouragement of Arts, Manufactures, and Commerce (London) in 1916 and his receipt of the Spingarn Medal in 1923. Late in his career he declined an invitation to work for Thomas A. Edison at a salary of more than $100,000 a year. Presidents Calvin Coolidge and Franklin D. Roosevelt visited him, and his friends included Henry Ford and Mohandas K. Gandhi. Foreign governments requested his counsel on agricultural matters: Joseph Stalin, for example, in 1931 invited him to superintend cotton plantations in southern Russia and to make a tour of the Soviet Union, but Carver refused.

In 1940 Carver donated his life savings to the establishment of the Carver Research Foundation at Tuskegee for continuing research in agriculture. During World War II, he worked to replace the textile dyes formerly imported from Europe, and in all he produced dyes of 500 different shades.

Many scientists thought of Carver more as a concoctionist than as a contributor to scientific knowledge. Many of his fellow African Americans were critical of what they regarded as his subservience. Certainly, this small, mild, soft-spoken, innately modest man, eccentric in dress and mannerism, seemed unbelievably heedless of the conventional pleasures and rewards of this life. But these qualities endeared Carver to many European Americans, who were almost invariably charmed by his humble demeanor and his quiet work in self-imposed segregation at Tuskegee. As a result of his accommodation to the mores of the South, European Americans came to regard him with a sort of patronizing adulation.

Carver thus increasingly came to stand for much of white America as a kind of saintly and comfortable symbol of the intellectual achievements of African Americans. Carver was evidently uninterested in the role his image played in the racial politics of the time. His great desire in later life was simply to serve humanity; and his work, which began for the sake of the poorest of the African American sharecroppers, paved the way for a better life for the entire South. His efforts brought about a significant advance in agricultural training in an era when agriculture was the largest single occupation of Americans, and he extended Tuskegee’s influence throughout the South by encouraging improved farm methods, crop diversification, and soil conservation.

A00100 - "Little Richard" Penniman, The Architect of Rock and Roll

Little Richard, original name Richard Wayne Penniman   (b. December 5, 1932, Macon, Georgia), flamboyant American singer and pianist whose hit songs of the mid-1950s were defining moments in the development of rock and roll.  

Born into a family of 12 children, Penniman learned gospel music in Pentecostal churches churches of the Deep South. As a teenager he left home to perform rhythm and blues in medicine shows and nightclubs, where he took the name “Little Richard,” achieving notoriety for high-energy onstage antics. His first recordings in the early 1950s, produced in the soothing jump-blues style of Roy Brown, showed none of the soaring vocal reach that would mark his later singing. His breakthrough came in September 1955 at a recording session at J&M Studio in New Orleans, Louisiana, where Little Richard, backed by a solid rhythm-and-blues band, howled “Tutti Frutti,” with its unforgettable exhortation, “A wop bop a loo bop, a lop bam boom!” In the year and a half that followed, he released a string of songs on Specialty Records that sold well among both African American and European American audiences: “Rip It Up,” “Long Tall Sally,” “Ready Teddy,” “Good Golly, Miss Molly,” and “Send Me Some Lovin’,” among others. Blessed with a phenomenal voice able to generate croons, wails, and screams unprecedented in popular music, Little Richard scored hits that combined childishly amusing lyrics with sexually suggestive undertones. Along with Elvis Presley's records for the Sun label in the mid-1950s, Little Richard’s sessions from the same period offer models of singing and musicianship that have inspired rock musicians ever since.

As his success grew, Little Richard appeared in some of the earliest rock-and-roll movies: Don’t Knock the Rock and The Girl Can’t Help It (both 1956) and Mr. Rock and Roll (1957). In the latter he stands at the piano belting out songs with a dark intensity that, in the bland Eisenhower years, seemed excessive, an impression amplified by his bizarre six-inch pompadour, eyeliner, and pancake makeup. At the very peak of his fame, however, he concluded that rock and roll was the Devil’s work; he abandoned the music business, enrolled in Bible college, and became a traveling Evangelical preacher. When the Beatles skyrocketed onto the music scene in 1964, they sang several of his classic songs and openly acknowledged their debt to their great forebear. This renewed attention inspired Little Richard to return to the stage and the recording studio for another shot at stardom. Although a new song, “Bama Lama Bama Loo” (1964), invoked the fun and vitality of his heyday, record-buying youngsters were not impressed. A major recording contract in the early 1970s produced three albums for Reprise Records — The Rill Thing, King of Rock ’n’ Roll, and Second Coming—collections that showed Little Richard in fine voice but somewhat out of his element in the hard rock styles of the period.

