Thursday, April 25, 2024

2024: 1930 Chronology: Appendix 45: Derrick Bell and Critical Race Theory


Appendix 45

Derrick Bell 

and

Critical Race Theory


Derrick Albert Bell Jr. (b. November 6, 1930, Pittsburgh, Pennsylvania – d. October 5, 2011, New York City, New York) was an American lawyer, legal scholar, and civil rights activist. Bell first worked for the United States Justice Department, then the NAACP Legal Defense Fund, where he supervised over 300 school desegregation cases in Mississippi.

After a decade as a civil rights lawyer, Bell moved into academia where he spent the second half of his life. He started teaching at the University of Southern California, then moved to Harvard Law School where he became the first tenured African American professor of law in 1971. From 1991 until his death in 2011, Bell was a visiting professor at New York University School of Law, and a dean of the University of Oregon School of Law.  While he was a visiting, he was a professor of constitutional law.

Bell developed important scholarship, writing many articles and multiple books, using his practical legal experience and his academic research to examine racism, particularly in the legal system. Bell questioned civil rights advocacy approaches, partially stemming from frustrations in his own experiences as a lawyer. Bell is often credited as one of the originators of critical race theory.  

Bell was born on November 6, 1930, to Derrick Albert and Ada Elizabeth Childress Bell. He was raised in a working-class family in the Hill District of Pittsburgh, Pennsylvania. He was raised a Presbyterian. Bell's maternal grandfather, John Childress, was a blind cook on the Pennsylvania Railroad. His paternal grandfather was a minister in Dothan, Alabama. 

Bell attended Schenley High School and was the first member of his family to go to college. He was offered a scholarship to Lincoln University but could not attend due to a lack of financial aid, choosing to attend Duquesne University instead. There, he was a member of the college's Reserve Officers' Training Corps (ROTC) and graduated with his bachelor's degree in 1952. He then served as an officer for the United States Air Force for two years, one of which he spent in Korea.

In 1957, Bell received a LL.B. from the University of Pittsburgh School of Law where he was the only Black graduate of his class. In 1960, Bell married Jewel Hairston who was also a Civil Rights activist and educator. They would go on to have three sons: Derrick, Douglas, and Carter. They were married until Jewel died in 1990. He later married Janet Dewart.

After graduation, and with a recommendation from then United States associate attorney general William P. Rogers, Bell took a position with the newly formed Department of Justice in the Honor Graduate Recruitment Program. Due to his interests in racial issues, he transferred to the Civil Rights Division. He was one of the few Black lawyers working for the Justice Department at the time. Bell was the first academic in law that created a casebook that explored and examined the law's impact and relationship on race and racism. Along with this, he examined how race and racism shaped law-making, during a time when connecting these ideas was not considered legitimate.

In 1959, the Justice Department asked Bell to resign his membership in the National Association for the Advancement of Colored People (NAACP) because it was thought that his objectivity, and that of the department, might be compromised or called into question. Rather than give up his NAACP membership and compromise his principles, Bell left the Justice Department.

Bell returned to Pittsburgh and joined the local chapter of the NAACP. Soon afterward, in 1960, Bell was recruited by Thurgood Marshall, the head of the NAACP's legal arm and the NAACP Legal Defense and Educational Fund. (LDF). Bell would join the NAACP Legal Defense Fund in Pittsburgh, crafting legal strategies at the forefront of the battle to undo racist laws and segregation in schools. At the LDF, he worked alongside other prominent civil-rights attorneys such as Thurgood Marshall, Robert L. Carter, and Constance Baker Motley.  Bell was assigned to Mississippi where during his trips to the state, he had to be very cautious. For example, once while in Jackson, he was arrested for using a white-only phone booth. After returning to New York, "Marshall mordantly joked that, if he got himself killed in Mississippi, the L.D.F. would use his funeral as a fund-raiser." When Bell was in Mississippi, he provided legal support to Mississippi schools, colleges, voting rights activists, and Freedom Riders. He also supported James Meredith's attempt to attend the Ole Miss (University of Mississippi) Law School in 1962.

While working at the LDF, Bell supervised more than 300 school desegregation cases and spearheaded the fight of James Meredith to secure admission to the University of Mississippi, over the protests of Governor Ross Barnett.  

Later in life, Bell questioned the approach of integration they took in these school cases. Throughout the South, often the winning rulings and the following desegregation caused white flight, ultimately keeping the schools segregated. Later, as an academic, these practical results led him to conclude that "racism is so deeply rooted in the makeup of American society that it has been able to reassert itself after each successive wave of reform aimed at eliminating it."

Bell's first law faculty position began in 1967 at the USC (University of Southern California) Gould School of Law. There, he succeeded Martin Levine as executive director of the new Western Center on Law and Poverty. Among his notable cases was a class action suit against the Los Angeles Police Department on behalf of the city's black residents. During Bell's directorship, the Western Center's work was recognized in 1971 with a trophy bestowed by the Community Relations Conference of Southern California.

In 1969, Black Harvard Law School students helped to get Bell hired. They had protested for a minority faculty member and Derek Bok hired Bell to teach as a lecturer. Bok promised that Bell would be "the first but not the last" of his Black hires. In 1971, Bell became Harvard Law's first Black tenured professor. During his time at Harvard, Bell established a new course in civil rights law, published a celebrated case book, Race, Racism and American Law, and produced a steady stream of law review articles. He resigned from his position at Harvard in protest of the school's hiring procedures, specifically the absence of women of color on the staff.

In 1980, Bell started a five-year tenure as the Dean of the University of Oregon School of Law. There, he also taught a course on "Race, Racism and the Law" using his textbook of the same name. Later, Bell's tenure was interrupted by his resignation following a protest, due to the university's refusal to hire an Asian-American candidate he had chosen for a faculty position.

Bell's full time visiting professorship at New York University began in 1991. After his two-year leave of absence, his position at Harvard ended and he remained at NYU where he continued to write and lecture on issues of race and civil rights. He related these issues to music in a book of parables and introduced the Bell Annual Gospel Choir Concert, which is a tradition at the school today. During his time at NYU Law, Bell supported a student organization who were demanding that the university hire more faculty of color. Taking advice from Bell, the student organization led silent protests outside faculty meetings.

During the summer of 1981, under the auspices of a grant from the National Endowment for the Humanities, Bell conducted a multi-week seminar in Race Relations Law for 14 lawyers and judges from across Oregon. The University of Oregon School of Law was not the only place Bell fought to create a more diverse and inclusive faculty.

Following his return to Harvard in 1986, after a year-long stint at Stanford University, Bell staged a five-day sit-in in his office. The goal was to protest the school's failure to grant tenure to two professors on staff, both of whose work promoted critical race theory. The sit-in was widely supported by students, but divided the faculty, as Harvard administrators claimed the professors were denied tenure for substandard scholarship and teaching.

In 1990, Harvard Law School had 60 tenured professors. Three of them were black men and five were women. With that said, none of these women were African American. Displeased with this dearth of diversity among the faculty, Bell decided to protest with an unpaid leave of absence.  Students supported the move which critics found "counterproductive," while Harvard administrators cited a lack of qualified candidates, defending that they had taken great strides in the previous decade to bring in black faculty members. Bell detailed the story of this protest in his book Confronting Authority.

Bell's protest at Harvard provoked angry criticism and backlash. Opposing Harvard Law faculty called him "a media manipulator who unfairly attacked the school," noting that other people had accused him of "depriv[ing] students of an education while he makes money on the lecture circuit."

Following his leave of absence at Harvard, Bell accepted a visiting professorship at NYU Law in 1991. After two years, Harvard had still not hired any minority women, and Bell requested an extension of his leave, which the school refused, thereby ending his tenure. It was not until later, in 1998, that Harvard Law hired a civil rights attorney and a United States assistant attorney general nominee Lani Guinier, who became the law school's first black female tenured professor.

In March 2012, five months after his death, Bell became the target of conservative media, including Breitbart and Sean Hannity, in an exposé of President Barack Obama. The controversy focused on a 1990 video of Obama praising Bell at a protest by Harvard Law School students over the perceived lack of diversity in the school's faculty. Bell's widow stated that Bell and Obama had "very little contact" after Obama's law school graduation. She said that as far as she remembered, "He never had contact with the president as president." An examination of Senior Lecturer Obama's syllabus for his course on race and law at the University of Chicago revealed significant differences between Obama's perspective and that of Derrick Bell, even as Obama drew on major writings of critical race theory

In 1970, Bell published Race, Racism, and American Law, a textbook of more than a thousand pages containing the idea that racial progress would be achieved only when it aligned with white people's interests.

Bell is arguably the most influential source of thought critical of traditional civil rights discourse. Bell's critique represented a challenge to the dominant liberal and conservative positions on civil rights, race and the law. He employed three major arguments in his analyses of racial patterns in American law: constitutional contradiction, the interest convergence principle, and the price of racial remedies. His book Race, Racism and American Law, is considered foundational in the field of critical race theory. 

The 1954 Brown v. Board of Education case prompted Bell's interest in studying racial issues within the education system. This was due to the Supreme Court's decision and its evident lack of progress for black students. During the 70s, Bell studied and wrote about the effects of desegregation noting that this decision was not due to a moral shift in nature, but rather because of the "convergence" of efforts in dismantling Jim Crow laws and racial segregation. Additionally, it had to do with the concern of the white elite that the United States would lose the public relations battle to communism and, thereby, tarnish the reputation and global influence of the United States. The injustices initially set by segregation were not undone but instead created new issues for black students at predominantly white institutions. Consequently, Bell came to the conclusion that American educational systems should focus on improving the quality of education for black students, as opposed to, national integration. His early work on education contributed to his creation of critical race theory, alongside Kimberle Crenshaw, Alan Freeman, Cheryl Harris, Patricia J. Williams, Charles R. Lawrence, Mari Matsuda, and Richard Delgado. 

In the 1970s, Bell and these other legal scholars began using the phrase "critical race theory" (CRT) a phrase based off of critical legal studies, a branch of legal scholarship, that challenged the validity of concepts such as rationality, objective truth, and judicial neutrality.  Critical legal theory was itself a takeoff on critical theory, a philosophical approach originating out of the leftist Frankfurt School.  Bell continued writing about critical race theory after accepting a teaching position at Harvard University.  He worked alongside lawyers, activists, and legal scholars across the country. Much of his legal scholarship was influenced by his experience both as a black man and as a civil rights attorney. Writing in a narrative style, Bell contributed to the intellectual discussions on race. According to Bell, his purpose in writing was to examine the racial issues within the context of their economic, social, and political dimensions from a legal standpoint. In addition to this, Bell's critical race theory was eventually branched off into more theories, describing the hardships of other groups, such as AsianCrit (Asian), FemCrit (Women), LatCrit (Latino), TribalCrit (American Indian), and WhiteCrit (White).  His theories were based on a number of propositions.

  1. Racism is ordinary, not aberrational.
  2. White-over-color ascendancy serves important purposes, both psychic and material, for the dominant group.
  3. ("Social construction" thesis) race and races are products of social thought and relations.
  4. Dominant society racializes different minority groups at different times, in response to shifting needs such as the labor market.
  5. "Intersectionality and anti-essentialism" thesis. No person has a single, easily stated, unitary identity. Everyone has potentially conflicting, overlapping identities, loyalties, and allegiances For example, a person who has parents with different religious views, political views, ethnicity, etc.
  6. ("Voice-of-color" thesis) because of different histories and experiences to those of white counterparts, matters that the white people are unlikely to know must be communicated to them by the racialized minorities.

CRT led to the creation of the ideas of microaggressions, paradigmatic kinship, the historical origins and shifting paradigmatic vision of CRT, and, according to it, how in-depth legal studies show law serve the interests of the powerful groups in society. Microaggressions are subtle insults (verbal, nonverbal, and/or visual) directed toward people of color, often automatically or unconsciously.

As an example, in The Constitutional Contradiction, Bell argued that the framers of the Constitution chose the rewards of property over justice. With regard to the interest convergence, he maintains that "whites will promote racial advances for blacks only when they also promote white self-interest." Finally, in The Price of Racial Remedies, Bell argues that whites will not support civil rights policies that may threaten white social status. Similar themes can be found in another well-known piece entitled, "Who's Afraid of Critical Race Theory?" from 1995.

His 2002 book, Ethical Ambition, encourages a life of ethical behavior, including "a good job well done, giving credit to others, standing up for what you believe in, voluntarily returning lost valuables, choosing what feels right over what might feel good right now".

