Sunday, April 14, 2024

2024: 1930 Chronology: Appendix 44: Ray Charles, The Genius, The Legend, The Icon

Appendix 44

Ray Charles

The Genius

The Legend 

The Icon


Ray Charles Robinson Sr. (b. September 23, 1930, Albany, Georgia – d. June 10, 2004, Beverly Hills, California) was an American singer, songwriter and pianist. He is regarded as one of the most iconic and influential musicians in history and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians, he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma. 

Charles pioneered the soul music genre during the 1950s by combining blues, jazz, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records.   He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company.

Charles's 1960 hit "Georgia on My Mind" was the first of his three career No. 1 hits on the Billboard Hot 100. {"Hit the Road Jack" from 1961 and "I Can't Stop Loving You" from 1962 were his other No. 1 hits.} His 1962 album Modern Sounds in Country and Western Music became his first album to top the Billboard 200. Charles had multiple singles reach the Top 40 on various Billboard charts; 44 on the US R&B singles chart; 11 on the Hot 100 singles chart; and two on the Hot Country singles charts.

Charles cited Nat King Cole as a primary influence, but his music was also influenced by Louis Jordan and Charles Brown. He had a lifelong friendship and occasional partnership with Quincy Jones. Frank Sinatra called Ray Charles "the only true genius in show business," although Charles downplayed this notion. Billy Joel said, "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley."

For his musical contributions, Charles received the Kennedy Center Honors, the National Medal of Arts, and the Polar Music Prize. Charles was one of the inaugural inductees at the Rock and Roll Hall of Fame in 1986. He has won 18 Grammy Awards (five posthumously), the Grammy Lifetime Achievement Award in 1987, and 10 of his recordings have been inducted into the Grammy Hall of Fame.  Rolling Stone magazine ranked Charles No. 10 on its list of the 100 Greatest Artists of All Time, and No. 2 on their list of the 100 Greatest Singers of All Time. In 2022, Charles was inducted into the Country Music Hall of Fame, as well as the Black Music & Entertainment Walk of Fame.  

Charles was born on September 23, 1930, in Albany, Georgia.  He was the son of Bailey Robinson, a laborer, and Aretha (or Reatha) Robinson (née Williams), a laundress, of Greenville, Florida. 

During Aretha's childhood, her mother died. Her father could not keep her. Bailey, a man her father worked with, took her in. The Robinson family—Bailey, his wife Mary Jane, and his mother— informally adopted her and Aretha took the surname Robinson. A few years later Aretha became pregnant by Bailey. During the ensuing scandal, she left Greenville late in the summer of 1930 to be with family back in Albany. After the birth of the child, Ray Charles, she and the infant Charles returned to Greenville. Aretha and Bailey's wife, who had lost a son, then shared in Charles's upbringing. The father abandoned the family, left Greenville, and married another woman elsewhere. By his first birthday, Charles had a brother, George.

Charles was deeply devoted to his mother and later recalled, despite her poor health and adversity, her perseverance, self-sufficiency, and pride as guiding lights in his life.

In his early years, Charles showed an interest in mechanical objects and would often watch his neighbors working on their cars and farm machinery. His musical curiosity was sparked at Wylie Pitman's Red Wing Cafe, at the age of three, when Pitman played boogie woogie on an old upright piano. Pitman subsequently taught Charles how to play the piano. Charles and his mother were always welcome at the Red Wing Cafe and even lived there when they were in financial distress. Pitman would also care for Ray's younger brother George, to take some of the burden off their mother. George accidentally drowned in his mother's laundry tub when he was four years old.

Charles started to lose his sight at the age of four or five, and was blind by the age of seven, likely as a result of glaucoma. Destitute, uneducated, and mourning the loss of her younger son, Aretha Robinson used her connections in the local community to find a school that would accept a blind African American pupil. Despite his initial protest, Charles attended school at the Florida School for the Deaf and the Blind in Saint Augustine from 1937 to 1945.

Charles further developed his musical talent at school and was taught to play the classical piano music of Bach, Mozart and Beethoven. His teacher, Mrs. Lawrence, taught him how to use braille music, a difficult process that requires learning the left-hand movements by reading braille with the right hand and learning the right-hand movements by reading braille with the left hand, then combining the two parts.

Charles's mother died in the spring of 1945, when he was 14. Her death came as a shock to him; he later said the deaths of his brother and mother were "the two great tragedies" of his life. Charles decided not to return to school after the funeral.

After leaving school, Charles moved to Jacksonville to live with Charles Wayne Powell, who had been friends with his late mother. He played the piano for bands at the Ritz Theatre in LaVilla for over a year, earning $4 a night (US$46, in 2023 value). He joined Local 632 of the American Federation of Musicians, in the hope that it would help him get work and was able to use the union hall's piano to practice, since he did not have one at home. He learned piano licks from copying the other players there. 

Charles started to build a reputation as a talented musician in Jacksonville, but the jobs did not come fast enough for him to construct a strong identity, so, at age 16, he moved to Orlando, where he lived in borderline poverty and went without food for days. It was difficult for musicians to find work. Since World War II had ended, there were no "G.I. Joes" left to entertain. Charles eventually started to write arrangements for a pop music band, and in the summer of 1947, he unsuccessfully auditioned to play piano for Lucky Millinder and his sixteen-piece band.

In 1947, Charles moved to Tampa, where he held two jobs, including one as a pianist for Charles Brantley's Honey Dippers.

In his early career, Charles modeled himself on Nat King Cole. His first four recordings—"Wondering and Wondering", "Walking and Talking", "Why Did You Go?" and "I Found My Baby There"—were allegedly done in Tampa, although some discographies claim he recorded them in Miami in 1951 or else Los Angeles in 1952.,

Charles had always played piano for other people, but he was keen to have his own band. He decided to leave Florida for a large city, and, considering Chicago and New York City too big, followed his friend Gossie McKee to Seattle, Washington, in March 1948, knowing that the biggest radio hits came from northern cities. There he met and befriended, under the tutelage of Robert Blackwell, the 15-year-old Quincy Jones. 

