Sunday, October 22, 2023

2023: 1930 Chronology: Appendix 29: Derek Walcott, The 1992 Nobel Prize Recipient for Literature


 Appendix 29

Derek Walcott

The 1992 Nobel Prize Recipient

for

Literature

Derek Alton Walcott (b. January 23, 1930, Castries, Saint Lucia - d. March 17, 2017, Cap Estate, Saint Lucia) was a West Indian poet and playwright noted for works that explore the Caribbean cultural experience.  He received the Nobel Prize for Literature in 1992.


Walcott was educated at St. Mary's College in Saint Lucia and at the University of the West Indies in Jamaica. He began writing poetry at an early age, taught at schools in Saint Lucia and Grenada, and contributed articles and reviews to periodicals in Trinidad and Jamaica. Productions of his plays began in Saint Lucia in 1950, and he studied theater in New York City in 1958–59. He lived thereafter in Trinidad and the United States, teaching for part of the year at Boston University. 
Walcott was best known for his poetry, beginning with In a Green Night: Poems 1948–1960 (1962). This book is typical of his early poetry in its celebration of the Caribbean landscape’s natural beauty. The verse in Selected Poems (1964), The Castaway (1965), and The Gulf (1969) is similarly lush in style and incantatory in mood as Walcott expresses his feelings of personal isolation, caught between his European cultural orientation and the black folk cultures of his native Caribbean. Another Life (1973) is a book-length autobiographical poem. In Sea Grapes (1976) and The Star-Apple Kingdom (1979), Walcott uses a tenser, more economical style to examine the deep cultural divisions of language and race in the Caribbean. The Fortunate Traveller (1981) and Midsummer (1984) explore his own situation as a black writer in America who has become increasingly estranged from his Caribbean homeland.
Walcott’s Collected Poems, 1948–1984, was published in 1986. In his book-length poem Omeros (1990), he retells the dramas of Homer's Iliad and Odyssey in a 20th-century Caribbean setting. The poems in The Bounty (1997) are mostly devoted to Walcott’s Caribbean home and the death of his mother. In 2000 Walcott published Tiepolo’s Hound, a poetic biography of West Indian-born French painter Camille Pisarro with autobiographical references and reproductions of Walcott’s paintings. (The latter are mostly watercolors of island scenes. Walcott’s father had been a visual artist, and the poet began painting early on.) The book-length poem The Prodigal (2004), its setting shifting between Europe and North America, explores the nature of identity and exile. Selected Poems, a collection of poetry from across Walcott’s career, appeared in 2007. Aging is a central theme in White Egrets (2010), a volume of new poems.
Of Walcott’s approximately 30 plays, the best-known are Dream on Monkey Mountain (produced 1967), a West Indian’s quest to claim his identity and his heritage; Ti-Jean and His Brothers (1958), based on a West Indian folktale about brothers who seek to overpower the Devil; and Pantomime (1978), an exploration of colonial relationships through the Robinson Crusoe story. The Odyssey: A Stage Version appeared in 1993. Many of Walcott’s plays make use of themes from black folk culture in the Caribbean.
The essays in What the Twilight Says (1998) are literary criticism.  They examine such subjects as the intersection of literature and politics and the art of translation.
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Derek Alton Walcott (b. January 23, 1930, Castries, Saint Lucia - d. March 17, 2017, Cap Estate, Saint Lucia) was a Saint Lucian poet and playwright noted for works that explore the Caribbean cultural experience. He received the Nobel Prize for Literature in 1992.
Walcott's works include the Homeric epic poerm Omeros (1990), which many critics view "as Walcott's major achievement." In addition to winning the Nobel Prize, Walcott received many literary awards over the course of his career, including an Obie Award in 1971 for his play Dream on Monkey Mountain, a MacArthur Foundation "genius" award, a Royal Society of Literature Award, the Queen's Medal for Poetry, the inaugural OCM Bocas Prize for Caribbean Literature, the 2010 T. S. Eliot Prize for his book of poetry White Egrets and the Griffin Trust for Excellence in Poetry Lifetime Recognition Award in 2015.
Walcott was born and raised in Castries, Saint Lucia, in the West Indies, the son of Alix (Maarlin) and Warwick Walcott. He had a twin brother, the playwright Roderick Walcott, and a sister, Pamela Walcott. His family is of English, Dutch and African descent, reflecting the complex colonial history of the island that he explores in his poetry. His mother, a teacher, loved the arts and often recited poetry around the house. His father was a civil servant and a talented painter. He died when Walcott and his brother were one year old and were left to be raised by their mother. Walcott was brought up in Methodist schools. His mother, who was a teacher at a Methodist elementary school, provided her children with an environment where their talents could be nurtured. Walcott's family was part of a minority Methodist community, who felt overshadowed by the dominant Catholic culture of the island established during French colonial rule.
As a young man Walcott trained as a painter, mentored by Harold Simmons, whose life as a professional artist provided an inspiring example for him. Walcott greatly admired Cezanne and Giorgione and sought to learn from them. Walcott's painting was later exhibited at the Anita Shapolsky Gallery in New York City, along with the art of other writers, in a 2007 exhibition named The Writer's Brush: Paintings and Drawing by Writers.
He studied as a writer, becoming "an elated, exuberant poet madly in love with English" and strongly influenced by modernist poets such as T.S. Eliot and Ezra Pound.  Walcott had an early sense of a vocation as a writer. In the poem "Midsummer" (1984), he wrote:

