Wednesday, January 8, 2020

Clare Negrini, Chicago Woman Who Fell in Love With a Catholic Priest

Clare Mary Gertrude Young Negrini (1930–2006) was a Chicago woman who fell in love with an Italian Catholic priest, moved to Italy to be with him in 1951, and renounced U.S. citizenship in a bid to avoid deportation. The two married at the end of that year, resulting in their excommunication; they eventually emigrated from Italy to the United Kingdom before finally settling in Mexico. Negrini later moved back to the United States, where she lived for the rest of her life.

Early life[edit]

Negrini (née Young) was born on June 21, 1930 in Cincinnati, Ohio.[1] She was the daughter of James J. Young, a professor at Loyola University, and Eileen Brady Young. She grew up in Chicago.[2][3] She met Luciano Negrini, the man who would become her husband, when he was in Chicago; the two were taking voice lessons from the same teacher. Luciano Negrini was a missionary in China, and had been sent to the United States by his bishop to raise funds to continue their work.[2]
Young fell in love with Negrini, and asked him to marry her many times, but he initially refused, sticking to his vows as a priest.[2] According to Young, her father was more accepting of the romance, but her mother was strongly opposed.[2] However, her father also attempted to block the marriage by arranging for a psychiatric assessment of his daughter, in hopes that she would be found irrational and mentally incapable of contracting a marriage.[4]
Young eventually travelled to Italy with Negrini, where the two moved into his aunt's apartment in Milan. In April, she visited the U.S. consulate in an attempt to renounce her U.S. citizenship, but foreign service officers told her that she would have to wait.[5][6] Her bid for statelessness was an effort to avoid expulsion from the country, as with no means of support she could have been deported back to the United States.[7]

Arrest[edit]

In late July 1951, Young went to the Milan police headquarters to extend her visitor's permit, which was set to expire on 5 August; however, she was instead arrested and held at San Vittore Prison. One report stated this was "for reasons of public security".[8] Another said that she had been charged with insulting a public official.[9] Still another report said that she had falsified her birthdate in an official document and was being held for deportation.[10] Negrini attempted to visit her to deliver a package of food, but police would not permit her to see him. He later sent his aunt, who was informed that police would release Young within a few days.[8] He even offered to sit in jail on her behalf so that she could go free, but this was rebuffed.[3]
Around the same time, Negrini revealed that he had been laicized.[4] To make ends meet, he took a job as a travelling salesman with a Bologna necktie company.[11] The couple's plight resulted in news coverage across the United States, and a sympathetic reverend at the Central Church of Christ in Salem, Oregon even called Negrini personally to offer him a job as his assistant, but Negrini turned it down because his fiancee was happy to remain in Italy.[11] Young was released from jail a few days later; deputy police chief Gabriele Mundo stated that an Italian psychiatrist had examined Young and found her "sane in mind and body", and that no charges would be pressed.[12]

Marriage paperwork[edit]

Young's troubles did not end with her release from prison. Her residence permit had been extended, but she still needed to complete paperwork in order to marry, which could take up to two weeks. In order to complete the formalities, she would have to provide her birth certificate and other documents.[13] She applied to the U.S. consulate for the necessary paperwork, but by earlier September they had failed to deliver it. In an attempt to get around the paperwork requirements, she asked a Milan court for a formal declaration that she was a stateless person.[14] With the ongoing delays, she wrote a letter to U.S. President Harry Truman asking him to determine whether or not she was stateless; she needed a certificate of citizenship status in order to proceed with the marriage.[15]
By November, the paperwork was still pending, and Young had to obtain another extension of her permit of stay.[16] In the mean time, she made a living by giving English lessons.[17] In the end, the court declared her stateless, and her license to wed was finally granted in December.[18] The two were married in December 1951 in a civil ceremony at Milan's City Hall. As a result of getting married in a civil ceremony rather than a church ceremony, both were excommunicated according to Catholic canon law at the time.[2][19][20] Under Italian nationality law at the time, she became an Italian citizen through her marriage to Negrini.[17]

Emigration from Italy and later life[edit]