With Charles on piano, McKee on guitar, and Milton Garred on bass, The McSon Trio (named for McKee and Robinson) started playing the 1–5 A.M. shift at the Rocking Chair. Publicity photos of this trio are some of the earliest known photographs of Charles. In April 1949, he and his band recorded "Confession Blues", which became his first national hit, soaring to the second spot on the Billboard R&B chart. While still working at the Rocking Chair, Charles also arranged songs for other artists, including Cole Porter's "Ghost of a Chance" and Dizzy Gillespie's "Emanon". After the success of his first two singles, Charles moved to Los Angeles in 1950 and spent the next few years touring with the blues musician Lowell Fulson as Fulson's musical director.

In 1950, Charles' performance in a Miami hotel impressed Henry Stone, who went on to record a Ray Charles Rockin' record, which did not achieve popularity. During his stay in Miami, Charles was required to stay in the segregated but thriving black community of Overtown. Stone later helped Jerry Wexler find Charles in St. Petersburg. 

After signing with Swing Time Records, Charles recorded two more R&B hits under the name Ray Charles: "Baby, Let Me Hold Your Hand" (1951), which reached No. 5, and "Kissa Me Baby" (1952), which reached No. 8. Swing Time folded the following year, and Ahmet Ertegun signed Charles to Atlantic.]

In addition to being a musician, Charles was also a record producer, producing Guitar Slim's number 1 hit, "The Things That I Used to Do". 

In June 1952, Atlantic bought Charles's contract for $2,500 (US$28,684 in 2023 dollars). His first recording session for Atlantic ("The Midnight Hour"/"Roll with My Baby") took place in September 1952, although his last Swing Time release ("Misery in My Heart"/"The Snow Is Falling") would not appear until February 1953.

In 1953, "Mess Around" became his first small hit for Atlantic. During the next year, he had hits with "It Should've Been Me" and "Don't You Know". He also recorded the songs "Midnight Hour" and "Sinner's Prayer" around this time.

Late in 1954, Charles recorded "I've Got a Woman". The lyrics were written by bandleader Renald Richard. Charles claimed the composition. They later admitted that the song went back to the Southern Tones' "It Must Be Jesus" (1954). It became one of his most notable hits, reaching No. 2 on the R&B chart. "I've Got a Woman" combined gospel, jazz, and blues elements. In 1955, Charles also had hits with "This Little Girl of Mine" and "A Fool for You". In following years, hits included "Drown in My Own Tears" and "Hallelujah I Love Her So". 

Charles also recorded jazz, such as The Great Ray Charles (1957). He worked with vibraphonist Milt Jackson, releasing Soul Brothers in 1958 and Soul Meeting in 1961. By 1958, he was not only headlining major black venues such as the Apollo Theater in New York, but also larger venues such as Carnegie Hall and the Newport Jazz Festival, where his first live album was recorded in 1958. Charles hired a female singing group, the Cookies, and renamed them the Raelettes. In 1958, Charles and the Raelettes performed for the famed Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Sam Cooke, Ernie Freeman, and Bo Rhambo.  Sammy Davis Jr. was also there to crown the winner of the Miss Cavalcade of Jazz beauty contest. The event featured the top four prominent disc jockeys of Los Angeles.

Charles reached the pinnacle of his success at Atlantic with the release of "What'd I Say", which combined gospel, jazz, blues and Latin music. Charles said he wrote it spontaneously while he was performing in clubs with his band. Despite some radio stations banning the song because of its sexually suggestive lyrics, the song became Charles' first top-ten pop record. It reached No. 6 on the Billboard Pop chart and No. 1 on the Billboard R&B chart in 1959. Later that year, he released his first country song (a cover of Hank Snow's "I'm Movin' On") and recorded three more albums for the label: a jazz record (The Genius After Hours, 1961); a blues record (The Genius Sings the Blues, 1961); and a big band record (The Genius of Ray Charles, 1959) which was his first Top 40 album, peaking at No. 17.

Charles' contract with Atlantic expired in 1959, and several big labels offered him record deals. Choosing not to renegotiate his contract with Atlantic, he signed with ABC-Paramount in November 1959. He obtained a more liberal contract than other artists had at the time, with ABC offering him a $50,000 (US$522,603 in 2023 dollars) annual advance, higher royalties than before, and eventual ownership of his master tapes — a very valuable and lucrative deal at the time. During his Atlantic years, Charles had been hailed for his inventive compositions, but by the time of the release of the largely instrumental jazz album Genius + Soul = Jazz (1960) for ABC's subsidiary label Impulse!, he had given up on writing in favor of becoming a cover artist, giving his own eclectic arrangements of existing songs.

With "Georgia on My Mind", his first hit single for ABC-Paramount in 1960, Charles received national acclaim and four Grammy Awards, including two for "Georgia on My Mind" (Best Vocal Performance Single Record or Track, Male and Best Performance by a Pop Single Artist). Written by Stuart Gorrell and Hoagy Carmichael, the song was Charles' first work with Sid Feller, who produced, arranged and conducted the recording. Charles' rendition of the tune would help elevate it to the status of an American classic, and his version also became the state song of Georgia later on in 1979.

Charles earned another Grammy for the follow-up track "Hit the Road Jack", written by R&B singer Percy Mayfield. 

By late 1961, Charles had expanded his small road ensemble to a big band, partly as a response to increasing royalties and touring fees, becoming one of the few black artists to cross over into mainstream pop with such a level of creative control. This success, however, came to a momentary halt during a concert tour in November 1961, when a police search of Charles's hotel room in Indianapolis, Indiana, led to the discovery of heroin in the medicine cabinet. The case was eventually dropped, as the search lacked a proper warrant by the police, and Charles soon returned to music.

In the early 1960s, on the way from Louisiana to Oklahoma City, Charles faced a near-death experience when the pilot of his plane lost visibility, as snow and his failure to use the defroster caused the windshield of the plane to become completely covered in ice. The pilot made a few circles in the air before he was finally able to see through a small part of the windshield and land the plane. Charles placed a spiritual interpretation on the experience, claiming that "something or someone which instruments cannot detect" was responsible for creating the small opening in the ice on the windshield which enabled the pilot to eventually land the plane safely.