Forty years gone, in my island childhood, I felt that
the gift of poetry had made me one of the chosen,
that all experience was kindling to the fire of the Muse.

At 14, Walcott published his first poem, a Miltonic, religious poem, in the newspaper The Voice of St Lucia. An English Catholic priest condemned the Methodist-inspired poem as blasphemous in a response printed in the newspaper. By 19, Walcott had self-published his first two collections with the aid of his mother, who paid for the printing: 25 Poems (1948) and Epitaph for the Young: XII Cantos (1949). He sold copies to his friends and covered the costs. He later commented:

I went to my mother and said, "I'd like to publish a book of poems, and I think it's going to cost me two hundred dollars." She was just a seamstress and a schoolteacher, and I remember her being very upset because she wanted to do it. Somehow she got it—a lot of money for a woman to have found on her salary. She gave it to me, and I sent off to Trinidad and had the book printed. When the books came back I would sell them to friends. I made the money back.

The influential Bajan poet Frank Collymore critically supported Walcott's early work.


After attending high school at Saint Mary's College, he received a scholarship to study at the University College of the West Indies in Kingston, Jamaica. 


After graduation, Walcott moved to Trinidad in 1953, where he became a critic, teacher and journalist. He founded the Trinidad Theatre Workshop in 1959 and remained active with its board of directors.


Exploring the Caribbean and its history in a colonialist and post-colonialist context, his collection In a Green Night: Poems 1948–1960 (1962) attracted international attention. His play Dream on Monkey Mountain (1970) was produced on NBC-TV in the United States the year it was published. Makak is the protagonist in this play; and "Makak's condition represents the condition of the colonized natives under the oppressive forces of the powerful colonizers". In 1971 it was produced by the Negro Ensemble Company off-Broadway in New York City.  It won an Obie Award that year for "Best Foreign Play". The following year, Walcott received an OBE (Order of the British Empire) from the British government for his work.


Walcott was hired as a teacher by Boston University in the United States, where he founded the Boston Playwrights' Theatre in 1981. That year he also received a MacArthur Foundation Fellowship in the United States. Walcott taught literature and writing at Boston University for more than two decades, publishing new books of poetry and plays on a regular basis. Walcott retired from his position at Boston University in 2007. He became friends with other poets, including the Russian expatriate Joseph Brodsky, who lived and worked in the United States after being exiled in the 1970s, and the Irishman Seamus Heaney, who also taught in Boston.


Walcott's epic poem Omeros (1990), which loosely echoes and refers to characters from the Iliad, has been critically praised as his "major achievement." The book received praise from publications such as The Washington Post and The New York Times Book Review, which chose Omeros as one of its "Best Books of 1990".