Between the years of 1970 and 1980 Bell published many pieces of work. Other than his two most read books, Race, Racism, and American Law, and Serving Two Masters. His other mentionable books are Silent Covenants, written in 2004, a book questioning the Brown v. Board of Education's legacy. His 2004 memoir, Ethical Ambition: Living a Life of Meaning and Worth, where he dives into how he stuck to his beliefs. He wrote about how staying true to himself was how he was so successful. 

Along with Bell's contributions to critical race theory, in his early articles, he exhibited multiple analyses of legal doctrine. He discussed the legal doctrine through his outsider narrative scholarship. He would conclude that the rule of law "sought to convey an objectivity that may exist in theory but is impossible in the real world". In his narrative stories, he would create hypothetical legal doctrines that put forth the idea that racism is a permanent neutral principle. In doing so, he called “the nation to repent”, rather than having policymakers listen to him or change policies. His deconstructionist legal doctrine would include an “interest-convergence thesis” which assumed that the United States legal system would adapt legal doctrines meant to remedy black injustices only when the doctrine would further benefit the interests of whites. In his doctrine, he also critiqued Brown v. Board of Education and titled it the “Revisionist Brown Option” which was his alternative answer to what Brown should have said in the court case. His doctrine also consisted of the concept “racial fortuitous corollary” and “racial preference licensing act”.

Bell published a number of works of short fiction which deal with similar themes to his nonfiction works. These include the science fiction short story "The Space Traders".  Here, white Americans give over the black population of the United States to extraterrestrials for solutions to the former's problems. Bell explained, "[It's] better [to] risk the unknown in space than face the certainty of racial discrimination here at home." An adaptation of the story appeared as part of the 1994 made-for-television anthology film Cosmic Slop.  

"The Space Traders" and other works of short fiction by Bell appeared in Bell's collection Faces at the Bottom of the Well: The Permanence of Racism.

On October 5, 2011, Derrick Bell died at the age of 80 from carcinoid cancer at St. Luke's-Roosevelt Hospital in New York City. 

Derrick Bell has been memorialized at the University of Pittsburgh School of Law with the Derrick A. Bell Constitutional Law Commons which was opened on March 20, 2013, in the school's Barco Law Library. Bell was also honored with the renaming of the school's community law clinic that provides legal assistance to local low-income residents to the Derrick Bell Community Legal Clinic.  Two fellowship positions within the school are also named for Bell. There continues to be lectures regarding Bell's teachings and concepts at NYU Law School, and Harvard Law School. They discuss Bell's teachings of racism in America and explore the future of race relations and racial justice in the United States. 

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Critical race theory (CRT) is an interdisciplinary academic field focused on the relationships between social conceptions of race and ethnicity, social and political laws, and media. CRT also considers racism to be systemic in various laws and rules, and not only based on individuals' prejudices. The word critical in the name is an academic reference to critical theory rather than criticizing or blaming individuals.

CRT is also used in sociology to explain social, political, and legal structures and power distribution as through a "lens" focusing on the concept of race, and experiences of racism.  For example, the CRT conceptual framework examines racial bias in laws and legal institutions, such as highly disparate rates of incarceration among racial groups in the United States. A key CRT concept is intersectionality -- the way in which different forms of inequality and identity are affected by interconnections of race, class, gender, and disability.  Scholars of CRT view race as a social construct with no biological basis. One tenet of CRT is that racism and disparate racial outcomes are the result of complex, changing, and often subtle social and institutional dynamics, rather than explicit and intentional prejudices of individuals. CRT scholars argue that the social and legal construction of race advances the interests of white people at the expense of people of color, and that the liberal notion of United States law as "neutral" plays a significant role in maintaining a racially unjust social order, where formally color-blind laws continue to have racially discriminatory outcomes.

CRT began in the United States in the post-civil rights era, as 1960s landmark civil rights laws were being eroded and schools were being re-segregated. With racial inequalities persisting even after civil rights legislation and color-blind laws were enacted, CRT scholars in the 1970s and 1980s began reworking and expanding critical legal studies (CLS) theories on class, economic structure, and the law to examine the role of United States law in perpetuating racism.  CRT, a framework of analysis grounded in critical theory, originated in the mid-1970s in the writings of several American legal scholars, including Derrick Bell, Alan Freeman, Kimberle Crenshaw, Richard Delgado, Cheryl Harris, Charles R. Lawrence III, Mari Matsuda and Patricia J. Williams.  CRT draws from the work of thinkers such as Antonio Gramsci, Sojourner Truth, Frederick Douglass, and W. E. B. Du Bois, as well as the Black Power, Chicano, and radical feminist movements from the 1960s and 1970s.

Academic critics of CRT argue it is based on storytelling instead of evidence and reason, rejects truth and merit, and undervalues liberalism.  Since 2020, conservative United States lawmakers have sought to ban or restrict the instruction of CRT education in primary and secondary schools, as well as relevant training inside federal agencies. Advocates of such bans argue that CRT is false, anti-American, villainizes white people, promotes radical leftism, and indoctrinates children. Advocates of bans on CRT have been accused of misrepresenting its tenets, and of having the goal to broadly silence discussions of racism, equality, social justice, and the history of race.

Gloria Ladson-Billings, who—along with co-author William Tate—had introduced CRT to the field of education in 1995, described it in 2015 as an "interdisciplinary approach that seeks to understand and combat race inequity in society." Ladson-Billings wrote in 1998 that CRT "first emerged as a counterlegal scholarship to the positivist and liberal legal discourse of civil rights."

In his introduction to the comprehensive 1995 publication of critical race theory's key writings, Cornel West described CRT as "an intellectual movement that is both particular to our postmodern (and conservative) times and part of a long tradition of human resistance and liberation."  Law professor Roy L. Brooks defined critical race theory in 1994 as "a collection of critical stances against the existing legal order from a race-based point of view".

In 2017, University of Alabama School of Law professor Richard Delgado, a co-founder of critical race theory, and legal writer Jean Stefancic define CRT as "a collection of activists and scholars interested in studying and transforming the relationship among race, racism, and power". In 2021 Khiara Bridges, a law professor and author of the textbook Critical Race Theory: A Primer, defined critical race theory as an "intellectual movement", a "body of scholarship", and an "analytical toolset for interrogating the relationship between law and racial inequality."

The 2021 Encyclopedia Britannica described CRT as an "intellectual and social movement and loosely organized framework of legal analysis based on the premise that race is not a natural, biologically grounded feature of physically distinct subgroups of human beings but a socially constructed (culturally invented) category that is used to oppress and exploit people of colour."

Scholars of CRT say that race is not "biologically grounded and natural"; rather, it is a socially constructed category used to oppress and exploit people of color; and that racism is not an aberration, but a normalized feature of American society.  According to CRT, negative stereotypes assigned to members of minority groups benefit white people and increase racial oppression.  Individuals can belong to a number of different identity groups. The concept of intersectionality -- one of CRT's main concept -- was introduced by legal scholar Kimberle Crenshaw. 

Derrick Albert Bell, Jr. (1930 – 2011), an American lawyer, professor, and civil rights activist, wrote that racial equality is "impossible and illusory" and that racism in the United States is permanent. According to Bell, civil-rights legislation will not on its own bring about progress in race relations; alleged improvements or advantages to people of color "tend to serve the interests of dominant white groups", in what Bell called "interest convergence". These changes do not typically affect—and at times even reinforce—racial hierarchies. This is representative of the shift in the 1970s, in Bell's re-assessment of his earlier desegregation work as a civil rights lawyer. He was responding to the Supreme Court's decisions that had resulted in the re-segregation of schools.

The concept of standpoint theory became particularly relevant to CRT when it was expanded to include a black feminist standpoint by Patricia Hill Collins.  First introduced by feminist sociologists in the 1980s, standpoint theory holds that people in marginalized groups, who share similar experiences, can bring a collective wisdom and a unique voice to discussions on decreasing oppression. In this view, insights into racism can be uncovered by examining the nature of the United States legal system through the perspective of the everyday lived experiences of people of color.

According to Encyclopedia Britannica, tenets of CRT have spread beyond academia, and are used to deepen understanding of socio-economic issues such as "poverty, police brutality, and voting rights violations", that are affected by the ways in which race and racism are "understood and misunderstood" in the United States.

Richard Delgado and Jean Stefancic published an annotated bibliography of CRT references in 1993, listing works of legal scholarship that addressed one or more of the following themes: "critique of liberalism"; "storytelling/counterstorytelling and 'naming one's own reality'"; "revisionist interpretations of American civil rights law and progress"; "a greater understanding of the underpinnings of race and racism"; "structural  determinism"; "race, sex, class, and their intersections"; "esssentialism and anti-essentialism"; "cultural nationalism/separatism"; "legal institutions, critical pedagogy, and minorities in the bar"; and "criticism and self-criticism". When Gloria Ladson-Billings introduced CRT into education in 1995, she cautioned that its application required a "thorough analysis of the legal literature upon which it is based".

Critique of liberalism

First and foremost, to CRT legal scholars in 1993 was their "discontent" with the way in which liberalism addressed race issues in the United States. They critiqued "liberal jurisprudence", including affirmative action, color-blindness, role modeling, and the merit principle. affirmative action, color-blindness, role modeling, and the merit principle. 

Specifically, they claimed that the liberal concept of value-neutral law contributed to maintenance of the United States' racially unjust social order.

An example questioning foundational liberal conceptions of Enlightenment values, such as rationalism and progress, is Rennard Strickland's 1986 Kansas Law Review article, "Genocide-at-Law: An Historic and Contemporary View of the Native American Experience". In it, he introduced Native American traditions and worldviews into law school curriculum, challenging the entrenchment at that time of the contemporary ideas of progress and enlightenment. He wrote that United States laws that permeate the everyday lives of Native Americans were in most cases carried out with scrupulous legality but still resulted in what he called cultural genocide.

In 1993, David Theo Goldberg described how countries that adopt classical liberalism's concepts of "individualism, equality, and freedom"—such as the United States and European countries—conceal structural racism in their cultures and languages, citing terms such as "Third World" and "primitive". 

In 1988, Kimberle Williams Crenshaw traced the origins of the New Right's use of the concept of color-blindness from 1970s neoconservative think tanks to the Ronald Reagan administration in the 1980s. She described how prominent figures such as neoconservative scholars Thomas Sowell and William Bradford Reynolds, who served as Assistant Attorney General for the Civil Rights Division from 1981 to 1988, called for "strictly color-blind policies". Sowell and Reynolds, like many conservatives at that time, believed that the goal of equality of the races had already been achieved, and therefore the race-specific civil rights movement was a "threat to democracy". The color-blindness logic used in "reverse discrimination" arguments in the post-civil rights period is informed by a particular viewpoint on "equality of opportunity", as adopted by Sowell, in which the state's role is limited to providing a "level playing field", not to promoting equal distribution of resources.

Crenshaw claimed that "equality of opportunity" in antidiscrimination law can have both an expansive and a restrictive aspect. Crenshaw wrote that formally color-blind laws continue to have racially discriminatory outcomes. According to her, this use of formal color-blindness rhetoric in claims of reverse discrimination, as in the 1978 Supreme Court ruling on Bakke, was a response to the way in which the courts had aggressively imposed affirmative action and busing during the Civil Rights era, even on those who were hostile to those issues. In 1990, legal scholar Duncan Kennedy described the dominant approach to affirmative action in legal academia as "colorblind meritocratic fundamentalism". He called for a postmodern "race consciousness" approach that included "political and cultural relations" while avoiding "racialism" and "essentialism".

Sociologist Eduardo Bonilla-Silva describes this newer, subtle form of racism as "color-blind racism", which uses frameworks of abstract liberalism to decontextualize race, naturalize outcomes such as segregation in neighborhoods, attribute certain cultural practices to race, and cause "minimization of racism".

In his influential 1984 article, Delgado challenged the liberal concept of meritocracy min civil rights scholarship. He questioned how the top articles in most well-established journals were all written by white men.

Storytelling/counterstorytelling and "naming one's own reality"

Storytelling refers to the use of narrative (storytelling) to illuminate and explore lived experiences of racial oppression. 

One of the prime tenets of liberal jurisprudence is that people can create appealing narratives to think and talk about greater levels of justice. Delgado and Stefancic call this the empathic fallacy—the belief that it is possible to "control our consciousness" by using language alone to overcome bigotry and narrow-mindedness. They examine how people of color, considered outsiders in mainstream United States culture, are portrayed in media and law through stereotypes and stock characters that have been adapted over time to shield the dominant culture from discomfort and guilt. For example, slaves in the 18th-century Southern States were depicted as childlike and docile; Harriet Beecher Stowe adapted this stereotype through her character Uncle Tom, depicting him as a "gentle, long-suffering", pious Christian.