The 1962 album Modern Sounds in Country and Western Music and its sequel, Modern Sounds in Country and Western Music, Vol. 2, helped to bring country music into the musical mainstream. Charles' version of the Don Gibson song "I Can't Stop Loving You" topped the Pop chart for five weeks, stayed at No. 1 on the R&B chart for ten weeks, and gave him his only number-one record in the United Kingdom. In 1962, he founded his own record label, Tangerine, which ABC-Paramount promoted and distributed. He had major pop hits in 1963 with "Busted" (US No. 4) and "take These Chains from My Heart" (US No. 8). In 1964, Margie Hendrix was kicked out of the Raelettes after a big argument.

In 1964, Charles' career was halted once more after he was arrested for a third time for possession of heroin. He agreed to go to a rehabilitation facility to avoid jail time and eventually kicked his habit at a clinic in Los Angeles. After spending a year on parole, Charles reappeared on the charts in 1966 with a series of hits composed with Ashford & Simpson and Jo Armstead, including the dance number "I Don't Need No Doctor" and "Let's Go Get Stoned", which became his first number-one R&B hit in several years. His cover version of "Crying Time", originally recorded by country singer Buck Owens, reached No. 6 on the pop chart and helped Charles win a Grammy Award the following March. In 1967, he had a top-twenty hit with another ballad, 'Here We Go Again". 

Charles's renewed chart success, however, proved to be short lived, and by the 1970s his music was rarely played on radio stations. The rise of psychedelic rock and harder forms of rock and R&B music had reduced Charles's radio appeal, as did his choosing to record pop standards and covers of contemporary rock and soul hits, since his earnings from owning his master tapes had taken away the motivation to write new material. Charles nonetheless continued to have an active recording career. Most of his recordings between 1968 and 1973 evoked strong reactions: either adored or panned by fans and critics alike. His recordings during this period, especially 1972's A Message from the People, moved toward the progressive soul sound popular at the time. A Message from the People included his unique gospel-influenced version of "America the Beautiful" and a number of protest songs about poverty and civil rights. Charles was often criticized for his version of "America the Beautiful" because it was very drastically changed from the song's original version. On July 14, 1973, Margie Hendrix, the mother of Ray's son Charles Wayne Hendrix, died at 38 years old.  Margie's death led to Ray having to care for the child. The official cause of her death is unknown.

In 1974, Charles left ABC Records and recorded several albums on his own label, Crossover Records. A 1975 recording of Stevie Wonder's hit "Living for the City" later helped Charles win another Grammy. In 1977, he reunited with Ahmet Ertegun and re-signed to Atlantic Records, for which he recorded the album True to Life, remaining with his old label until 1980. However, the label had now begun to focus on rock acts, and some of their prominent soul artists, such as Aretha Franklin, were starting to be neglected. In November 1977, Charles appeared as the host of the NBC television show Saturday Night Live. 

In April 1979, Charles' version of "Georgia on My Mind" was proclaimed the state song of Georgia, and an emotional Charles performed the song on the floor of the state legislature. In 1980, Charles performed in the musical film The Blues Brothers. Although he had notably supported the American Civil Rights Movement and Martin Luther King Jr. in the 1960s, Charles was criticized for performing at the Sun City resort in South Africa in 1981 during an international boycott protesting that country's apartheid policy. He later defended his choice of performing there, insisting that the audience of black and white fans would integrate while he was there.

In 1983, Charles signed a contract with Columbia. He recorded a string of country albums and had hit singles in duets with singers such as George Jones, Chet Atkins, B. J. Thomas, Mickey Gilley, Hank Williams Jr., Dee Dee Bridgewater ("Precious Thing") and his longtime friend Willie Nelson, with whom he recorded "Seven Spanish Angels".

In 1985, Charles participated in the musical recording and video "We Are the World", a charity single recorded by the supergroup United Support of Artists (USA) for Africa.

In 1990, Charles participated for the first time in the Sanremo Music Festival with the song Good Love Gone Bad, written by Toto Cutugno.  

Before the release of his first album for Warner, Would You Believe, Charles made a return to the R&B charts with a cover of the Brothers Johnson's "I'll Be Good to You", a duet with his lifelong friend Quincy Jones and the singer Chaka Khan, which hit number one on the R&B chart in 1990 and won Charles and Khan a Grammy for their duet. Prior to this, Charles returned to the pop charts withm "Baby Grand", a duet with singer-songwriter Billy Joel. In 1989, Charles recorded a cover of the Southern All Stars' "Itoshi no Ellie" for a Japanese TV advertisement for the Suntory brand, releasing it in Japan as "Ellie My Love", where it reached No. 3 on its Oricon chart. In the same year, he was a special guest at the Arena di Verona during the tour promoting Oro Incenso & Birra of the Italian singer Zucchero Fornaciari. 

In 2001–02, Charles appeared in commercials for the new Jersey Lottery to promote its campaign "For every dream, there's a jackpot".In 2003, Charles headlined the White House Correspondents' Association Dinner in Washington, D.C., attended by President George W. Bush, Laura Bush, Colin Powell and Condoleezza Rice.  Also, in 2003, Charles presented Van Morrison with Morrison's award upon being inducted into the Songwriters Hall of Fame, and the two sang Morrison's song "Crazy Love" (the performance appears on Morrison's 2007 album The Best of Van Morrison Volume 3). In 2003, Charles performed "Georgia on My Mind" and "America the Beautiful" at a televised annual banquet of electronic media journalists held in Washington, D.C. His final public appearance was on April 30, 2004, at the dedication of his music studio as a historic landmark in Los Angeles.

Charles possessed one of the most recognizable voices in American music. He was a master of sounds. His records disclose an extraordinary assortment of slurs, glides, turns, shrieks, wails, breaks, shouts, screams and hollers, all wonderfully controlled, disciplined by inspired musicianship, and harnessed to ingenious subtleties of harmony, dynamics and rhythm. The voice alone, with little assistance from the text or the notated music, conveys the message.