Walcott was awarded the Nobel Prize in Literature in 1992, the second Caribbean writer to receive the honor after Saint-John Perse, who was born in Guadeloupe, received the award in 1960. The Nobel committee described Walcott's work as "a poetic oeuvre of great luminosity, sustained by a historical vision, the outcome of a multicultural commitment".  He also received an Anisfield-Wolf Book Award for Lifetime Achievement in 2004.


His later poetry collections include Tiepolo's Hound (2000), illustrated with copies of his watercolors; The Prodigal (2004), and White Egrets (2010), which received the T.S. Eliot Prize and the 2011 OCM Bocas Prize for Caribbean Literature. 


Derek Walcott held the Elias Ghanem Chair in Creative Writing at the University of Nevada, Las Vegas in 2007. In 2008, Walcott gave the first Cola Debrot Lectures.  In 2009, Walcott began a three-year distinguished scholar-in-residence position at the University of Alberta.  In 2010, he became Professor of Poetry at the University of Essex. 


As a part of Saint Lucia's Independence Day celebrations, in February 2016, Derek Walcott became one of the first knights of the Order of Saint Lucia.


Walcott published more than twenty plays, the majority of which have been produced by the Trinidad Theatre Workshop and have also been widely staged elsewhere. Many of them address, either directly or indirectly, the liminal status of the West Indies in the post-colonial period. Through poetry he also explores the paradoxes and complexities of this legacy.


*****


Walcott's epic book-length poem Omeros was published in 1990 to critical acclaim. The poem very loosely echoes and references Homer and some of his major characters from The Iliad. Some of the poem's major characters include the island fishermen Achille and Hector, the retired English officer Major Plunkett and his wife Maud, the housemaid Helen, the blind man Seven Seas (who symbolically represents Homer), and the author himself.


Although the main narrative of the poem takes place on the island of Saint Lucia, where Walcott was born and raised, Walcott also includes scenes from Brookline, Massachusetts (where Walcott was living and teaching at the time of the poem's composition), and the character Achille imagines a voyage from Africa onto a slave ship that is headed for the Americas. Also, in Book Five of the poem, Walcott narrates some of his travel experiences in a variety of cities around the world, including Lisbon, London, Dublin, Rome, and Toronto.


Composed in a variation on terza rima, the work explores the themes that run throughout Walcott's oeuvre: the beauty of the islands, the colonial burden, the fragmentation of Caribbean identity, and the role of the poet in a post-colonial world.


In this epic, Walcott speaks in favor of unique Caribbean cultures and traditions to challenge the modernity that existed as a consequence of colonialism.


*****


In 2013, Dutch filmmaker Ida Does released Poetry is an Island, a feature documentary film about Walcott's life and the ever-present influence of his birthplace of Saint Lucia.


In 1954, Walcott married Fay Moston, a secretary, and they had a son, the Saint Lucian painter Peter Walcott. The marriage ended in divorce in 1959. Walcott married a second time to Margaret Maillard in 1962, who worked as an almoner in a hospital. Together they had two daughters, Elizabeth Walcott-Hackshaw and Anna Walcott-Hardy, before divorcing in 1976. In 1976, Walcott married for a third time, to actress Norline Metivier; they divorced in 1993. His companion until his death was Sigrid Nama, a former art gallery owner.


Walcott was also known for his passion for traveling to countries around the world. He split his time between New York, Boston, and St. Lucia, and incorporated the influences of different locations into his pieces of work.


Walcott died at his home in Cap Estate, St. Lucia, on March 17, 2017. He was 87. He was given a state funeral on Saturday, March 25, 2017, with a service at the Cathedral Basilica of the Immaculate Conception in Castries and burial at Morne Fortune. 


In 1993, a public square and park located in central Castries, Saint Lucia, was named Derek Walcott Square.  A documentary film, Poetry Is an Island: Derek Walcott, by filmmaker Ida Does, was produced to honor him and his legacy in 2013.


The Saint Lucia National Trust acquired Walcott's childhood home at 17 Chaussée Road, Castries, in November 2015, renovating it before opening it to the public as Walcott House in January 2016.


In January 2020, the Sir Arthur Lewis Community College in Saint Lucia announced that Walcott's books on Caribbean Literature and poetry have been donated to its Library.