Following the American Civil War, the African American woman was depicted as a wise, caregiving "Mammy" figure. During the Reconstruction period, African American men were stereotyped as "brutish and bestial", a danger to white women and children. This was exemplified in Thomas Dixon, Jr.'s novels, used as the basis for the epic film The Birth of a Nation, which celebrated the Ku Klux Klan and lynching.  During the Harlem Renaissance, African Americans were depicted as "musically talented" and "entertaining". Following World War II, when many Black veterans joined the nascent civil rights movement, African Americans were portrayed as "cocky [and] street-smart", the "unreasonable, opportunistic" militant, the "safe, comforting, cardigan-wearing" TV sitcom character, and the "super-stud" of blaxploitation films.

The empathic fallacy informs the "time-warp aspect of racism", where the dominant culture can see racism only through the hindsight of a past era or distant land, such as South Africa. Through centuries of stereotypes, racism has become normalized; it is a "part of the dominant narrative we use to interpret experience". Delgado and Stefancic argue that speech alone is an ineffective tool to counter racism, since the system of free expression tends to favor the interests of powerful elites and to assign responsibility for racist stereotypes to the "marketplace of ideas".  In the decades following the passage of civil rights laws, acts of racism had become less overt and more covert—invisible to, and underestimated by, most of the dominant culture.

Since racism makes people feel uncomfortable, the empathic fallacy helps the dominant culture to mistakenly believe that it no longer exists, and that dominant images, portrayals, stock characters, and stereotypes—which usually portray minorities in a negative light—provide them with a true image of race in America.  Based on these narratives, the dominant group has no need to feel guilty or to make an effort to overcome racism, as it feels "right, customary, and inoffensive to those engaged in it", while self-described liberals who uphold freedom of expression can feel virtuous while maintaining their own superior position.

Standpoint epistemology

This is the view that members of racial minority groups have a unique authority and ability to speak about racism. This is seen as undermining dominant narratives relating to racial inequality, such as legal neutrality and personal responsibility or bootstrapping, through valuable first-hand accounts of the experience of racism.

Revisionist interpretations of American civil rights law and progress

Interest convergence is a concept introduced by Derrick Bell in his 1980 Harvard Law Review article, "Brown v. Board of Education and the Interest-Convergence Dilemma". In this article, Bell described how he re-assessed the impact of the hundreds of NAACP LDF de-segregation cases he won from 1960 to 1966, and how he began to believe that in spite of his sincerity at the time, anti-discrimination law had not resulted in improving Black children's access to quality education.  He listed and described how Supreme Court cases had gutted civil rights legislation, which had resulted in African American students continuing to attend all-black schools that lacked adequate funding and resources. In examining these Supreme Court cases, Bell concluded that the only civil-rights legislation that was passed coincided with the self-interest of white people, which Bell termed interest convergence.

One of the best-known examples of interest convergence is the way in which American geopolitics during the Cold War in the aftermath of World War II was a critical factor in the passage of civil rights legislation by both Republicans and Democrats. Bell described this in numerous articles, including the aforementioned, and it was supported by the research and publications of legal scholar Mary L. Dudziak. In her journal articles and her 2000 book Cold War Civil Rights—based on newly released documents—Dudziak provided detailed evidence that it was in the interest of the United States to quell the negative international press about treatment of African Americans when the majority of the populations of newly decolonized countries which the United States was trying to attract to Western-style democracy, were not white. The United States sought to promote liberal values throughout Africa, Asia, and Latin America to prevent the Soviet Union from spreading communism.  Dudziak described how the international press widely circulated stories of segregation and violence against African Americans.

The Moore's Ford lynchings, where a World War II veteran was lynched, were particularly widespread in the news. American allies followed stories of American racism through the international press, and the Soviets used stories of racism against Black Americans as a vital part of their propaganda. Dudziak performed extensive archival research in the United States Department of State and Department of Justice and concluded that the United States government support for civil-rights legislation "was motivated in part by the concern that racial discrimination harmed the United States' foreign relations". When the National Guard was called in to prevent nine African American students from integrating the Little Rock Central High School, the international press covered the story extensively. The then-Secretary of State told President Dwight Eisenhower that the Little Rock situation was "ruining" American foreign policy, particularly in Asia and Africa. The United States' ambassador to the United Nations told President Eisenhower that as two-thirds of the world's population was not white, he was witnessing their negative reactions to American racial discrimination. He suspected that the United States "lost several votes on the Chinese communist item because of Little Rock."

Intersectional theory

Intersectional theory refers to the examination of race, sex, class, national origin, and sexual orientation, and how their intersections play out in various settings, such as how the needs of a Latina are different from those of a Black male, and whose needs are promoted. These intersections provide a more holistic picture for evaluating different groups of people. Intersectionality is a response to identity politics insofar as identity politics does not take into account the different intersections of people's identities.

Essentialism vs. anti-essentialism

Delgado and Stefancic write, "Scholars who write about these issues are concerned with the appropriate unit for analysis: Is the black community one, or many, communities? Do middle- and working-class African Americans have different interests and needs? Do all oppressed peoples have something in common?" This is a look at the ways that oppressed groups may share in their oppression but also have different needs and values that need to be analyzed differently. It is a question of how groups can be essentialized or are unable to be essentialized.

From an essentialist perspective, one's identity consists of an internal "essence" that is static and unchanging from birth, whereas a non-essentialist position holds that "the subject has no fixed or permanent identity." Racial essentialism diverges into biological and cultural essentialism, where subordinated groups may endorse one over the other. "Cultural and biological forms of racial essentialism share the idea that differences between racial groups are determined by a fixed and uniform essence that resides within and defines all members of each racial group. However, they differ in their understanding of the nature of this essence." Subordinated communities may be more likely to endorse cultural essentialism as it provides a basis of positive distinction for establishing a cumulative resistance as a means to assert their identities and advocacy of rights, whereas biological essentialism may be unlikely to resonate with marginalized groups as historically, dominant groups have used genetics and biology in justifying racism and oppression.

Essentialism is the idea of a singular, shared experience between a specific group of people. Anti-essentialism, on the other hand, believes that there are other various factors that can affect a person's being and their overall life experience. The race of an individual is viewed more as a social construct that does not necessarily dictate the outcome of their life circumstances. Race is viewed as "a social and historical construction, rather than an inherent, fixed, essential biological characteristic." Anti-essentialism "forces a destabilization in the very concept of race itself…" The results of this destabilization vary on the analytic focus falling into two general categories, "... consequences for the analytic concepts of racial identity or racial subjectivity."

Structural determinism, and race, sex, and class intersections refer to the exploration of how "the structure of legal thought or culture influences its content" in a way that determines social outcomes. Delgado and Stefancic cited "empathic fallacy" as one example of structural determinism—the "idea that our system, by reason of its structure and vocabulary, cannot redress certain types of wrong." They interrogate the absence of terms such as intersectionality, anti-essentialism, and jury nullification in standard legal reference research tools in law libraries.

Cultural nationalism/separatism refers to the exploration of more radical views that argue for separation and reparations as a form of foreign aid (including black nationalism).

Legal institutions, critical pedagogy, and minorities in the bar

Camara Phyllis Jones defines institutionalized racism as "differential access to the goods, services, and opportunities of society by race. Institutionalized racism is normative, sometimes legalized and often manifests as inherited disadvantage. It is structural, having been absorbed into our institutions of custom, practice, and law, so there need not be an identifiable offender. Indeed, institutionalized racism is often evident as inaction in the face of need, manifesting itself both in material conditions and in access to power. With regard to the former, examples include differential access to quality education, sound housing, gainful employment, appropriate medical facilities, and a clean environment."

Black–white binary

The black-white binary is a paradigm identified by legal scholars through which racial issues and histories are typically articulated within a racial binary between black and white Americans. The binary largely governs how race has been portrayed and addressed throughout United States history. Critical race theorists Richard Delgado and Jean Stefancic argue that anti-discrimination law has blind spots for non-black minorities due to its language being confined within the black–white binary.

Applications and adaptations

Scholars of critical race theory have focused, with some particularity, on the issues of hate crime and hate speech. In response to the opinion of the United States Supreme Court in the hate speech case of R.A.V. v. City of St. Paul (1992), in which the Court struck down an anti-bias ordinance as applied to a teenager who had burned a cross, Mari Matsuda and Charles Lawrence argued that the Court had paid insufficient attention to the history of racist speech and the actual injury produced by such speech.

Critical race theorists have also argued in favor of affirmative action. They propose that so-called merit standards for hiring and educational admissions are not race-neutral and that such standards are part of the rhetoric of neutrality through which whites justify their disproportionate share of resources and social benefits.

In his 2009 article "Will the Real CRT Please Stand Up: The Dangers of Philosophical Contributions to CRT", Curry distinguished between the original CRT key writings and what is being done in the name of CRT by a "growing number of white feminists". The new CRT movement "favors narratives that inculcate the ideals of a post-racial humanity and racial amelioration between compassionate (Black and White) philosophical thinkers dedicated to solving America's race problem." They are interested in discourse (i.e., how individuals speak about race) and the theories of white Continental philosophers, over and against the structural and institutional accounts of white supremacy which were at the heart of the realist analysis of racism introduced in Derrick Bell's early works and articulated through such African American thinkers as W. E. B. Du Bois, Paul Robeson, and Judge Robert L. Carter. 

History

Early years

Although the terminology critical race theory began in its application to laws, the subject emerges from the broader frame of critical theory in how it analyzes power structures in society despite whatever laws may be in effect. In the 1998 article, "Critical Race Theory: Past, Present, and Future", Delgado and Stefancic trace the origins of CRT to the early writings of Derrick Albert Bell Jr. including his 1976 Yale Law Journal article, "Serving Two Masters" and his 1980 Harvard Law Review article entitled "Brown v. Board of Education and the Interest-Convergence Dilemma".

In the 1970s, as a professor at Harvard Law School, Bell began to critique, question and re-assess the civil rights cases he had litigated in the 1960s to desegregate schools following the passage of Brown v. Board of Education. This re-assessment became the "cornerstone of critical race theory".  Delgado and Stefancic, who together wrote Critical Race Theory: an Introduction in 2001, described Bell's "interest convergence" as a "means of understanding Western racial history".  The focus on desegregation after the 1954 Supreme Court decision in Brown—declaring school segregation unconstitutional—left "civil-rights lawyers compromised between their clients' interests and the law". The concern of many Black parents—for their children's access to better education—was being eclipsed by the interests of litigators who wanted a "breakthrough" in their "pursuit of racial balance in schools". In 1995, Cornel West said that Bell was "virtually the lone dissenter" writing in leading law reviews who challenged basic assumptions about how the law treated people of color.

In his Harvard Law Review articles, Bell cites the 1964 Hudson v. Leake County School Board case which the NAACP Legal Defense and Educational Fund (NAACP LDF) won, mandating that the all-white school board comply with desegregation. At that time, it was seen as a success. By the 1970s, White parents were removing their children from the desegregated schools and enrolling them in segregation academies. Bell came to believe that he had been mistaken in 1964 when, as a young lawyer working for the LDF, he had convinced Winson Hudson, who was the head of the newly formed local NAACP chapter in Harmony, Mississippi, to fight the all-White Leake County School Board to desegregate schools.  She and the other Black parents had initially sought LDF assistance to fight the board's closure of their school—one of the historic Rosenwald Schools for Black children. Bell explained to Hudson, that—following Brown—the LDF could not fight to keep a segregated Black school open; they would have to fight for desegregation. In 1964, Bell and the NAACP had believed that resources for desegregated schools would be increased, and Black children would access higher quality education, since White parents would insist on better quality schools.  However, by the 1970s, Black children were again attending segregated schools and the quality of education had deteriorated.