A few months after they were married, the newlywed Negrini couple moved to the United Kingdom, looking for employment as domestic workers in the London area; however, according to friends, neither was suited to that kind of job and quit within a week, and afterwards they had encountered difficulty obtaining permission to engage in other employment due to the country's strict controls on work permits for foreigners.[21] In June 1952, their first son Italo Negrini was born at King's College Hospital in London.[21] From London, the Negrini family moved to Chihuahua in Mexico at the invitation of an unnamed Santa Barbara, California organization; the organization had previously hoped to bring them to the United States, but her renunciation of U.S. citizenship meant that this was not possible. In May 1953, the couple had their second son in Mexico.[22]
Negrini eventually moved back to the United States. Her fourth son, opera singer Gualtiero Negrini, was born in Los Angeles, California in 1961.[1][23] She died at her home in Los Angeles on February 16, 2006. Her husband preceded her in death. She was survived by her four sons, five grandchildren, and a great-grandson. Her funeral was held at St. Francis of Assisi, and she was interred at the San Fernando Mission Cemetery.[1]

Leila Negra, Afro-German Singer and Actress

Leila Negra, the stage name of Marie Nejar (born March 20, 1930), is an Afro-German singer and actress. She began her career as a child film actor in the 1940s, became a singer after World War II, and left performing in the late 1950s to become a nurse.

Family and early childhood[edit]

She was born Marie Nejar in Mülheim an der Ruhr, Germany.[1] Her father was a black sailor out of Liverpool, England, who originally came from Ghana; he saw his daughter only a few times.[2] Her mother, Cécilie, was the daughter of a white German woman and a creole man from the island of Martinique.[2] Cécilie was initially disowned by her family on account of her interracial relationship. She concealed her pregnancy from her family and placed Marie in an orphanage when she was born. When Marie was three years old, Cécilie removed her from the orphanage and they moved to Hamburg to be near Cécilie's mother, with whom Cécilie had reconciled. Cécilie, who worked as a musician,[3] bled to death following an abortion when Marie was 10 years old and Marie was then cared for by her maternal grandmother.
Marie grew up in the multi-ethnic Hamburg docklands.[4] When the National Socialists came to power, she was exposed to hostility because of her dark skin.[1] Due to the Nuremberg Race Laws of 1935, she was unable to finish her education and instead had to do forced labor in a factory. By her own account, she survived the early years of Nazism with the help of sympathetic people in her community, including the police;[1] later her appearances in propaganda films offered protection.[5]

Career as performer[edit]

Her film career as a performer began as a result of a search instigated by Joseph Goebbels, the German Minister of Propaganda, for black children who could play African natives in various films being made by UFA, which had been taken over by the Nazis in 1933. Nejar first appeared in the 1943 fantasy film Münchhausen, performing as a black servant with a fan. Only 12 years old when the film was shot, she didn't realize it was propaganda and was happy to have two weeks off school.[1] Soon she had a small role in the comedy Quax in Africa (produced in 1943/44 and releaased in 1947) as the daughter of an African tribal chief.
After the war she performed in films as a singer rather than an actor, including Dancing Stars (1952), Salto Mortale (1953), The Sweetest Fruits (1954), and Der Schweigende Engel (1954).
After the war ended in 1945, she worked in the winters at a bar and in the summers as a cigarette girl at a resort. Asked to test a microphone one evening for other performers, she impressed the audience and the musicians with her talent and turned to a career as a singer.[3] It was at this time that she adopted the stage name Leila Negra.[1] Just 20 when she got a contract with a record company, she was promoted as a 15-year-old child star. Over the next decade, she had a number of hit songs, including the title song from the 1952 film Toxi, which was about the first wave of children born to black Allied servicemen and white German mothers.[6] She was the first to record the Gerhard Winkler song "Mütterlein", which subsequently became a hit for both Frankie Laine and David Whitfield with English lyrics under the title "Answer Me, My Love".[7] She toured with the Austrian singer Peter Alexander as well as with other musicians.[6]
In her mid-twenties, after a career spanning half a dozen films and some 30 songs, she withdrew from performing as Leila Negra. In 1957, she began training as a nurse, which became her career for the remainder of her working life.
In 2007, she published her autobiography, Mach nicht so traurige Augen, weil du ein Negerlein bist: Meine Jugend im Dritten Reich (Do Not Look So Sad Because You Are a Little Negro: My Youth in the Third Reich). The title is taken from one of her hit songs from the 1950s.
As of 2015, she was retired and still living in Hamburg.

