A00071 - Marva Collins, Educator Who Educated Poor, Black Students

Marva Collins, née Marva Delores Knight   (b. August 31, 1936, Monroeville, Alabama —d. June 24, 2015, Bluffton, South Carolina), American educator who broke with a public school system she found to be failing inner-city children and established her own rigorous system and practice to cultivate her students’ independence and accomplishment.

Marva Knight attended the Bethlehem Academy, a strict school that proved to have an influence on the development of her later educational methods. She studied secretarial sciences at Clark College in Atlanta but was unable to work as a secretary because of her race. From 1957 she taught bookkeeping, typing, shorthand, and business law at Monroe County Training School. She moved to
Chicago in 1959 and married Clarence Collins.

In 1961 Marva Collins began working for the Chicago school system. Dissatisfied with its apathy, neglect, and hostility toward inner-city students, most of whom were poor and black, Collins set high standards for her pupils and adopted unorthodox teaching methods. She relied on such traditional methods as memorization, and to inspire her students to read she assigned them classic texts that others considered too challenging.

In 1975 Collins left the Chicago school system to found the private Daniel Hale Williams Westside Preparatory School. With financial assistance from the government-funded Alternative Schools Network, she began with four students.  Within a year enrollment had increased to 20 students, most of whom were considered uneducable by the standards of Chicago public schools.

In 1979 Westside Prep gained national prominence following a story and interview with Collins on the television news show 60 Minutes.  Highly laudatory coverage followed in such magazines as Time, Jet, Newsweek, and Black Enterprise. In 1981, CBS aired The Marva Collins Story. Collins refused several offers for powerful positions, including United States Secretary of Education and superintendent of the Los Angeles school system, choosing to remain with her school.

In 1982 an educational magazine accused Collins of inflating test scores; she was also charged with plagiarism, harassing parents about tuition payments, and fueling right-wing attacks on public education. Despite the controversy, she retained many supporters and began a teacher-training program to impart her methods to other inner-city teachers. Collins later resigned her position at the school but continued working with the Westside Prep staff and traveled widely to promote her ideas. The school was closed in 2008 owing to a shortage of funds.

In 2004 President George W. Bush awarded Collins the prestigious National Humanities Medal. Collins recounted her career in Marva Collins’ Way (1982, reissued 1990), written with Civia Tamarkin.

A00070 - Alvin Ailey, Trailblazing Choreographer

Alvin Ailey, Jr.,  (born January 5, 1931, Rogers, Texas  — died December 1, 1989, New York, New York), American dancer, choreographer, and director of the Alvin Ailey American Dance Theater.

Having moved with his family to Los Angeles in 1942, Ailey became involved with the Lester Horton Dance Theater there in 1949. Following Horton’s death in 1953, Ailey was director of the company until it disbanded in 1954. He moved to New York City that year. There he performed in various stage productions and studied acting with Stella Adler and dance with Martha Graham, Hanya Holm, Charles Weidman, and others.

In 1958, Ailey formed his own dance company. The Alvin Ailey American Dance Theater, composed primarily of African Americans, toured extensively both in the United States and abroad. In addition to works by Ailey, the company performed the works of several pioneer choreographers of modern dance, including Horton, Pearl Primus, and Katherine Dunham.  The company’s signature piece is Revelations (1960), a powerful, early work by Ailey that is set to African American spirituals.

Ailey subsequently continued to choreograph works for his own and other modern-dance companies. The Alvin Ailey American Dance Theater, through its highly successful tours on every continent, made him the best-known American choreographer abroad from the 1960s through the ’80s.

A00069 - Ben E. King, Soulful Singer of "Stand By Me"

Benjamin Earl King (September 28, 1938 – April 30, 2015), known as Ben E. King, was an American soul and R&B singer. He was perhaps best known as the singer and co-composer of "Stand by Me" -- a US Top 10 hit,  both in 1961 and later in 1986 (when it was used as the theme to the film of the same name), a number one hit in the United Kingdom in 1987, and no. 25 on the Recording Industry Association of America's (RIAA's list of Songs of the Century --  and as one of the principal lead singers of the R&B vocal group the Drifters. 

King was born Benjamin Earl Nelson on September 28, 1938, in Henderson, North Carolina, and moved to Harlem, New York, at the age of nine in 1947.  King began singing in church choirs, and in high school formed the Four B’s, a doo-wop group that occasionally performed at the Apollo.

In 1958, King (still using his birth name) joined a doo-wop group called the Five Crowns. Later that year, the Drifters' manager George Treadwell fired the members of the original Drifters, and replaced them with the members of the Five Crowns.  King had a string of R&B hits with the group on Atlantic Records.   He co-wrote and sang lead on the first Atlantic hit by the new version of the Drifters, "There Goes My Baby" (1959). He also sang lead on a succession of hits by the team of Doc Pomus and Mort Shuman, including "Save the Last Dance for Me", "This Magic Moment", and "I Count the Tears".  King only recorded thirteen songs with the Drifters—two backing other lead singers and eleven as lead vocal — including a non-single called "Temptation" (later redone by Drifters vocalist Johnny Moore). The last of the King-led Drifters singles to be released was "Sometimes I Wonder", which was recorded May 19, 1960, but not issued until June 1962.

Due to contract disputes with Treadwell in which King and his manager, Lover Patterson, demanded greater compensation, King rarely performed with the Drifters on tour or on television. On television, fellow Drifters member Charlie Thomas usually lip-synched the songs that King had recorded with the Drifters.

In May 1960, King left the Drifters, assuming the stage name Ben E. King in preparation for a solo career. Remaining with Atlantic Records on its Atco imprint, King scored his first solo hit with the ballad "Spanish Harlem" (1961).  His next single, "Stand by Me",  written with Jerry Leiber and Mike Stoller, ultimately would be voted as one of the Songs of the Century by the Recording Industry Association of America (RIAA). King cited singers Brook Benton, Roy Hamilton, and Sam Cooke as influences for his vocals.  "Stand by Me", "There Goes My Baby", and "Spanish Harlem" were named as three of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll; and each of those records plus "Save The Last Dance For Me" has earned a Grammy Hall of Fame Award. 

King's records continued to place well on the Billboard Hot 100 chart until 1965. British pop bands began to dominate the pop music scene, but King still continued to make R&B hits, including "What is Soul?" (1966), "Tears, Tears, Tears" (1967), and "Supernatural Thing" (1975).  A 1986 re-issue of "Stand by Me" followed the song's use as the theme song to the movie Stand By Me and re-entered the Billboard Top Ten after a 25-year absence.

As a Drifter and as a solo artist, King achieved five number one hits: "There Goes My Baby", "Save The Last Dance For Me", "Stand By Me", "Supernatural Thing", and the 1986 re-issue of "Stand By Me". He also earned 12 Top 10 hits and 26 Top 40 hits from 1959 to 1986. He was inducted into the Rock and Roll Hall of Fame as a Drifter.  He was also nominated as a solo artist.