Bell began to work for the NAACP LDF shortly after the Montgomery bus boycott and the ensuing 1956 Supreme Court ruling following Browder v. Gayle that the Alabama and Montgomery bus segregation laws were unconstitutional. From 1960 to 1966, Bell successfully litigated 300 civil rights cases in Mississippi. Bell was inspired by Thurgood Marshall, who had been one of the two leaders of a decades-long legal campaign starting in the 1930s, in which they filed hundreds of lawsuits to reverse the "separate but equal" doctrine announced by the Supreme Court's decision in Plessy v. Ferguson (1896). The Court ruled that racial segregation laws enacted by the states were not in violation of the United States Constituion as long as the facilities for each race were equal in quality. The Plessy decision provided the legal mandate at the federal level to enforce Jim Crow laws that had been introduced by white Southern Democrats starting in the 1870s for racial segregation in all public facilities, including public schools. The Court's 1954 Brown decision—which held that the "separate but equal" doctrine is unconstitutional in the context of public schools and educational facilities—severely weakened Plessy. The Supreme Court concept of constitutional colorblindness in regard to case evaluation began with Plessy. Before Plessy, the Court considered color as a determining factor in many landmark cases, which reinforced Jim Crow laws.  Bell's 1960s civil rights work built on Thurgood Marshall's groundwork begun in the 1930s. It was a time when the legal branch of the ccivil rights movement was launching thousands of civil rights cases. It was a period of idealism for the civil rights movement.

At Harvard, Bell developed new courses that studied American law through a racial lens. He compiled his own course materials which were published in 1970 under the title Race, Racism, and American Law. He became Harvard Law School's first Black tenured professor in 1971.

During the 1970s, the courts were using legislation to enforce affirmative action programs and busing—where the courts mandated busing to achieve racial integration in school districts that rejected desegregation. In response, in the 1970s, neoconservative think tanks—hostile to these two issues in particular—developed a color-blind rhetoric to oppose them, claiming they represented reverse discrimination. In 1978, Regents of the University oof California v. Bakke, when Bakke won this landmark Supreme Court case by using the argument of reverse racism, Bell's skepticism that racism would end increased. Justice Lewis F. Powell, Jr. held that the "guarantee of equal protection cannot mean one thing when applied to one individual and something else when applied to a person of another color." In a 1979 article, Bell asked if there were any groups of the White population that would be willing to suffer any disadvantage that might result from the implementation of a policy to rectify harms to Black people resulting from slavery, segregation, or discrimination.

Bell resigned from Harvard Law School in 1980 because of what he viewed as the university's discriminatory practices.  He became the dean at University of Oregon School of Law and later returned to Harvard as a visiting professor.

While he was absent from Harvard, his supporters organized protests against Harvard's lack of racial diversity in the curriculum, in the student body and in the faculty. The university had rejected student requests, saying no sufficiently qualified black instructor existed. Legal scholar Randall Kennedy writes that some students had "felt affronted" by Harvard's choice to employ an "archetypal white liberal... in a way that precludes the development of black leadership".

One of these students was Kimberle Crenshaw, who had chosen Harvard in order to study under Bell. She was introduced to his work at Cornell. Crenshaw organized the student-led initiative to offer an alternative course on race and law in 1981 — based on Bell's course and textbook — where students brought in visiting professors, such as Charles Lawrence, Linda Greene, Neil Gotanda, and Richard Delgado, to teach chapter-by-chapter from Race, Racism, and American Law.

Critical race theory emerged as an intellectual movement with the organization of this boycott. CRT scholars included graduate law students and professors.

Alan Freeman was a founding member of the Critical Legal Studies (CLS) movement that hosted forums in the 1980s. CLS legal scholars challenged claims to the alleged value-neutral position of the law. They criticized the legal system's role in generating and legitimizing oppressive social structures which contributed to maintaining an unjust and oppressive class system. Delgado and Stefancic cite the work of Alan Freeman in the 1970s as formative to critical race theory. In his 1978 Minnesota Law Review article Freeman reinterpreted, through a critical legal studies perspective, how the Supreme Court oversaw civil rights legislation from 1953 to 1969 under the Warren Court. He criticized the narrow interpretation of the law which denied relief for victims of racial discrimination. In his article, Freeman describes two perspectives on the concept of racial discrimination: that of victim or perpetrator. Racial discrimination to the victim includes both objective conditions and the "consciousness associated with those objective conditions". To the perpetrator, racial discrimination consists only of actions without consideration of the objective conditions experienced by the victims, such as the "lack of jobs, lack of money, lack of housing". Only those individuals who could prove they were victims of discrimination were deserving of remedies.  By the late 1980s, Freeman, Bell, and other CRT scholars left the CLS movement claiming it was too narrowly focused on class and economic structures while neglecting the role of race and race relations in American law.

Emergence as a movement

In 1989, Kimberle Crenshaw, Neil Gotanda, and Stephanie Phillips organized a workshop at the University of Wisconsin-Madison entitled "New Developments in Critcal Race Theory".  The organizers coined the term "Critical Race Theory" to signify an "intersection of critical theory and race, racism and the law."  Afterward, legal scholars began publishing a higher volume of works employing critical race theory, including more than "300 leading law review articles" and books. In 1990, Duncan Kennedy published his article on affirmative action in legal academia in the Duke Law Journal, and Anthony E. Cook published his article "Beyond Critical Legal Studies" in the Harvard Law Review. In 1991, Patricia Williams published The Alchemy of Race and Rights, while Derrick Bell published Faces at the Bottom of the Well in 1992. Cheryl I. Harris published her 1993 Harvard Law Review article "Whiteness as Property" in which she described how passing led to benefits akin to owning property. In 1995, two dozen legal scholars contributed to a major compilation of key writings on CRT.

By the early 1990s, key concepts and features of CRT had emerged. Bell had introduced his concept of "interest convergence" in his 1973 article. He developed the concept of racial realism in a 1992 series of essays and book, Faces at the bottom of the well: the permanence of racism. He said that Black people needed to accept that the civil rights era legislation would not on its own bring about progress in race relations; anti-Black racism in the United States was a "permanent fixture" of American society; and equality was "impossible and illusory" in the United States. Crenshaw introduced the term intersectionality in the 1990s.

In 1995, pedagogical theorists Gloria Ladson-Billings and William F. Tate began applying the critical race theory framework in the field o education. In their 1995 article Ladson-Billings and Tate described the role of the social construction of white norms and interests in education. They sought to better understand inequities in schooling. Scholars have since expanded work to explore issues including school segregation in the United States; relations between race, gender, and academic achievement; pedagogy; and research methodologies. 

As of 2002, over 20 American law schools and at least three non-American law schools offered critical race theory courses or classes. Critical race theory is also applied in the fields of education, political science, women's studies, ethnic studies, communication, sociology, and American studies. Other movements developed that apply critical race theory to specific groups. These include the Latino-critical (LatCrit), queer-critical, and Asian-critical movements. These continued to engage with the main body of critical theory research, over time developing independent priorities and research methods.

CRT has also been taught internationally, including in the United Kingdom (UK) and Australia. 

Philosophical foundations

CRT scholars draw on the work of Antonio Gramsci, Sojourner Truth, Frederick Douglass, and W. E. B. DuBois.  Bell shared Paul Robeson's belief that "Black self-reliance and African cultural continuity should form the epistemic basis of Blacks' worldview." Their writing is also informed by the 1960s and 1970s movements such as Black Power, Chicano, and radical feminism. Critical race theory shares many intellectual commitments with critical theory, critical legal studies, feminist jurisprudence, and postcolonial theory. University of Connecticut philosopher, Lewis Gordon, who has focused on postcolonial phenomenology, and race and racism, wrote that CRT is notable for its use of postmodern post-structural scholarship, including an emphasis on "subaltern" or "marginalized" communities and the "use of alternative methodology in the expression of theoretical work, most notably their use of "narratives" and other literary techniques".

Standpoint theory, which has been adopted by some CRT scholars, emerged from the first wave of the women's movement in the 1970s. The main focus of feminist standpoint theory is epistemology—the study of how knowledge is produced. The term was coined by Sandra Harding, an American feminist theorist, and developed by Dorothy Smith in her 1989 publication, The Everyday World as Problematic: A Feminist Sociology. Smith wrote that by studying how women socially construct their own everyday life experiences, sociologists could ask new questions. Patricia Hill Collins introduced black feminist standpoint—a collective wisdom of those who have similar perspectives in society which sought to heighten awareness to these marginalized groups and provide ways to improve their position in society.

Critical race theory draws on the priorities and perspectives of both critical legal studies (CLS) and conventional civil rights scholarship, while also sharply contesting both of these fields. UC Davis School of Law legal scholar Angela P. Harris describes critical race theory as sharing "a commitment to a vision of liberation from racism through right reason" with the civil rights tradition. It deconstructs some premises and arguments of legal theory and simultaneously holds that legally constructed rights are incredibly important. CRT scholars disagreed with the CLS anti-legal rights stance, nor did they wish to "abandon the notions of law" completely; CRT legal scholars acknowledged that some legislation and reforms had helped people of color. As described by Derrick Bell, critical race theory in Harris' view is committed to "radical critique of the law (which is normatively deconstructionist) and... radical emancipation by the law (which is normatively reconstructionist)".

University of Edinburgh philosophy professor Tommy J. Curry says that by 2009, the CRT perspective on a race as a social construct was accepted by "many race scholars" as a "commonsense view" that race is not "biologically grounded and natural." Social construct is a term from social constructivism, whose roots can be traced to the early science wars, instigated in part by Thomas Kuhn's 1962 The Structure of Scientific Revolutions.  Ian Hacking, a Canadian philosopher specializing in the philosophy of science, describes how social construction has spread through the social sciences. He cites the social construction of race as an example, asking how race could be "constructed" better.

Criticism

Academic criticism

According to the Encyclopaedia Britannica, aspects of CRT have been criticized by "legal scholars and jurists from across the political spectrum." Criticism of CRT has focused on its emphasis on storytelling, its critique of the merit principle and of objective truth, and its thesis of the voice of color. Critics say it contains a "postmodernist-inspired skepticism of objectivity and truth" and has a tendency to interpret "any racial inequity or imbalance [...] as proof of institutional racism and as grounds for directly imposing racially equitable outcomes in those realms". Proponents of CRT have also been accused of treating even well-meaning criticism of CRT as evidence of latent racism.

In a 1997 book, law professors Daniel A. Farber and Suzanna Sherry criticized CRT for basing its claims on personal narrative and for its lack of testable hypotheses and measurable data.  CRT scholars including Crenshaw, Delgado, and Stefancic responded that such critiques represent dominant modes within social science which tend to exclude people of color. Delgado and Stefancic wrote that "In these realms [social science and politics], truth is a social construct created to suit the purposes of the dominant group." Farber and Sherry have also argued that anti-meritocratic tenets in critical race theory, critical feminism, and critical legal studies may unintentionally lead to antisemitic and anti-Asian implications. They write that the success of Jews and Asians within what critical race theorists posit to be a structurally unfair system may lend itself to allegations of cheating and advantage-taking. In response, Delgado and Stefancic write that there is a difference between criticizing an unfair system and criticizing individuals who perform well inside that system.

Public controversies

Critical race theory has stirred controversy in the United States for promoting the use of narrative in legal studies, advocating "legal instrumentalism" as opposed to ideal-driven uses of the law, and encouraging legal scholars to promote racial equity.

Before 1993, the term "critical race theory" was not part of public discourse. In the spring of that year, conservatives launched a campaign led by Clint Bolick to portray Lani Guinier --then-President Bill Clinton's nominee for Assistant Attorney General for Civil Rights -- as a radical because of her connection to CRT. Within months, Clinton had withdrawn the nomination, describing the effort to stop Guinier's appointment as "a campaign of right-wing distortion and vilification". This was part of a wider conservative strategy to shift the Supreme Court in their favor.

The logic of legal instrumentalism reached wide public reception in the O. J. Simpson murder case when defense attorney Johnnie Cochran enacted a sort of applied CRT, selecting an African American jury and urging them to acquit Simpson in spite of the evidence against him — a form of jury nullification. Legal scholar Jeffrey Rosen calls this the "most striking example" of CRT's influence on the United States legal system. Law professor Margaret M Russell responded to Rosen's assertion in the Michigan Law Review, saying that Cochran's "dramatic" and "controversial" courtroom "style and strategic sense" in the Simpson case resulted from his decades of experience as an attorney; it was not significantly influenced by CRT writings.

In 2010, a Mexican American studies program in Tucson, Arizona, was halted because of a state law forbidding public schools from offering race-conscious education in the form of "advocat[ing] ethnic solidarity instead of the treatment of pupils as individuals". Certain books, including a primer on CRT, were banned from the curriculum. Matt de la Pena's young-adult novel Mexican WhiteBoy was banned for "containing 'critical race theory'" according to state officials. The ban on ethnic-studies programs was later deemed unconstitutional on the grounds that the state showed discriminatory intent: "Both enactment and enforcement were motivated by racial animus", federal Judge A. Wallace Tashima ruled. 