In the late 1990s Little Richard continued to appear at concerts and festivals, performing songs that had become cherished international standards. He remained a frequent guest on television talk shows and children’s programs, but his madcap mannerisms, so threatening to parents in the 1950s, had come to seem amusingly safe. Having weathered a career marked by extraordinary changes in direction, Little Richard survived not only as the self-proclaimed “architect of rock and roll” but also as a living treasure of 20th-century American culture.

A00099 - Dick Gregory, Comedian and Civil Rights Activist

Dick Gregory, byname of Richard Claxton Gregory    (b. October 12, 1932, St. Louis, Missouri), African-American comedian, civil rights activist, and spokesman for health issues, who became nationally recognized in the 1960s for a biting brand of comedy that attacked racial prejudice. By addressing his hard-hitting satire to white audiences, he gave a comedic voice to the rising Civil Rights Movement.  In the 1980s his nutrition business venture targeted unhealthy diets of black Americans.

Reared in poverty in St. Louis, Gregory began working at an early age to help support his family. He was involved in sports and social causes in high school, and he entered Southern Illinois University on an athletic scholarship in 1951, excelling as a middle-distance runner. He was named the university’s outstanding student athlete in 1953, the same year he left college to join the U.S. Army, where he hosted and performed comedy routines in military shows.

After a brief return to his alma mater in 1955-56, Gregory sought entrance to the national comedy circuit in Chicago. His breakthrough came in 1961, when a one-nighter at the Chicago Playboy Club turned into a six-week stint that earned him a profile in Time magazine and a television appearance on “The Jack Paar Show.” In his numerous subsequent television, nightclub, and concert routines, he targeted poverty, segregation, and racial discrimination. Active in the Civil Rights Movement, he participated in numerous demonstrations and was arrested for civil disobedience several times. In 1963 he was jailed in Birmingham, Alabama. His activism spurred him to run for mayor of Chicago in 1966 and for president of the United States in 1968.

In the early 1970s Gregory abandoned comedy to focus on his political interests, which widened from race relations to include such issues as violence, world hunger, capital punishment, drug abuse, and poor health care. He generated particular attention for his many hunger fasts. At this time he became a vegetarian, a marathon runner, and an expert on nutrition. He soon began a successful business venture with his nutritional product, the “Bahamian Diet,” around which he built Dick Gregory Health Enterprises, Inc. Through his company, he targeted the lower life expectancy of African Americans, which he attributed to poor nutrition and drug and alcohol abuse.

Gregory wrote many books, including Nigger: An Autobiography (1964) and No More Lies: The Myth and the Reality of American History (1971). He made a brief return to the comedy circuit in the mid-1990s.

A00098 - Leonard Harmon, Navy Cross Recipient

Leonard Roy Harmon (January 21, 1917–November 13, 1942) was an African American sailor who died in action during World War II and was posthumously awarded the Navy Cross for his valor.

Harmon, born in Cuero, Texas, was 22 years of age when he enlisted in the United States Navy in June 1939. He trained as a Mess Attendant, one of the few jobs available to African American men in the Navy at that time. The basic job description consisted of serving food to officers and crew aboard ship. However, like all members of a ship’s crew they were also trained in damage control and had stations to report to during general quarters. 

During his service he became a Mess Attendant First Class and was serving aboard the USS San Francisco (CA-38) when on November 12, 1942 he was killed in action. During the course of the Naval Battle of Guadalcanal, he was assigned to assist pharmacist's mate Lyndford Bondsteel in caring for the wounded. While doing so he deliberately interposed himself between Bondsteel and enemy gunfire in order to protect his shipmate. This action resulted in his death.

Harmon was awarded the Navy Cross. Two ships were named in his honor. The HMS Aylmer had been provisionally named USS Harmon (DE-72) but was transferred to the Royal Navy prior to completion. The second ship, the USS Harmon (DE-678) served from 1943 to 1947 and remained in the Reserve Fleet until 1967; it was the first United States warship to be named after an African American. 

The citation issued for Leonard Roy Harmon's Navy Cross read:

The President of the United States of America takes pride in presenting the Navy Cross (Posthumously) to Mess Attendant First Class Leonard Roy Harmon, United States Navy, for extraordinary heroism and devotion to duty in action against the enemy while serving on board the Heavy Cruiser U.S.S. SAN FRANCISCO (CA-38), during action against enemy Japanese naval forces near Savo Island in the Solomon Islands on the night of on 12–13 November 1942. With persistent disregard of his own personal safety, Mess Attendant First Class Harmon rendered invaluable assistance in caring for the wounded and assisting them to a dressing station. In addition to displaying unusual loyalty in behalf of the injured Executive Officer, he deliberately exposed himself to hostile gunfire in order to protect a shipmate and, as a result of this courageous deed, was killed in action. His heroic spirit of self-sacrifice, maintained above and beyond the call of duty, was in keeping with the highest traditions of the United States Naval Service. He gallantly gave his life for his country.