Charles' style and success in the genres of rhythm and blues and jazz had an influence on a number of highly successful artists, including, Elvis Presley, Aretha Franklin, Stevie Wonder, Van Morrison, and Billy Joel. 

Ray, a biopic portraying his life and career between the mid-1930s and 1979, was released in October 2004, starring Jamie Foxx as Charles. Foxx received the 2005 Academy Award for Best Actor for the role.

In 1979, Charles was one of the first musicians born in the State of Georgia to be inducted into the Georgia Music Hall of Fame. His version of "Georgia on My Mind" was also made the official state song of the State of Georgia. And, in 1981, he was given a star on the Hollywood Walk of Fame. 

In 1986, he was one of the first inductees into the Rock & Roll Hall of Fame at its inaugural ceremony. He also received the Kennedy Center Honors in 1986.

Charles won 17 Grammy Awards from his 37 nominations. In 1987, he was also awarded the Grammy Lifetime Achievement Award. Finally, the Grammy Awards of 2005 were dedicated to Ray Charles.

On September 23, 2013, the United States Postal Service issued a forever stamp honoring Charles, as part of its Musical Icons series. And, in 2022, Charles was posthumously inducted into the Country Music Hall of Fame, the third African American to be inducted after Charley Pride (2000) and Deford Bailey (2005). He was also the 13th person to be inducted into both the Country and Rock Halls of Fame.

Charles stated in his 1978 autobiography, Brother Ray: Ray Charles' Own Story, that he became hooked on women after losing his virginity at 12 years old to a woman about 20. "Cigarettes and smack [heroin] are the two truly addictive habits I've known. You might add women," he said. "My obsession centers on women—did then [when young] and does now. I can't leave them alone," he added.

Charles was married twice. His first marriage lasted less than a year; his second lasted 22 years. Throughout his life, Charles had many relationships with women with whom he fathered a dozen children.

Charles' first marriage to Eileen Williams lasted from July 31, 1951, until 1952.

He met his second wife Della Beatrice Howard Robinson (called "Bea" by Charles) in Texas in 1954. They married the following year on April 5, 1955. Their first child together, Ray Charles Robinson, Jr., was born in 1955. Charles was not in town for the birth because he was playing a show in Texas. The couple had two more sons, David and Robert. They raised their children in View Park, California. Charles felt that his heroin addiction took a toll on Della during their marriage. Due to his drug addiction, extramarital affairs on tours and volatile behavior, the marriage deteriorated, and she filed for divorce in 1977. The divorce was finalized after 22 years of marriage.

Charles had a six-year-long affair with Margie Hendrix, one of the original Raelettes, and in 1959 they had a son, Charles Wayne. His affair with Mae Mosley Lyles resulted in a daughter, Renee, born in 1961. In 1963, Charles had another daughter, this one by Sandra Jean Betts, named Sheila Raye Charles. Sheila Raye, like her father, was a singer/songwriter; she died of breast cancer on June 15, 2017.  In 1977, Charles had a child with his Parisian lover Arlette Kotchounian whom he met in 1967. His long-term girlfriend and partner at the time of his death was Norma Pinella.

Charles fathered a total of 12 children with ten different women:

  • Evelyn Robinson, born in 1949 (daughter with Louise Flowers)
  • Ray Charles Robinson Jr., born May 25, 1955 (son with wife Della Bea Robinson)
  • David Robinson, born in 1958 (son with wife Della Bea Robinson)
  • Charles Wayne Hendricks, born on October 1, 1959 (son with Margie Hendricks, one of the Raelettes)
  • Robert Robinson, born in 1960 (son with wife Della Bea Robinson)
  • Renee Robinson, born in 1961 (daughter with Mae Mosely Lyles)
  • Sheila Robinson, born in 1963 (daughter with Sandra Jean Betts)
  • Reatha Butler, born in 1966
  • Alexandra Bertrand, born in 1968 (daughter with Mary-Chantal Bertrand)
  • Vincent Kotchounian, born in 1977 (son with Arlette Kotchounian)
  • Robyn Moffett, born in 1978 (daughter with Gloria Moffett)
  • Ryan Corey Robinson den Bok, born in 1987 (son with Mary Anne den Bok)

Charles held a family luncheon for his 12 children in 2002, ten of whom attended. He told them he was mortally ill and $500,000 had been placed in trusts for each of the children to be paid out over the next five years.

At 18, Charles first tried marijuana when he played in the McSon Trio and was eager to try it as he thought it helped musicians create music and tap into their creativity. He later became addicted to heroin for seventeen years. Charles was first arrested in 1955, when he and his bandmates were caught backstage with loose marijuana and drug paraphernalia, including a burnt spoon, syringe, and needle. The arrest did not deter his drug use, which only escalated as he became more successful and made more money.

In 1958, Charles was arrested on a Harlem street corner for possession of narcotics and equipment for administering heroin.

Charles was arrested on a narcotics charge on November 14, 1961, while waiting in an Indiana hotel room before a performance. The detectives seized heroin, marijuana, and other items. Charles, then 31, said he had been a drug addict since the age of 16. The case was dismissed because of the manner in which the evidence was obtained, but Charles' situation did not improve until a few years later.

On Halloween 1964, Charles was arrested for possession of heroin at Boston's Logan Airport. He decided to quit heroin and entered St. Francis Hospital in Lynwood, California, where he endured four days of cold turkey withdrawal. Following his self-imposed stay, he pleaded guilty to four narcotic charges. Prosecutors called for two years in prison and a hefty fine, but the judge listened to Charles' psychiatrist, Dr. Hacker's account of Charles' determination to get off drugs and he was sent to McLean Hospital in Belmont, Massachusetts.  The judge offered to postpone the verdict for a year if Charles agreed to undergo regular examinations by government-appointed physicians. When Charles returned to court, he received a five-year suspended sentence, four years of probation, and a fine of $10,000.

Charles responded to the saga of his drug use and reform with the songs "I Don't Need No Doctor" and "Let's Go Get Stoned" and with the release of Crying Time, his first album since kicking his heroin addiction in 1966.