Since 2020, efforts have been made by conservatives and others to challenge critical race theory (CRT) being taught in schools in the United States. 

Following the 2020 protests of the murders of Ahmaud Arbery and George Floyd as well as the killing of Breonna Taylor, school districts began to introduce additional curricula and create diversity, equity, and inclusion (DEI)-positions to address "disparities stemming from race, economics, disabilities and other factors." These measures were met with criticism from conservatives, particularly those in the Republican Party. Critics have described these criticisms to be part of a cycle of backlash against what they view as progress toward racial equality and equity.

Outspoken critics of critical race theory include former United States President Donald Trump, conservative activist Christopher Rufo, various Republican officials, and conservative commentators on Fox News and right-wing talk radio shows. Movements have arisen from the controversy; in particular, the No Left Turn in Education movement, which has been described as one of the largest groups targeting school boards regarding critical race theory. In response to the unfounded assertion that CRT was being taught in public schools, dozens of states have introduced bills that limit what schools can teach regarding race, American history, politics, and gender.

Subfields

Within critical race theory, various sub-groupings focus on issues and nuances unique to particular ethno-racial and/or marginalized communities. This includes the intersection of race with disability, ethnicity, gender, sexuality, class, or religion. For example, disability critical race studies (DisCrit), critical race feminism (CRF), Jewish Critical Race Theory (HebCrit, pronounced "Heeb"), Black Critical Race Theory (Black Crit), Latino critical race studies (LatCrit), Asian American critical race studies (AsianCrit), South Asian American critical race studies (DesiCrit), Quantitative Critical Race Theory (QuantCrit), Queer Critical Race Theory (QueerCrit), and American Indian critical race studies or Tribal critical race theory (sometimes called TribalCrit). CRT methodologies have also been applied to the study of white immigrant groups.  CRT has spurred some scholars to call for a second wave of whiteness studies, which is now a small offshoot known as Second Wave Whiteness (SWW). Critical race theory has also begun to spawn research that looks at understandings of race outside the United States.

Disability critical race theory

Another offshoot field is disability critical race studies (DisCrit), which combines disability studies and CRT to focus on the intersection of disability and race.

Latino critical race theory

Latino critical race theory (LatCRT or LatCrit) is a research framework that outlines the social construction of race as central to how people of color are constrained and oppressed in society. Race scholars developed LatCRT as a critical response to the "problem of the color line" first explained by W. E. B. Du Bois.  While CRT focuses on the Black–White paradigm, LatCRT has moved to consider other racial groups, mainly Chicana/Chicanos, as well as Latinos/as, Asians, Native Americans/First Nations, and women of color.

In Critical Race Counterstories along the Chicana/Chicano Educational Pipeline, Tara J. Yosso discusses how the constraint of POC can be defined. Looking at the differences between Chicana/o students, the tenets that separate such individuals are the intercentricity of race and racism, the challenge of dominant ideology, the commitment to social justice, the centrality of experience knowledge, and the interdisciplinary perspective.

LatCRTs main focus is to advocate social justice for those living in marginalized communities (specifically Chicana/os), who are guided by structural arrangements that disadvantage people of color. Arrangements where social institutions function as dispossessions, disenfranchisement, and discrimination over minority groups. In an attempt to give voice to those who are victimized, LatCRT has created two common themes:

First, CRT proposes that white supremacy and racial power are maintained over time, a process that the law plays a central role in. Different racial groups lack the voice to speak in this civil society, and, as such, CRT has introduced a new critical form of expression, called the voice of color. The voice of color is narratives and storytelling monologues used as devices for conveying personal racial experiences. These are also used to counter metanarratives that continue to maintain racial inequality. Therefore, the experiences of the oppressed are important aspects for developing a LatCRT analytical approach, and it has not been since the rise of slavery that an institution has so fundamentally shaped the life opportunities of those who bear the label of criminal.

Secondly, LatCRT work has investigated the possibility of transforming the relationship between law enforcement and racial power, as well as pursuing a project of achieving racial emancipation and anti-subordination more broadly. Its body of research is distinct from general critical race theory in that it emphasizes immigration theory and policy, language rights, and accent- and national origin-based forms of discrimination. CRT finds the experiential knowledge of people of color and draws explicitly from these lived experiences as data, presenting research findings through storytelling, chronicles, scenarios, narratives, and parables.

Asian critical race theory

Asian critical race theory looks at the influence of race and racism on Asian Americans and their experiences in the US education system. Like Latino critical race theory, Asian critical race theory is distinct from the main body of CRT in its emphasis on immigration theory and policy.

Tribal critical race theory

Critical Race Theory evolved in the 1970s in response to Critical Legal Studies. Tribal Critical Theory (TribalCrit) focuses on stories and values oral data as a primary source of information. TribalCrit builds on the idea that White supremacy and imperialism underpin United States policies toward Indigenous peoples. In contrast with CRT, it argues that colonization rather than racism is endemic to society. A key tenet of TribalCrit is that Indigenous people exist within a United States society that both politicizes and racializes them, placing them in a "liminal space" where Indigenous self-representation is at odds with how others perceive them. TribalCrit argues that ideas of culture, information, and power take on new importance when inspected through a Native lens. TribalCrit rejects goals of assimilation in United States educational institutions and argues that understanding the lived realities of Indigenous peoples is dependent on comprehending tribal philosophies, beliefs, traditions, and visions for the future.

Critical philosophy of race

The Critical Philosophy of Race (CPR) is inspired by both Critical Legal Studies and Critical Race Theory's use of interdisciplinary scholarship. Both CLS and CRT explore the covert nature of mainstream use of "apparently neutral concepts, such as merit or freedom."

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Sunday, April 14, 2024

2024: 1930 Chronology: Appendix 44: Ray Charles, The Genius, The Legend, The Icon

Appendix 44

Ray Charles

The Genius

The Legend 

The Icon


Ray Charles Robinson Sr. (b. September 23, 1930, Albany, Georgia – d. June 10, 2004, Beverly Hills, California) was an American singer, songwriter and pianist. He is regarded as one of the most iconic and influential musicians in history and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians, he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma. 

Charles pioneered the soul music genre during the 1950s by combining blues, jazz, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records.   He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company.

Charles's 1960 hit "Georgia on My Mind" was the first of his three career No. 1 hits on the Billboard Hot 100. {"Hit the Road Jack" from 1961 and "I Can't Stop Loving You" from 1962 were his other No. 1 hits.} His 1962 album Modern Sounds in Country and Western Music became his first album to top the Billboard 200. Charles had multiple singles reach the Top 40 on various Billboard charts; 44 on the US R&B singles chart; 11 on the Hot 100 singles chart; and two on the Hot Country singles charts.

Charles cited Nat King Cole as a primary influence, but his music was also influenced by Louis Jordan and Charles Brown. He had a lifelong friendship and occasional partnership with Quincy Jones. Frank Sinatra called Ray Charles "the only true genius in show business," although Charles downplayed this notion. Billy Joel said, "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley."

For his musical contributions, Charles received the Kennedy Center Honors, the National Medal of Arts, and the Polar Music Prize. Charles was one of the inaugural inductees at the Rock and Roll Hall of Fame in 1986. He has won 18 Grammy Awards (five posthumously), the Grammy Lifetime Achievement Award in 1987, and 10 of his recordings have been inducted into the Grammy Hall of Fame.  Rolling Stone magazine ranked Charles No. 10 on its list of the 100 Greatest Artists of All Time, and No. 2 on their list of the 100 Greatest Singers of All Time. In 2022, Charles was inducted into the Country Music Hall of Fame, as well as the Black Music & Entertainment Walk of Fame.  

Charles was born on September 23, 1930, in Albany, Georgia.  He was the son of Bailey Robinson, a laborer, and Aretha (or Reatha) Robinson (née Williams), a laundress, of Greenville, Florida. 

During Aretha's childhood, her mother died. Her father could not keep her. Bailey, a man her father worked with, took her in. The Robinson family—Bailey, his wife Mary Jane, and his mother— informally adopted her and Aretha took the surname Robinson. A few years later Aretha became pregnant by Bailey. During the ensuing scandal, she left Greenville late in the summer of 1930 to be with family back in Albany. After the birth of the child, Ray Charles, she and the infant Charles returned to Greenville. Aretha and Bailey's wife, who had lost a son, then shared in Charles's upbringing. The father abandoned the family, left Greenville, and married another woman elsewhere. By his first birthday, Charles had a brother, George.

Charles was deeply devoted to his mother and later recalled, despite her poor health and adversity, her perseverance, self-sufficiency, and pride as guiding lights in his life.

In his early years, Charles showed an interest in mechanical objects and would often watch his neighbors working on their cars and farm machinery. His musical curiosity was sparked at Wylie Pitman's Red Wing Cafe, at the age of three, when Pitman played boogie woogie on an old upright piano. Pitman subsequently taught Charles how to play the piano. Charles and his mother were always welcome at the Red Wing Cafe and even lived there when they were in financial distress. Pitman would also care for Ray's younger brother George, to take some of the burden off their mother. George accidentally drowned in his mother's laundry tub when he was four years old.

Charles started to lose his sight at the age of four or five, and was blind by the age of seven, likely as a result of glaucoma. Destitute, uneducated, and mourning the loss of her younger son, Aretha Robinson used her connections in the local community to find a school that would accept a blind African American pupil. Despite his initial protest, Charles attended school at the Florida School for the Deaf and the Blind in Saint Augustine from 1937 to 1945.

Charles further developed his musical talent at school and was taught to play the classical piano music of Bach, Mozart and Beethoven. His teacher, Mrs. Lawrence, taught him how to use braille music, a difficult process that requires learning the left-hand movements by reading braille with the right hand and learning the right-hand movements by reading braille with the left hand, then combining the two parts.

Charles's mother died in the spring of 1945, when he was 14. Her death came as a shock to him; he later said the deaths of his brother and mother were "the two great tragedies" of his life. Charles decided not to return to school after the funeral.

After leaving school, Charles moved to Jacksonville to live with Charles Wayne Powell, who had been friends with his late mother. He played the piano for bands at the Ritz Theatre in LaVilla for over a year, earning $4 a night (US$46, in 2023 value). He joined Local 632 of the American Federation of Musicians, in the hope that it would help him get work and was able to use the union hall's piano to practice, since he did not have one at home. He learned piano licks from copying the other players there. 

Charles started to build a reputation as a talented musician in Jacksonville, but the jobs did not come fast enough for him to construct a strong identity, so, at age 16, he moved to Orlando, where he lived in borderline poverty and went without food for days. It was difficult for musicians to find work. Since World War II had ended, there were no "G.I. Joes" left to entertain. Charles eventually started to write arrangements for a pop music band, and in the summer of 1947, he unsuccessfully auditioned to play piano for Lucky Millinder and his sixteen-piece band.

In 1947, Charles moved to Tampa, where he held two jobs, including one as a pianist for Charles Brantley's Honey Dippers.

In his early career, Charles modeled himself on Nat King Cole. His first four recordings—"Wondering and Wondering", "Walking and Talking", "Why Did You Go?" and "I Found My Baby There"—were allegedly done in Tampa, although some discographies claim he recorded them in Miami in 1951 or else Los Angeles in 1952.,

Charles had always played piano for other people, but he was keen to have his own band. He decided to leave Florida for a large city, and, considering Chicago and New York City too big, followed his friend Gossie McKee to Seattle, Washington, in March 1948, knowing that the biggest radio hits came from northern cities. There he met and befriended, under the tutelage of Robert Blackwell, the 15-year-old Quincy Jones. 

With Charles on piano, McKee on guitar, and Milton Garred on bass, The McSon Trio (named for McKee and Robinson) started playing the 1–5 A.M. shift at the Rocking Chair. Publicity photos of this trio are some of the earliest known photographs of Charles. In April 1949, he and his band recorded "Confession Blues", which became his first national hit, soaring to the second spot on the Billboard R&B chart. While still working at the Rocking Chair, Charles also arranged songs for other artists, including Cole Porter's "Ghost of a Chance" and Dizzy Gillespie's "Emanon". After the success of his first two singles, Charles moved to Los Angeles in 1950 and spent the next few years touring with the blues musician Lowell Fulson as Fulson's musical director.