Charles enjoyed playing chess. As part of his therapy when he quit heroin, he met with psychiatrist Friedrich Hacker, who taught him how to play chess. He used a special board with raised squares and holes for the pieces. When questioned if people try to cheat against a blind man, Charles joked in reply, "You can't cheat in Chess... I'm gonna see that!" In a 1991 concert, he referred to Willie Nelson as "my chess partner". In 2002, he played and lost to the American grandmaster and former United States champion Larry Evans.

In 2003, Charles had successful hip replacement surgery and was planning to go back on tour, until he began having other ailments. He died on June 10, 2004, of complications resulting from liver failure at his home in Beverly Hills, California. His funeral was held at the First African Methodist Episcopal Church of Los Angeles eight days later, with numerous musical figures in attendance. B. B. King, Glen Campbell, Stevie Wonder and Wynton Marsalis each played a tribute at the funeral. Charles' body was interred in the Inglewood Park Cemetery. 

Ray Charles final album, Genius Loves Company, released two months after Charles' death, consists of duets with admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones and Johnny Mathis. The album won eight Grammy Awards, including Best Pop Vocal Album, Album of the Year, Record of the Year and Best Pop Collaboration with Vocals (for "Here We Go Again", with Norah Jones), and Best Gospel Performance (for "Heaven Help Us All", with Gladys Knight); he also received nods for his duets with Elton John and B.B. King. The album included a version of Harold Arlen and E. Y. Yarburg's "Over the Rainbow", sung as a duet with Johnny Mathis, which was played at Charles' memorial service.

Wednesday, April 3, 2024

2024: 1930 Chronology: Appendix 43: Elza Soares, Brazil's Singer of the Millennium

Appendix 43 

Elza Soares

 Brazil's Singer of the Millennium 


Elza da Conceicao Soares (nee Elsa Gomes da Conceicao; b. June 23, 1930, Rio de Janeiro, Brazil – d. January 20, 2022, Rio de Janeiro, Brazil), known professionally as Elza Soares, was a Brazilian samba singer. In 1999, she was named Singer of the Millennium along with Tina Turner by BBC Radio. 


Elza was deemed dangerous by the military dictatorship in Brazil (1964-1985), and in 1970 her house in the Jardim Botanico neighborhood, in Rio de Janeiro, was machine-gunned by regime agents. Inside were her partner, the Brazilian soccer star Garrincha and their children. The living room, where the young children were, was destroyed by the blasts. Elza and Garrincha had to flee to Italy, where they were received by Chico Buarque de Hollanda who was also in exile.

Elza Gomes da Conceicao was born on June 23, 1930, in Padre Miguel, Rio de Janeiro.  Her father Avelino Gomes was a factory worker and guitarist, and her mother Rosária Maria da Conceicao was a washerwoman. She was born in the Moça Bonita, a favela in the Padre Miguel neighborhood of Rio de Janeiro.  During her childhood, Soares played on the streets, spun wooden tops, flew kites, and fought with boys. Despite poverty and having to carry buckets of water on her head, Elza believed that she had a happy childhood. However, when she was 12, she was forced by her father to marry Lourdes Antônio Soares, also known as Alaúrdes, and within a year gave birth to her first child, João Carlos. Soares liked to sing, and when she needed money for medicine for her son, she participated in a vocal contest presented by Ary Barroso at Radio Tupi.  She was given money for participating and was then able to buy the medicine. When she was fifteen, she gave birth to her second child, who died. After her husband became ill with tuberculosis, she began working at the Veritas soap factory in the Eugenho de Dentro neighborhood of Rio de Janeiro.  At twenty-one, she was a widow, left alone to raise her children: four boys and one girl. But Elza dreamed of becoming a singer.


When she was thirty-two, Elza had a relationship with the Brazilian soccer star Garrincha, the man who, at the time, was deemed to be one of Brazil's greatest soccer star, second only to Pele.  Garrincha was the father of eight children and was idolized by the Brazilian people. Elza was vilified by Brazilian society, with many accusing her of breaking up Garrincha's marriage. She was shouted at in the street, received death threats, and her house was pelted with eggs and tomatoes. 


On April 13, 1969, Elza's mother died in a car accident. Garrincha, Soares, and her daughter Sara were also injured in this accident. Garrincha was driving drunk on the Presidente Dutra highway when a truck merged into the lane. Everyone in the car was hurt, and Dona Rosário was thrown from the vehicle and killed. Soares and Garrincha remained married for sixteen years (1968–1982). Garrincha's friends did not accept Soares as his wife, instead calling her a "witch." Soares tried to curb her husband's dependence on alcohol by visiting bars and pleading with them not to serve her husband. The couple had one child, a boy, born in 1976. He was named after his father, Manuel Francisco dos Santos, and received the nickname Garrincha Jr. In 1983, Garrincha died of cirrhosis, which devastated Soares, even though they were already separated.

On January 11, 1986, her son, Garrincha Jr. died when he was 9 years old in a car accident as he was coming back from visiting his father's hometown, Mage.  It had been raining and the driver lost control of the vehicle. The door opened and the boy was thrown into the Imbarie River.  Soares was disconsolate and considered ending her own life. She left Brazil and toured Europe and the United States.

After many years of searching for her long-lost daughter, they were reunited after Soares returned to Brazil. On July 26, 2015, Soares lost another son, Gerson, when he was 59 years old. He died of complications of a urinary tract infection.  

Soares had six children: João Carlos, Gerson, Gilson, Dilma, Sara, and Garrincha. She died at her residence in Rio de Janeiro, on January 20, 2022, at the age of 91.

In 1958, Soares spent eight months touring Argentina with Mercedes Batista.  She became popular with her first single "Se Acaso Voce Chegasse", on which she introduced scat singing à la Louis Armstrong, adding a bit of jazz to samba, however, Elza said that she did not know American music at the time.  Elza moved to Sao Paulo, where she performed at theaters and night clubs. Her husky voice became her trademark. After finishing her second album, A Bossa Negra, she went to Chile to represent Brazil in the 1962 FIFA World Cup and met Louis Armstrong.

From 1967 to 1969, Soares recorded three albums with the record label Odeon, partnering with singer Miltinho. The albums were titled Elza, Miltinho e Samba (Volumes 1–3). The songs in these albums were mostly in the potpourri style with duets.