In 1950, Charles' performance in a Miami hotel impressed Henry Stone, who went on to record a Ray Charles Rockin' record, which did not achieve popularity. During his stay in Miami, Charles was required to stay in the segregated but thriving black community of Overtown. Stone later helped Jerry Wexler find Charles in St. Petersburg. 

After signing with Swing Time Records, Charles recorded two more R&B hits under the name Ray Charles: "Baby, Let Me Hold Your Hand" (1951), which reached No. 5, and "Kissa Me Baby" (1952), which reached No. 8. Swing Time folded the following year, and Ahmet Ertegun signed Charles to Atlantic.]

In addition to being a musician, Charles was also a record producer, producing Guitar Slim's number 1 hit, "The Things That I Used to Do". 

In June 1952, Atlantic bought Charles's contract for $2,500 (US$28,684 in 2023 dollars). His first recording session for Atlantic ("The Midnight Hour"/"Roll with My Baby") took place in September 1952, although his last Swing Time release ("Misery in My Heart"/"The Snow Is Falling") would not appear until February 1953.

In 1953, "Mess Around" became his first small hit for Atlantic. During the next year, he had hits with "It Should've Been Me" and "Don't You Know". He also recorded the songs "Midnight Hour" and "Sinner's Prayer" around this time.

Late in 1954, Charles recorded "I've Got a Woman". The lyrics were written by bandleader Renald Richard. Charles claimed the composition. They later admitted that the song went back to the Southern Tones' "It Must Be Jesus" (1954). It became one of his most notable hits, reaching No. 2 on the R&B chart. "I've Got a Woman" combined gospel, jazz, and blues elements. In 1955, Charles also had hits with "This Little Girl of Mine" and "A Fool for You". In following years, hits included "Drown in My Own Tears" and "Hallelujah I Love Her So". 

Charles also recorded jazz, such as The Great Ray Charles (1957). He worked with vibraphonist Milt Jackson, releasing Soul Brothers in 1958 and Soul Meeting in 1961. By 1958, he was not only headlining major black venues such as the Apollo Theater in New York, but also larger venues such as Carnegie Hall and the Newport Jazz Festival, where his first live album was recorded in 1958. Charles hired a female singing group, the Cookies, and renamed them the Raelettes. In 1958, Charles and the Raelettes performed for the famed Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Sam Cooke, Ernie Freeman, and Bo Rhambo.  Sammy Davis Jr. was also there to crown the winner of the Miss Cavalcade of Jazz beauty contest. The event featured the top four prominent disc jockeys of Los Angeles.

Charles reached the pinnacle of his success at Atlantic with the release of "What'd I Say", which combined gospel, jazz, blues and Latin music. Charles said he wrote it spontaneously while he was performing in clubs with his band. Despite some radio stations banning the song because of its sexually suggestive lyrics, the song became Charles' first top-ten pop record. It reached No. 6 on the Billboard Pop chart and No. 1 on the Billboard R&B chart in 1959. Later that year, he released his first country song (a cover of Hank Snow's "I'm Movin' On") and recorded three more albums for the label: a jazz record (The Genius After Hours, 1961); a blues record (The Genius Sings the Blues, 1961); and a big band record (The Genius of Ray Charles, 1959) which was his first Top 40 album, peaking at No. 17.

Charles' contract with Atlantic expired in 1959, and several big labels offered him record deals. Choosing not to renegotiate his contract with Atlantic, he signed with ABC-Paramount in November 1959. He obtained a more liberal contract than other artists had at the time, with ABC offering him a $50,000 (US$522,603 in 2023 dollars) annual advance, higher royalties than before, and eventual ownership of his master tapes — a very valuable and lucrative deal at the time. During his Atlantic years, Charles had been hailed for his inventive compositions, but by the time of the release of the largely instrumental jazz album Genius + Soul = Jazz (1960) for ABC's subsidiary label Impulse!, he had given up on writing in favor of becoming a cover artist, giving his own eclectic arrangements of existing songs.

With "Georgia on My Mind", his first hit single for ABC-Paramount in 1960, Charles received national acclaim and four Grammy Awards, including two for "Georgia on My Mind" (Best Vocal Performance Single Record or Track, Male and Best Performance by a Pop Single Artist). Written by Stuart Gorrell and Hoagy Carmichael, the song was Charles' first work with Sid Feller, who produced, arranged and conducted the recording. Charles' rendition of the tune would help elevate it to the status of an American classic, and his version also became the state song of Georgia later on in 1979.

Charles earned another Grammy for the follow-up track "Hit the Road Jack", written by R&B singer Percy Mayfield. 

By late 1961, Charles had expanded his small road ensemble to a big band, partly as a response to increasing royalties and touring fees, becoming one of the few black artists to cross over into mainstream pop with such a level of creative control. This success, however, came to a momentary halt during a concert tour in November 1961, when a police search of Charles's hotel room in Indianapolis, Indiana, led to the discovery of heroin in the medicine cabinet. The case was eventually dropped, as the search lacked a proper warrant by the police, and Charles soon returned to music.

In the early 1960s, on the way from Louisiana to Oklahoma City, Charles faced a near-death experience when the pilot of his plane lost visibility, as snow and his failure to use the defroster caused the windshield of the plane to become completely covered in ice. The pilot made a few circles in the air before he was finally able to see through a small part of the windshield and land the plane. Charles placed a spiritual interpretation on the experience, claiming that "something or someone which instruments cannot detect" was responsible for creating the small opening in the ice on the windshield which enabled the pilot to eventually land the plane safely.

The 1962 album Modern Sounds in Country and Western Music and its sequel, Modern Sounds in Country and Western Music, Vol. 2, helped to bring country music into the musical mainstream. Charles' version of the Don Gibson song "I Can't Stop Loving You" topped the Pop chart for five weeks, stayed at No. 1 on the R&B chart for ten weeks, and gave him his only number-one record in the United Kingdom. In 1962, he founded his own record label, Tangerine, which ABC-Paramount promoted and distributed. He had major pop hits in 1963 with "Busted" (US No. 4) and "take These Chains from My Heart" (US No. 8). In 1964, Margie Hendrix was kicked out of the Raelettes after a big argument.

In 1964, Charles' career was halted once more after he was arrested for a third time for possession of heroin. He agreed to go to a rehabilitation facility to avoid jail time and eventually kicked his habit at a clinic in Los Angeles. After spending a year on parole, Charles reappeared on the charts in 1966 with a series of hits composed with Ashford & Simpson and Jo Armstead, including the dance number "I Don't Need No Doctor" and "Let's Go Get Stoned", which became his first number-one R&B hit in several years. His cover version of "Crying Time", originally recorded by country singer Buck Owens, reached No. 6 on the pop chart and helped Charles win a Grammy Award the following March. In 1967, he had a top-twenty hit with another ballad, 'Here We Go Again". 

Charles's renewed chart success, however, proved to be short lived, and by the 1970s his music was rarely played on radio stations. The rise of psychedelic rock and harder forms of rock and R&B music had reduced Charles's radio appeal, as did his choosing to record pop standards and covers of contemporary rock and soul hits, since his earnings from owning his master tapes had taken away the motivation to write new material. Charles nonetheless continued to have an active recording career. Most of his recordings between 1968 and 1973 evoked strong reactions: either adored or panned by fans and critics alike. His recordings during this period, especially 1972's A Message from the People, moved toward the progressive soul sound popular at the time. A Message from the People included his unique gospel-influenced version of "America the Beautiful" and a number of protest songs about poverty and civil rights. Charles was often criticized for his version of "America the Beautiful" because it was very drastically changed from the song's original version. On July 14, 1973, Margie Hendrix, the mother of Ray's son Charles Wayne Hendrix, died at 38 years old.  Margie's death led to Ray having to care for the child. The official cause of her death is unknown.

In 1974, Charles left ABC Records and recorded several albums on his own label, Crossover Records. A 1975 recording of Stevie Wonder's hit "Living for the City" later helped Charles win another Grammy. In 1977, he reunited with Ahmet Ertegun and re-signed to Atlantic Records, for which he recorded the album True to Life, remaining with his old label until 1980. However, the label had now begun to focus on rock acts, and some of their prominent soul artists, such as Aretha Franklin, were starting to be neglected. In November 1977, Charles appeared as the host of the NBC television show Saturday Night Live. 

In April 1979, Charles' version of "Georgia on My Mind" was proclaimed the state song of Georgia, and an emotional Charles performed the song on the floor of the state legislature. In 1980, Charles performed in the musical film The Blues Brothers. Although he had notably supported the American Civil Rights Movement and Martin Luther King Jr. in the 1960s, Charles was criticized for performing at the Sun City resort in South Africa in 1981 during an international boycott protesting that country's apartheid policy. He later defended his choice of performing there, insisting that the audience of black and white fans would integrate while he was there.

In 1983, Charles signed a contract with Columbia. He recorded a string of country albums and had hit singles in duets with singers such as George Jones, Chet Atkins, B. J. Thomas, Mickey Gilley, Hank Williams Jr., Dee Dee Bridgewater ("Precious Thing") and his longtime friend Willie Nelson, with whom he recorded "Seven Spanish Angels".

In 1985, Charles participated in the musical recording and video "We Are the World", a charity single recorded by the supergroup United Support of Artists (USA) for Africa.

In 1990, Charles participated for the first time in the Sanremo Music Festival with the song Good Love Gone Bad, written by Toto Cutugno.  

Before the release of his first album for Warner, Would You Believe, Charles made a return to the R&B charts with a cover of the Brothers Johnson's "I'll Be Good to You", a duet with his lifelong friend Quincy Jones and the singer Chaka Khan, which hit number one on the R&B chart in 1990 and won Charles and Khan a Grammy for their duet. Prior to this, Charles returned to the pop charts withm "Baby Grand", a duet with singer-songwriter Billy Joel. In 1989, Charles recorded a cover of the Southern All Stars' "Itoshi no Ellie" for a Japanese TV advertisement for the Suntory brand, releasing it in Japan as "Ellie My Love", where it reached No. 3 on its Oricon chart. In the same year, he was a special guest at the Arena di Verona during the tour promoting Oro Incenso & Birra of the Italian singer Zucchero Fornaciari. 

In 2001–02, Charles appeared in commercials for the new Jersey Lottery to promote its campaign "For every dream, there's a jackpot".In 2003, Charles headlined the White House Correspondents' Association Dinner in Washington, D.C., attended by President George W. Bush, Laura Bush, Colin Powell and Condoleezza Rice.  Also, in 2003, Charles presented Van Morrison with Morrison's award upon being inducted into the Songwriters Hall of Fame, and the two sang Morrison's song "Crazy Love" (the performance appears on Morrison's 2007 album The Best of Van Morrison Volume 3). In 2003, Charles performed "Georgia on My Mind" and "America the Beautiful" at a televised annual banquet of electronic media journalists held in Washington, D.C. His final public appearance was on April 30, 2004, at the dedication of his music studio as a historic landmark in Los Angeles.

Charles possessed one of the most recognizable voices in American music. He was a master of sounds. His records disclose an extraordinary assortment of slurs, glides, turns, shrieks, wails, breaks, shouts, screams and hollers, all wonderfully controlled, disciplined by inspired musicianship, and harnessed to ingenious subtleties of harmony, dynamics and rhythm. The voice alone, with little assistance from the text or the notated music, conveys the message.

Charles' style and success in the genres of rhythm and blues and jazz had an influence on a number of highly successful artists, including, Elvis Presley, Aretha Franklin, Stevie Wonder, Van Morrison, and Billy Joel. 

Ray, a biopic portraying his life and career between the mid-1930s and 1979, was released in October 2004, starring Jamie Foxx as Charles. Foxx received the 2005 Academy Award for Best Actor for the role.

In 1979, Charles was one of the first musicians born in the State of Georgia to be inducted into the Georgia Music Hall of Fame. His version of "Georgia on My Mind" was also made the official state song of the State of Georgia. And, in 1981, he was given a star on the Hollywood Walk of Fame. 

In 1986, he was one of the first inductees into the Rock & Roll Hall of Fame at its inaugural ceremony. He also received the Kennedy Center Honors in 1986.

Charles won 17 Grammy Awards from his 37 nominations. In 1987, he was also awarded the Grammy Lifetime Achievement Award. Finally, the Grammy Awards of 2005 were dedicated to Ray Charles.

On September 23, 2013, the United States Postal Service issued a forever stamp honoring Charles, as part of its Musical Icons series. And, in 2022, Charles was posthumously inducted into the Country Music Hall of Fame, the third African American to be inducted after Charley Pride (2000) and Deford Bailey (2005). He was also the 13th person to be inducted into both the Country and Rock Halls of Fame.