In the 1970s, Soares toured the United States and Europe. In 2000, she was named Best Singer of the Millennium by the BBC in London, where she performed a concert with Gal Costa, Chico Buarque, Gilberto Gil, Caetano Veloso, and Virgínia Rodrigues. During the same year, she played a series of avant-garde concerts directed by José Miguel Wisnik in Rio de Janeiro.

Soares scored a number of hits in Brazil throughout her career, including "Se Acaso Você Chegasse" (1960), "Boato" (1961), "Cadeira Vazia" (1961), "Só Danço Samba" (1963), "Mulata Assanhada" (1965), and "Aquarela Brasileira" (1974). Elza Pede Passagem produced no major hit singles, but it was considered representative of the samba-soul of the early 1970s.

In 2002, her album Do Cóccix Até O Pescoço album earned a Grammy nomination. The album was recorded with Caetano Veloso, Chico Buarque, Carlinhos Brown, and Jorge Ben Joi.  In 2004, Soares released Vivo Feliz with the single, "Rio de Janeiro", a homage to her city of birth. While not as successful in sales as her previous release, the album carried on the theme of mixing samba and bossa nova with modern electronic music and effects. The album included collaborations with Nando Reis, Fred 04 (former leader of the mangue beat band Mundo Livre S/A), and Ze Keti.

In 2007, Elza was invited to sing a cappella the Brazilian National anthem at the opening ceremony of the 2007 Pan American Games.

Soares joined Jair Rodrigues and Sen Jorge for Sambistas (2009). In 2016, A Mulher do Fim do Mundo was released internationally with the translated title Woman at the End of the World.  She also performed at the opening ceremony of the Olympic Games in Rio de Janeiro, where she sang "O Canto de Ossanha" by Baden Powell and Vinicius de Moraes.

Her album A Mulher do Fim do Mundo was released in 2015. It was praised by critics as one of the best MPB (Musica Popular Brasileira - Popular Brazilian Music) albums of the past years. She won the award for Best Album in pop/rock/reggae/hip-hop/funk. This album was also nominated for Best Album of Brazilian Popular Music and Best Song in Portuguese at the 17th edition of the Latin Grammy Awards.

Her album Deus É Mulher was ranked as the 2nd best Brazilian album of 2018 by the Brazilian edition of Rolling Stone magazine and among the 25 best Brazilian albums of the first half of 2018 by the Sao Paulo Association of Art Critics.

The follow-up Planet Fome was considered one of the 25 best Brazilian albums of the second half of 2019 by the Sao Paulo Association of Art Critics.  For this album, Soares planned a cover of "Comida", byTitas, featuring the then current members of the band (Branco Mello, Sergio Britto and Tony Bellotto), but she ended up choosing to save the song for later and it was released in October 2020 to mark the album's first anniversary and to celebrate its nomination for the Latin Grammy Award.

Monday, April 1, 2024

2024: 1930 Chronology: Appendix 42: Johnny Bright, Trailblazing African American Football Player

 Appendix 42

Johnny Bright 

Trailblazing African American Football Player 


Johnny D. Bright (b. June 11, 1930, Fort Wayne, Indiana – d. December 14, 1983, Edmonton, Alberta, Canada) played college football at Drake University. In 1951, Bright was named a First Team College Football All-American, and was awarded the Nils V. "Swede" Nelson Sportsmanship Award. In 1969, Bright was named Drake University's greatest football player of all time. Bright is the only Drake football player to have his jersey number (No. 43) retired by the school.  In February 2006, the football field at Drake Stadium, in Des Moines, Iowa, was named in his honor. In November 2006, Bright was voted one of the Canadian Football League's Top 50 players (No. 19) of the league's modern era by Canadian sports network TSN.