Charles stated in his 1978 autobiography, Brother Ray: Ray Charles' Own Story, that he became hooked on women after losing his virginity at 12 years old to a woman about 20. "Cigarettes and smack [heroin] are the two truly addictive habits I've known. You might add women," he said. "My obsession centers on women—did then [when young] and does now. I can't leave them alone," he added.

Charles was married twice. His first marriage lasted less than a year; his second lasted 22 years. Throughout his life, Charles had many relationships with women with whom he fathered a dozen children.

Charles' first marriage to Eileen Williams lasted from July 31, 1951, until 1952.

He met his second wife Della Beatrice Howard Robinson (called "Bea" by Charles) in Texas in 1954. They married the following year on April 5, 1955. Their first child together, Ray Charles Robinson, Jr., was born in 1955. Charles was not in town for the birth because he was playing a show in Texas. The couple had two more sons, David and Robert. They raised their children in View Park, California. Charles felt that his heroin addiction took a toll on Della during their marriage. Due to his drug addiction, extramarital affairs on tours and volatile behavior, the marriage deteriorated, and she filed for divorce in 1977. The divorce was finalized after 22 years of marriage.

Charles had a six-year-long affair with Margie Hendrix, one of the original Raelettes, and in 1959 they had a son, Charles Wayne. His affair with Mae Mosley Lyles resulted in a daughter, Renee, born in 1961. In 1963, Charles had another daughter, this one by Sandra Jean Betts, named Sheila Raye Charles. Sheila Raye, like her father, was a singer/songwriter; she died of breast cancer on June 15, 2017.  In 1977, Charles had a child with his Parisian lover Arlette Kotchounian whom he met in 1967. His long-term girlfriend and partner at the time of his death was Norma Pinella.

Charles fathered a total of 12 children with ten different women:

  • Evelyn Robinson, born in 1949 (daughter with Louise Flowers)
  • Ray Charles Robinson Jr., born May 25, 1955 (son with wife Della Bea Robinson)
  • David Robinson, born in 1958 (son with wife Della Bea Robinson)
  • Charles Wayne Hendricks, born on October 1, 1959 (son with Margie Hendricks, one of the Raelettes)
  • Robert Robinson, born in 1960 (son with wife Della Bea Robinson)
  • Renee Robinson, born in 1961 (daughter with Mae Mosely Lyles)
  • Sheila Robinson, born in 1963 (daughter with Sandra Jean Betts)
  • Reatha Butler, born in 1966
  • Alexandra Bertrand, born in 1968 (daughter with Mary-Chantal Bertrand)
  • Vincent Kotchounian, born in 1977 (son with Arlette Kotchounian)
  • Robyn Moffett, born in 1978 (daughter with Gloria Moffett)
  • Ryan Corey Robinson den Bok, born in 1987 (son with Mary Anne den Bok)

Charles held a family luncheon for his 12 children in 2002, ten of whom attended. He told them he was mortally ill and $500,000 had been placed in trusts for each of the children to be paid out over the next five years.

At 18, Charles first tried marijuana when he played in the McSon Trio and was eager to try it as he thought it helped musicians create music and tap into their creativity. He later became addicted to heroin for seventeen years. Charles was first arrested in 1955, when he and his bandmates were caught backstage with loose marijuana and drug paraphernalia, including a burnt spoon, syringe, and needle. The arrest did not deter his drug use, which only escalated as he became more successful and made more money.

In 1958, Charles was arrested on a Harlem street corner for possession of narcotics and equipment for administering heroin.

Charles was arrested on a narcotics charge on November 14, 1961, while waiting in an Indiana hotel room before a performance. The detectives seized heroin, marijuana, and other items. Charles, then 31, said he had been a drug addict since the age of 16. The case was dismissed because of the manner in which the evidence was obtained, but Charles' situation did not improve until a few years later.

On Halloween 1964, Charles was arrested for possession of heroin at Boston's Logan Airport. He decided to quit heroin and entered St. Francis Hospital in Lynwood, California, where he endured four days of cold turkey withdrawal. Following his self-imposed stay, he pleaded guilty to four narcotic charges. Prosecutors called for two years in prison and a hefty fine, but the judge listened to Charles' psychiatrist, Dr. Hacker's account of Charles' determination to get off drugs and he was sent to McLean Hospital in Belmont, Massachusetts.  The judge offered to postpone the verdict for a year if Charles agreed to undergo regular examinations by government-appointed physicians. When Charles returned to court, he received a five-year suspended sentence, four years of probation, and a fine of $10,000.

Charles responded to the saga of his drug use and reform with the songs "I Don't Need No Doctor" and "Let's Go Get Stoned" and with the release of Crying Time, his first album since kicking his heroin addiction in 1966.

Charles enjoyed playing chess. As part of his therapy when he quit heroin, he met with psychiatrist Friedrich Hacker, who taught him how to play chess. He used a special board with raised squares and holes for the pieces. When questioned if people try to cheat against a blind man, Charles joked in reply, "You can't cheat in Chess... I'm gonna see that!" In a 1991 concert, he referred to Willie Nelson as "my chess partner". In 2002, he played and lost to the American grandmaster and former United States champion Larry Evans.

In 2003, Charles had successful hip replacement surgery and was planning to go back on tour, until he began having other ailments. He died on June 10, 2004, of complications resulting from liver failure at his home in Beverly Hills, California. His funeral was held at the First African Methodist Episcopal Church of Los Angeles eight days later, with numerous musical figures in attendance. B. B. King, Glen Campbell, Stevie Wonder and Wynton Marsalis each played a tribute at the funeral. Charles' body was interred in the Inglewood Park Cemetery. 

Ray Charles final album, Genius Loves Company, released two months after Charles' death, consists of duets with admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones and Johnny Mathis. The album won eight Grammy Awards, including Best Pop Vocal Album, Album of the Year, Record of the Year and Best Pop Collaboration with Vocals (for "Here We Go Again", with Norah Jones), and Best Gospel Performance (for "Heaven Help Us All", with Gladys Knight); he also received nods for his duets with Elton John and B.B. King. The album included a version of Harold Arlen and E. Y. Yarburg's "Over the Rainbow", sung as a duet with Johnny Mathis, which was played at Charles' memorial service.

Wednesday, April 3, 2024

2024: 1930 Chronology: Appendix 43: Elza Soares, Brazil's Singer of the Millennium

Appendix 43 

Elza Soares

 Brazil's Singer of the Millennium 


Elza da Conceicao Soares (nee Elsa Gomes da Conceicao; b. June 23, 1930, Rio de Janeiro, Brazil – d. January 20, 2022, Rio de Janeiro, Brazil), known professionally as Elza Soares, was a Brazilian samba singer. In 1999, she was named Singer of the Millennium along with Tina Turner by BBC Radio. 


Elza was deemed dangerous by the military dictatorship in Brazil (1964-1985), and in 1970 her house in the Jardim Botanico neighborhood, in Rio de Janeiro, was machine-gunned by regime agents. Inside were her partner, the Brazilian soccer star Garrincha and their children. The living room, where the young children were, was destroyed by the blasts. Elza and Garrincha had to flee to Italy, where they were received by Chico Buarque de Hollanda who was also in exile.

Elza Gomes da Conceicao was born on June 23, 1930, in Padre Miguel, Rio de Janeiro.  Her father Avelino Gomes was a factory worker and guitarist, and her mother Rosária Maria da Conceicao was a washerwoman. She was born in the Moça Bonita, a favela in the Padre Miguel neighborhood of Rio de Janeiro.  During her childhood, Soares played on the streets, spun wooden tops, flew kites, and fought with boys. Despite poverty and having to carry buckets of water on her head, Elza believed that she had a happy childhood. However, when she was 12, she was forced by her father to marry Lourdes Antônio Soares, also known as Alaúrdes, and within a year gave birth to her first child, João Carlos. Soares liked to sing, and when she needed money for medicine for her son, she participated in a vocal contest presented by Ary Barroso at Radio Tupi.  She was given money for participating and was then able to buy the medicine. When she was fifteen, she gave birth to her second child, who died. After her husband became ill with tuberculosis, she began working at the Veritas soap factory in the Eugenho de Dentro neighborhood of Rio de Janeiro.  At twenty-one, she was a widow, left alone to raise her children: four boys and one girl. But Elza dreamed of becoming a singer.


When she was thirty-two, Elza had a relationship with the Brazilian soccer star Garrincha, the man who, at the time, was deemed to be one of Brazil's greatest soccer star, second only to Pele.  Garrincha was the father of eight children and was idolized by the Brazilian people. Elza was vilified by Brazilian society, with many accusing her of breaking up Garrincha's marriage. She was shouted at in the street, received death threats, and her house was pelted with eggs and tomatoes. 


On April 13, 1969, Elza's mother died in a car accident. Garrincha, Soares, and her daughter Sara were also injured in this accident. Garrincha was driving drunk on the Presidente Dutra highway when a truck merged into the lane. Everyone in the car was hurt, and Dona Rosário was thrown from the vehicle and killed. Soares and Garrincha remained married for sixteen years (1968–1982). Garrincha's friends did not accept Soares as his wife, instead calling her a "witch." Soares tried to curb her husband's dependence on alcohol by visiting bars and pleading with them not to serve her husband. The couple had one child, a boy, born in 1976. He was named after his father, Manuel Francisco dos Santos, and received the nickname Garrincha Jr. In 1983, Garrincha died of cirrhosis, which devastated Soares, even though they were already separated.

On January 11, 1986, her son, Garrincha Jr. died when he was 9 years old in a car accident as he was coming back from visiting his father's hometown, Mage.  It had been raining and the driver lost control of the vehicle. The door opened and the boy was thrown into the Imbarie River.  Soares was disconsolate and considered ending her own life. She left Brazil and toured Europe and the United States.

After many years of searching for her long-lost daughter, they were reunited after Soares returned to Brazil. On July 26, 2015, Soares lost another son, Gerson, when he was 59 years old. He died of complications of a urinary tract infection.  

Soares had six children: João Carlos, Gerson, Gilson, Dilma, Sara, and Garrincha. She died at her residence in Rio de Janeiro, on January 20, 2022, at the age of 91.

In 1958, Soares spent eight months touring Argentina with Mercedes Batista.  She became popular with her first single "Se Acaso Voce Chegasse", on which she introduced scat singing Ã  la Louis Armstrong, adding a bit of jazz to samba, however, Elza said that she did not know American music at the time.  Elza moved to Sao Paulo, where she performed at theaters and night clubs. Her husky voice became her trademark. After finishing her second album, A Bossa Negra, she went to Chile to represent Brazil in the 1962 FIFA World Cup and met Louis Armstrong.

From 1967 to 1969, Soares recorded three albums with the record label Odeon, partnering with singer Miltinho. The albums were titled Elza, Miltinho e Samba (Volumes 1–3). The songs in these albums were mostly in the potpourri style with duets.

In the 1970s, Soares toured the United States and Europe. In 2000, she was named Best Singer of the Millennium by the BBC in London, where she performed a concert with Gal Costa, Chico Buarque, Gilberto Gil, Caetano Veloso, and Virgínia Rodrigues. During the same year, she played a series of avant-garde concerts directed by José Miguel Wisnik in Rio de Janeiro.

Soares scored a number of hits in Brazil throughout her career, including "Se Acaso Você Chegasse" (1960), "Boato" (1961), "Cadeira Vazia" (1961), "Só Danço Samba" (1963), "Mulata Assanhada" (1965), and "Aquarela Brasileira" (1974). Elza Pede Passagem produced no major hit singles, but it was considered representative of the samba-soul of the early 1970s.

In 2002, her album Do Cóccix Até O Pescoço album earned a Grammy nomination. The album was recorded with Caetano Veloso, Chico Buarque, Carlinhos Brown, and Jorge Ben Joi.  In 2004, Soares released Vivo Feliz with the single, "Rio de Janeiro", a homage to her city of birth. While not as successful in sales as her previous release, the album carried on the theme of mixing samba and bossa nova with modern electronic music and effects. The album included collaborations with Nando Reis, Fred 04 (former leader of the mangue beat band Mundo Livre S/A), and Ze Keti.

In 2007, Elza was invited to sing a cappella the Brazilian National anthem at the opening ceremony of the 2007 Pan American Games.