In addition to his outstanding professional and college football careers, Bright is perhaps best known for his role as the victim of an  intentional, most likely racially motivated, on-field assault by an opposing college football player from Oklahoma A&M (now Oklahoma State University) on October 20, 1951, that was captured in a widely disseminated and Pulitzer Prize winning photo sequence, and eventually came to be known as the "Johnny Bright Incident". 
Born in Fort Wayne, Indiana, on June 11, 1930, Bright was the second oldest of five brothers. Bright lived with his mother and step father Daniel Bates, brothers, Homer Bright, the eldest, Alfred, Milton, and Nate Bates, in a working class, predominantly African American neighborhood in Fort Wayne.  
Bright was a three-sport (football, basketball, track and field) star at Fort Wayne's Central High School. Bright, who also was an accomplished softball pitcher and boxer, led Central High's football team to a City title in 1945, and helped the basketball team to two state tournament Final Four appearances.
Following his graduation from Central High in 1947, Bright initially accepted a football scholarship at Michigan State University, but, apparently unhappy with the direction of the Spartans football program, transferred to Drake University in Des Moines, Iowa, where he accepted a track and field scholarship that allowed him to try out for the football an basketball squads. Bright eventually lettered in football, track, and basketball, during his collegiate career at Drake..
Following a mandatory freshman redshirt year, Bright began his collegiate football career in 1949, rushing for 975 yards and throwing for another 975 to lead the nation in total offense during his sophomore year, as the Drake Bulldogs  finished their season at 6–2–1. In Bright's junior year, the halfback/quarterback rushed for 1,232 yards and passed for 1,168 yards, setting an NCAA record for total offense (2,400 yards) in 1950, and again led the Bulldogs to a 6–2–1 record.
Bright's senior year began with great promise. Bright was considered a pre-season Heisman Trophy candidate, candidate, and was leading the nation in both rushing and total offense with 821 and 1,349 yards respectively, when the Drake Bulldogs, winners of their previous five games, faced Missouri Valley Conference foe Oklahoma A&M at Lewis Field (now Boone Pickens Stadium) in Stillwater, Oklahoma, on October 20, 1951.
Bright's participation as a halfback/quarterback in Drake's game against Oklahoma A&M on October 20, 1951, was controversial, as it marked the first time that such a prominent African American athlete, with national notoriety (Bright was a pre-season Heisman Trophy candidate and led the nation in total offense going into the game) and of critical importance to the success of his team (Drake was undefeated and carried a five-game winning streak into the contest, due in large part to his rushing and passing), had played against Oklahoma A&M in a home game at Lewis Field, in Stillwater.
During the first seven minutes of the game, Bright had been knocked unconscious three times by blows from Oklahoma A&M defensive tackle Wilbanks Smith. While the final elbow blow from Smith broke Bright's jaw, Bright was able to complete a 61-yard touchdown pass to halfback Jim Pilkington a few plays later before the injury finally forced Bright to leave the game. Bright finished the game with 75 yards (14 yards rushing and 61 yards passing), the first time he had finished a game with less than 100 yards in his three-year collegiate career at Drake. Oklahoma A&M eventually won the game 27-14.
A photographic sequence by Des Moines Register cameramen Don Ultang and John Robinson clearly showed that Smith's jaw breaking blow to Bright had occurred well after Bright had handed off the ball to fullback Gene Macomber, and that the blow was delivered well behind the play.  The pictures won a Pulitzer Prize in 1952 for the photographer, Don Ultang of The Des Moines Sunday Register. Years later, Ultang said that he and Robinson were lucky to capture the incident when they did; they'd only planned to stay through the first quarter so they could get the film developed in time for the next day's edition.
It had been an open secret before the game that A&M was planning to target Bright. Even though A&M had integrated two years earlier, the Jim Crow spirit was still very much alive in Stillwater. Both Oklahoma A&M's student newspaper, The Daily O'Collegian, and the local newspaper, The News Press, reported that Bright was a marked man, and several A&M students were openly claiming that Bright "would not be around at the end of the game." Ultang and Robinson had actually set up their camera after rumors of Bright being targeted became too loud to ignore.
When it became apparent that neither Oklahoma A&M nor the Missouri Valley Conference (MVC) would take any disciplinary action against Smith, Drake withdrew from the MVC in protest and stayed out until 1956 (though it did not return for football until 1971). Fellow member Bradley University pulled out of the league as well in solidarity with Drake; while it returned for non-football sports in 1955, Bradley never played another down of football in the MVC (it dropped football in 1970).
The "Johnny Bright Incident", as it became widely known, eventually provoked changes in NCAA football rules regarding illegal blocking, and mandated the use of more protective helmets with face guards.
Recalling the incident without apparent bitterness in a 1980 Des Moines Register interview noted three years before Bright's death:
There's no way it couldn't have been racially motivated. Bright went on to add: What I like about the whole deal now, and what I'm smug enough to say, is that getting a broken jaw has somehow made college athletics better. It made the NCAA take a hard look and clean up some things that were bad.
Bright's jaw injury limited his effectiveness for the remainder of his senior season at Drake, but he finished his college career with 5,983 yards in total offense, averaging better than 236 yards per game in total offense, and scored 384 points in 25 games. As a senior, Bright earned 70 percent of the yards Drake gained and scored 70 percent of the Bulldogs' points, despite missing the better part of the final three games of the season.
Despite irrefutable evidence of the incident, Oklahoma A&M officials denied anything had happened. Indeed, Oklahoma A&M/State refused to make any further official comment on the incident for over half a century. This was the case even when Drake's former dean of men, Robert B. Kamm,  became president of OSU in 1966. Years later, he said that the determination to gloss over the affair was so strong that he knew he could not even discuss it. Finally, on September 28, 2005, Oklahoma State President David J. Schmidly wrote a letter to Drake President David Maxwell formally apologizing for the incident, calling it "an ugly mark on Oklahoma State University and college football." The apology came twenty-two years after Bright's death.
In February 2006, the football field at Drake Stadium, in Des Moines, Iowa, was named in Bright's honor.

Following his final football season at Drake (1951), Bright was named a First Team College Football All-American and finished fifth in the balloting for the 1951 Heisman Trophy. Bright was also awarded the Nils V. "Swede" Nelson Sportsmanship Award, and played in both the post-season East-West Shrine Game and the Hula Bowl.
In 1969, Bright was named Drake University's greatest football player of all time. He is also the only Drake football player to have his jersey number (No. 43) retired by the school.

Bright was the first pick of the Philadelphia Eagles in the first round of the 1952 National Football League draft.  Bright spurned the NFL, electing to play for the Calgary Stampeders of the Western Interprovinciai Football Union (WIFU), the precursor to the West Division of the Canadian Football League. Bright later commented:
I would have been their (the Eagles') first Negro player. There was a tremendous influx of Southern players into the NFL at that time, and I didn't know what kind of treatment I could expect.
Bright joined the Calgary Stampeders as a fullback/linebacker in 1952, leading the Stampeders and the WIFU in rushing with 815 yards his rookie season. Bright played fullback/linebacker with the Stampeders for the 1952, 1953, and part of the 1954 seasons. In 1954, the Calgary Stampeders traded Bright to the Edmonton Eskimos in mid-season. Bright would enjoy the most success of his professional football career as a member of the Eskimos.
Though Bright played strictly defense as a linebacker in his first year with the Eskimos, he played both offense (as a fullback) and defense for two seasons (1955-1956), and played offense permanently after that (1957-1964).  He, along with teammates Rollie Miles, Normie Kwong, and Jackie Parker, helped lead the Eskimos to successive Grey Cup titles in 1954, 1955, and 1956 (where Bright rushed for a then Grey Cup record of 171 yards in a 50–27 win over the Montreal Alouettes). In 1957, he rushed for eight consecutive 100-yard games, finishing the season with 1,679 yards. In 1958, he rushed for 1,722 yards. In 1959, following his third straight season as the Canadian pro rushing leader with 1,340 yards, Bright won the Canadian Football League's Most Outstanding Player Award, the first African American or African Canadian athlete to be so honored.
Bright was approached several times during his Canadian career by NFL teams about playing in the United States, but in the days before the blockbuster salaries of today's NFL players, it was common for CFL players such as Bright to hold regular jobs in addition to football, and he had already started a teaching career in 1957, the year he moved his family to Edmonton.
Bright retired in  1964 as the CFL's all-time leading rusher. Bright rushed for 10,909 yards in 13 seasons, had five consecutive 1,000 yard seasons, and led the CFL in rushing four times. While Bright, as of 2017, was 15th on the All-Pro Rushing list, his career average of 5.5 yards per carry is the highest among 10,000+ yard rushers (National Football League Hall of Famer Jim Brown is second at 5.2 yards per carry). At the time of his retirement, Bright had a then-CFL record thirty-six 100-plus-yard games, carrying the ball 200 or more times for five straight seasons. Bright led the CFL Western Conference in rushing four times, winning the Eddie James Memorial Trophy in the process, and was a CFL Western Conference All-Star five straight seasons from 1957 to 1961. Bright played in 197 consecutive CFL games as a fullback/linebacker. Bright's No. 24 jersey was added to the Edmonton Eskimos' Wall of Honour at the Eskimo's Commonwealth Stadium in 1983. Bright was inducted into the Canadian Football Hall of Fame on November 26, 1970. In November 2006, Bright was voted one of the CFL's Top 50 players (No. 19) for the league's modern era by Canadian sports network TSN. 
Bright earned a Bachelor of Science degree in education at Drake University in 1952, becoming a teacher, coach, and school administrator, both during and after his professional football career, eventually rising to the seat of principal of D.S. Mackenzie Junior High School and Hillcrest Junior High School in Edmonton, Alberta. He became a Canadian citizen in 1962.
Bright died of a massive heart attack on December 14, 1983, at the University of Alberta Hospital  in Edmonton, while undergoing elective surgery to correct a knee injury suffered during his football career. He was survived by his wife and four children.
Bright is buried at Holy Cross Cemetery, in Edmonton.
In September 2010, Johnny Bright School, a kindergarten through grade 9 school, was named in Bright's honor, and opened in the Rutherford neighborhood of Edmonton. The school was officially opened on September 15, 2010, by representatives of the school district and Alberta Education Minister Dave Hancock, and included tributes from Bright's family, several dignitaries, and former colleagues of Bright from both his athletic and educational careers.