Soares joined Jair Rodrigues and Sen Jorge for Sambistas (2009). In 2016, A Mulher do Fim do Mundo was released internationally with the translated title Woman at the End of the World.  She also performed at the opening ceremony of the Olympic Games in Rio de Janeiro, where she sang "O Canto de Ossanha" by Baden Powell and Vinicius de Moraes.

Her album A Mulher do Fim do Mundo was released in 2015. It was praised by critics as one of the best MPB (Musica Popular Brasileira - Popular Brazilian Music) albums of the past years. She won the award for Best Album in pop/rock/reggae/hip-hop/funk. This album was also nominated for Best Album of Brazilian Popular Music and Best Song in Portuguese at the 17th edition of the Latin Grammy Awards.

Her album Deus É Mulher was ranked as the 2nd best Brazilian album of 2018 by the Brazilian edition of Rolling Stone magazine and among the 25 best Brazilian albums of the first half of 2018 by the Sao Paulo Association of Art Critics.

The follow-up Planet Fome was considered one of the 25 best Brazilian albums of the second half of 2019 by the Sao Paulo Association of Art Critics.  For this album, Soares planned a cover of "Comida", byTitas, featuring the then current members of the band (Branco Mello, Sergio Britto and Tony Bellotto), but she ended up choosing to save the song for later and it was released in October 2020 to mark the album's first anniversary and to celebrate its nomination for the Latin Grammy Award.

Monday, April 1, 2024

2024: 1930 Chronology: Appendix 42: Johnny Bright, Trailblazing African American Football Player

 Appendix 42

Johnny Bright 

Trailblazing African American Football Player 


Johnny D. Bright (b. June 11, 1930, Fort Wayne, Indiana – d. December 14, 1983, Edmonton, Alberta, Canada) played college football at Drake University. In 1951, Bright was named a First Team College Football All-American, and was awarded the Nils V. "Swede" Nelson Sportsmanship Award. In 1969, Bright was named Drake University's greatest football player of all time. Bright is the only Drake football player to have his jersey number (No. 43) retired by the school.  In February 2006, the football field at Drake Stadium, in Des Moines, Iowa, was named in his honor. In November 2006, Bright was voted one of the Canadian Football League's Top 50 players (No. 19) of the league's modern era by Canadian sports network TSN.

In addition to his outstanding professional and college football careers, Bright is perhaps best known for his role as the victim of an  intentional, most likely racially motivated, on-field assault by an opposing college football player from Oklahoma A&M (now Oklahoma State University) on October 20, 1951, that was captured in a widely disseminated and Pulitzer Prize winning photo sequence, and eventually came to be known as the "Johnny Bright Incident". 
Born in Fort Wayne, Indiana, on June 11, 1930, Bright was the second oldest of five brothers. Bright lived with his mother and step father Daniel Bates, brothers, Homer Bright, the eldest, Alfred, Milton, and Nate Bates, in a working class, predominantly African American neighborhood in Fort Wayne.  
Bright was a three-sport (football, basketball, track and field) star at Fort Wayne's Central High School. Bright, who also was an accomplished softball pitcher and boxer, led Central High's football team to a City title in 1945, and helped the basketball team to two state tournament Final Four appearances.
Following his graduation from Central High in 1947, Bright initially accepted a football scholarship at Michigan State University, but, apparently unhappy with the direction of the Spartans football program, transferred to Drake University in Des Moines, Iowa, where he accepted a track and field scholarship that allowed him to try out for the football an basketball squads. Bright eventually lettered in football, track, and basketball, during his collegiate career at Drake..
Following a mandatory freshman redshirt year, Bright began his collegiate football career in 1949, rushing for 975 yards and throwing for another 975 to lead the nation in total offense during his sophomore year, as the Drake Bulldogs  finished their season at 6–2–1. In Bright's junior year, the halfback/quarterback rushed for 1,232 yards and passed for 1,168 yards, setting an NCAA record for total offense (2,400 yards) in 1950, and again led the Bulldogs to a 6–2–1 record.
Bright's senior year began with great promise. Bright was considered a pre-season Heisman Trophy candidate, candidate, and was leading the nation in both rushing and total offense with 821 and 1,349 yards respectively, when the Drake Bulldogs, winners of their previous five games, faced Missouri Valley Conference foe Oklahoma A&M at Lewis Field (now Boone Pickens Stadium) in Stillwater, Oklahoma, on October 20, 1951.
Bright's participation as a halfback/quarterback in Drake's game against Oklahoma A&M on October 20, 1951, was controversial, as it marked the first time that such a prominent African American athlete, with national notoriety (Bright was a pre-season Heisman Trophy candidate and led the nation in total offense going into the game) and of critical importance to the success of his team (Drake was undefeated and carried a five-game winning streak into the contest, due in large part to his rushing and passing), had played against Oklahoma A&M in a home game at Lewis Field, in Stillwater.
During the first seven minutes of the game, Bright had been knocked unconscious three times by blows from Oklahoma A&M defensive tackle Wilbanks Smith. While the final elbow blow from Smith broke Bright's jaw, Bright was able to complete a 61-yard touchdown pass to halfback Jim Pilkington a few plays later before the injury finally forced Bright to leave the game. Bright finished the game with 75 yards (14 yards rushing and 61 yards passing), the first time he had finished a game with less than 100 yards in his three-year collegiate career at Drake. Oklahoma A&M eventually won the game 27-14.
A photographic sequence by Des Moines Register cameramen Don Ultang and John Robinson clearly showed that Smith's jaw breaking blow to Bright had occurred well after Bright had handed off the ball to fullback Gene Macomber, and that the blow was delivered well behind the play.  The pictures won a Pulitzer Prize in 1952 for the photographer, Don Ultang of The Des Moines Sunday Register. Years later, Ultang said that he and Robinson were lucky to capture the incident when they did; they'd only planned to stay through the first quarter so they could get the film developed in time for the next day's edition.
It had been an open secret before the game that A&M was planning to target Bright. Even though A&M had integrated two years earlier, the Jim Crow spirit was still very much alive in Stillwater. Both Oklahoma A&M's student newspaper, The Daily O'Collegian, and the local newspaper, The News Press, reported that Bright was a marked man, and several A&M students were openly claiming that Bright "would not be around at the end of the game." Ultang and Robinson had actually set up their camera after rumors of Bright being targeted became too loud to ignore.
When it became apparent that neither Oklahoma A&M nor the Missouri Valley Conference (MVC) would take any disciplinary action against Smith, Drake withdrew from the MVC in protest and stayed out until 1956 (though it did not return for football until 1971). Fellow member Bradley University pulled out of the league as well in solidarity with Drake; while it returned for non-football sports in 1955, Bradley never played another down of football in the MVC (it dropped football in 1970).
The "Johnny Bright Incident", as it became widely known, eventually provoked changes in NCAA football rules regarding illegal blocking, and mandated the use of more protective helmets with face guards.
Recalling the incident without apparent bitterness in a 1980 Des Moines Register interview noted three years before Bright's death:
There's no way it couldn't have been racially motivated. Bright went on to add: What I like about the whole deal now, and what I'm smug enough to say, is that getting a broken jaw has somehow made college athletics better. It made the NCAA take a hard look and clean up some things that were bad.
Bright's jaw injury limited his effectiveness for the remainder of his senior season at Drake, but he finished his college career with 5,983 yards in total offense, averaging better than 236 yards per game in total offense, and scored 384 points in 25 games. As a senior, Bright earned 70 percent of the yards Drake gained and scored 70 percent of the Bulldogs' points, despite missing the better part of the final three games of the season.
Despite irrefutable evidence of the incident, Oklahoma A&M officials denied anything had happened. Indeed, Oklahoma A&M/State refused to make any further official comment on the incident for over half a century. This was the case even when Drake's former dean of men, Robert B. Kamm,  became president of OSU in 1966. Years later, he said that the determination to gloss over the affair was so strong that he knew he could not even discuss it. Finally, on September 28, 2005, Oklahoma State President David J. Schmidly wrote a letter to Drake President David Maxwell formally apologizing for the incident, calling it "an ugly mark on Oklahoma State University and college football." The apology came twenty-two years after Bright's death.
In February 2006, the football field at Drake Stadium, in Des Moines, Iowa, was named in Bright's honor.

Following his final football season at Drake (1951), Bright was named a First Team College Football All-American and finished fifth in the balloting for the 1951 Heisman Trophy. Bright was also awarded the Nils V. "Swede" Nelson Sportsmanship Award, and played in both the post-season East-West Shrine Game and the Hula Bowl.
In 1969, Bright was named Drake University's greatest football player of all time. He is also the only Drake football player to have his jersey number (No. 43) retired by the school.

Bright was the first pick of the Philadelphia Eagles in the first round of the 1952 National Football League draft.  Bright spurned the NFL, electing to play for the Calgary Stampeders of the Western Interprovinciai Football Union (WIFU), the precursor to the West Division of the Canadian Football League. Bright later commented:
I would have been their (the Eagles') first Negro player. There was a tremendous influx of Southern players into the NFL at that time, and I didn't know what kind of treatment I could expect.
Bright joined the Calgary Stampeders as a fullback/linebacker in 1952, leading the Stampeders and the WIFU in rushing with 815 yards his rookie season. Bright played fullback/linebacker with the Stampeders for the 1952, 1953, and part of the 1954 seasons. In 1954, the Calgary Stampeders traded Bright to the Edmonton Eskimos in mid-season. Bright would enjoy the most success of his professional football career as a member of the Eskimos.
Though Bright played strictly defense as a linebacker in his first year with the Eskimos, he played both offense (as a fullback) and defense for two seasons (1955-1956), and played offense permanently after that (1957-1964).  He, along with teammates Rollie Miles, Normie Kwong, and Jackie Parker, helped lead the Eskimos to successive Grey Cup titles in 1954, 1955, and 1956 (where Bright rushed for a then Grey Cup record of 171 yards in a 50–27 win over the Montreal Alouettes). In 1957, he rushed for eight consecutive 100-yard games, finishing the season with 1,679 yards. In 1958, he rushed for 1,722 yards. In 1959, following his third straight season as the Canadian pro rushing leader with 1,340 yards, Bright won the Canadian Football League's Most Outstanding Player Award, the first African American or African Canadian athlete to be so honored.
Bright was approached several times during his Canadian career by NFL teams about playing in the United States, but in the days before the blockbuster salaries of today's NFL players, it was common for CFL players such as Bright to hold regular jobs in addition to football, and he had already started a teaching career in 1957, the year he moved his family to Edmonton.
Bright retired in  1964 as the CFL's all-time leading rusher. Bright rushed for 10,909 yards in 13 seasons, had five consecutive 1,000 yard seasons, and led the CFL in rushing four times. While Bright, as of 2017, was 15th on the All-Pro Rushing list, his career average of 5.5 yards per carry is the highest among 10,000+ yard rushers (National Football League Hall of Famer Jim Brown is second at 5.2 yards per carry). At the time of his retirement, Bright had a then-CFL record thirty-six 100-plus-yard games, carrying the ball 200 or more times for five straight seasons. Bright led the CFL Western Conference in rushing four times, winning the Eddie James Memorial Trophy in the process, and was a CFL Western Conference All-Star five straight seasons from 1957 to 1961. Bright played in 197 consecutive CFL games as a fullback/linebacker. Bright's No. 24 jersey was added to the Edmonton Eskimos' Wall of Honour at the Eskimo's Commonwealth Stadium in 1983. Bright was inducted into the Canadian Football Hall of Fame on November 26, 1970. In November 2006, Bright was voted one of the CFL's Top 50 players (No. 19) for the league's modern era by Canadian sports network TSN. 
Bright earned a Bachelor of Science degree in education at Drake University in 1952, becoming a teacher, coach, and school administrator, both during and after his professional football career, eventually rising to the seat of principal of D.S. Mackenzie Junior High School and Hillcrest Junior High School in Edmonton, Alberta. He became a Canadian citizen in 1962.
Bright died of a massive heart attack on December 14, 1983, at the University of Alberta Hospital  in Edmonton, while undergoing elective surgery to correct a knee injury suffered during his football career. He was survived by his wife and four children.
Bright is buried at Holy Cross Cemetery, in Edmonton.
In September 2010, Johnny Bright School, a kindergarten through grade 9 school, was named in Bright's honor, and opened in the Rutherford neighborhood of Edmonton. The school was officially opened on September 15, 2010, by representatives of the school district and Alberta Education Minister Dave Hancock, and included tributes from Bright's family, several dignitaries, and former colleagues of Bright from both his athletic and educational careers.