Monday, March 25, 2024

2024: 1930 Chronology: Appendix 41: The Nigerian Civil War and The Battle of Ore

 

 Appendix 41 

The Nigerian Civil War 

and

The Battle of Ore

The Nigerian Civil War (also known as the Biafran War and the Nigerian-Biafran War) was a civil war in Nigeria fought between the government of Nigeria and the secessionist state of Biafra from July 6, 1967 to 15 January 15, 1970. Biafra represented nationalist aspirations of the Igbo people, whose leadership felt they could no longer coexist with the Northern-dominated federal government. The conflict resulted from political, economic, ethnic, cultural and religious tensions which preceded Britain's formal decolonization of Nigeria from 1960 to 1963. Immediate causes of the war in 1966 included ethno-religious riots in Northern Nigeria, a military coup, a countercoup and persecution of Igbo living in Northern Nigeria. Control over the lucrative oil production in the Niger Delta played a vital strategic role.
Within a year, the Federal Government troops surrounded Biafra, capturing coastal oil facilities and the city of Port Harcourt. The blockade imposed during the ensuing stalemate led to mass starvation. During the two and half years of the war, there were about 100,000 overall military casualties, while between 500,000 and 2 million Biafran civilians died of starvation.
In mid-1968, images of malnourished and starving Biafran children saturated the mass media of Western countries. The plight of the starving Biafrans became a cause celebre in foreign countries, enabling a significant rise in the funding and prominence of international non-governmental organizations (NGOs). The United Kingdom and the Soviet Union were the main supporters of the Nigerian government, while France, Israel, and some other countries supported Biafra.

*****


The Battle of Ore was the key battle in the Midwest Invasion of 1967. The Midwest Invasion of 1967 (August 9 – September 20, 1967) codenamed Operation Torch. was a military operation between Nigerian and Biafran military forces during the Nigerian Civil War. The invasion began on August 9 when 3,000 Biafran soldiers led by Colonel Victor Banjo crossed the River Niger Bridge into Asaba.  Upon reaching Agbor, the Biafrans split up. With the 12th Battalion moving west capturing the cities of Benin and Ore.  The 18th Battalion swung south, taking Warri, Sapele and Ughelli.  While the 13th Battalion headed north for Auchi, Agenebode and Okene.  Simultaneously, a plot to capture Mid-Western Governor David Ejoor Mid-Western Governor at his home in Benin failed. Nevertheless, the Biafrans, meeting virtually no resistance, had seized the entire Mid-Western Region in less than 12 hours.

Plans were drawn for the 12th Battalion to continue its advance towards Lagos and Ibadan. However, it was devastatingly delayed due to arguments between  Nigerian President Odumegwu Ojukwu and Victor Banjo on whom to appoint as governor of the Mid-West. Giving enough time for Nigeria's Head of State Yakubu Gowon to assemble a defensive line in the west. Also, during the occupation there was widespread hostility between native Urhobo-Isoko, Ijoid and Itsekiri people against the occupying Igbo soldiers. Igbo and native militia groups launched hit and run and reprisal raids against each other. In a last ditch attempt to ease this inter-tribal tension, Ojukwu proclaimed the Republic of Benin under governor Albert Okonkwo on September 19, 1967, only for Nigerian troops to enter Benin the next day on the 20th, ending the new republic's 24 hour span.

The Biafran situation rapidly deteriorated following a Nigerian attack by Murtala Muhammad's 2nd Division at Ore, forcing the Biafrans to immediately retreat. In a large pincer movement, another Nigerian force headed south from Auchi towards Benin, as Benjamin Adekunle's 3rd Marine Commando division landed at Warri and promptly took Ughelli and Sapele. Benin was liberated in a three pronged attack from North, West and South which met little resistance. Biafran troops that were able to retreat fled across the Niger River Bridge into Biafra, destroying it afterwards. Those that were cut off abandoned their weaponry and uniforms and blended into the civilian population until it was safe to return east.

The Biafran retreat from Ore is considered the turning point of the Nigerian Civil War. However, it did not end the hostilities. For two more years, the war lingered on with a blockade of Biafra resulting in the deaths of millions due to starvation.