John Neely, Jazz Tenor Saxophonist

John Neely (January 29, 1930 in Chicago – October 8, 1994 in Richton Park, Illinois) was a jazz tenor saxophonist and arranger.[1]
A member of King Fleming's Quintette (with Russell Williams and Lorez Alexandria) which recorded for the Chicago-based Blue Lake label in early 1954, he had played with Clifford Jordan in 1949.[1]
In 1960, Neely recorded with pianist Earl Washington for the Formal label in a band which included Walter Perkins on drums.
That same year, Neely went on to join the Lionel Hampton band. Down Beat (February 2, 1961) wrote: "John Neely, 30 year old Chicagoan, is being hailed by his fellows as 'one of the baddest acts in the country and the next BIG man on tenor."[1]

Ben Nduga, Ugandan Sprinter

Ben Nduga (born 1930) is a Ugandan sprinter. He competed in the men's 100 metres and men's 200 metres at the 1956 Summer Olympics.[1]
He was eliminated in the semi-finals of the 1954 British Empire and Commonwealth Games 100 yards. In the 1954 British Empire and Commonwealth Games 220 yards as well as in the 4×110 yards (with Lawrence Ogwang and the non-Olympians John Agoro and Yekoyasi Kasango) Nduga was eliminated in the heats. In the 1958 British Empire and Commonwealth Games 4×110 yards (with Erasmus Amukun and the non-Olympians Ignatius Okello and S. Bwowe) Nduga finished sixth. In the 1958 British Empire and Commonwealth Games 100 yards as well as in the 220 yards he was eliminated in the quarter-finals.

Naison Khutshwekhaya Ndlovu, Zimbabwean Politician

Naison Khutshwekhaya Ndlovu (22 October 1930 – 28 May 2017) was a Zimbabwean politician and deputy president of the Senate of Zimbabwe.[1]
Ndlovu was a veteran member of PF-ZAPU, serving as ZAPU representative at the Lancaster House talks,[2] and then of ZANU-PF following the unification of the two parties. He was the first mayor of Bulawayo, the second largest city in the country, to be elected after Zimbabwe's independence, a post he held until 1985.
Ndlovu served as the ZAPU (and subsequently ZANU-PF) member of parliament for Insiza from 1985 until he lost the seat to the MDC in 2000. He was elected senator for Insiza in 2005 and returned to the senate under the proportional representation system in 2013, representing ZANU-PF in Matabeleland South.[3]

Doudou Ndiaye Rose, Senegalese Sabar Master

Doudou Ndiaye Rose (born Mamadou Ndiaye; 28 July 1930 – 19 August 2015) was a Senegalese drummer, composer and band leader, and was the recognized modern master of Senegal's traditional drum, the sabar. He was the father of a musical dynasty that includes some of the most successful traditional musicians of contemporary West Africa.[1][2][3] He was one of the first musicians to bring Senegalese traditional music to the attention of the world.[4]
Rose was one of the most renowned African musicians of the 20th century. While he specialized in the sabar, he also played many other types of drum such as saouroubaassicotbougaraboumeung meunglambe, n'dergorom babass, and khine. The child of a Griot (West African bard caste) family, Ndiaye Rose began performing in the 1930s, but continued to make his living as a plumber for some time. Shortly before Senegalese independence he performed with Josephine Baker, and became a favorite with Dakar audiences. In 1960 he made the first head of the Senegalese National Ballet, and in the 1970s with his Doudou Ndiaye Rose Orchestra. He also collaborated with Miles Davis and the Rolling Stones.[5]
In 2006, he was declared a "living human treasure" by the UN cultural agency for keeping alive traditional rhythms.[6]
His final concerts were, with a festival in celebration of his 85th birthday, Deggi Daaj International, with whom he collaborated intimately since 2012, which is dedicated to the evolution & transmission of Doudou Ndiaye Rose's rhythm science, beyond the borders of Senegal, the African continent, and his lifetime.

Family of drummers[edit]

Born in Dakar, Senegal, into a family of Wolof royals, he was the founder and chief drum major of the Drummers of West Africa (all members of his family),[7] with which he also performed. He also led an all-female drum group called Les Rosettes, composed entirely of his own daughters and granddaughters.

Styles[edit]

Ndiaye Rose was purported to have developed 500 new rhythms, and, indeed, his music is quite complex, featuring ever-changing rhythmic structures which he conducted with his trademark vigorous style.[8] He also invented new types of drum.[citation needed]

Recorded work[edit]

Perhaps his most well-known album, Djabote (Real World CDRW43), features 12 tracks recorded on the Isle of Gorée in March 1991. It was recorded in one week with his group of 50 drummers and the Julien Jouga's Choir, an 80-member, all-female choir. Ndiaye Rose performed with Dizzy GillespieAlan Stivell ("Again"), Miles Davis, the Rolling StonesPeter GabrielKodo and Bill Bruford. He is also featured in the remix of "The Warning" by Nine Inch Nails, which was on their album Year Zero Remixed.

Albert Ndele Bamu, Congolese Politician and Banker

Albert Ndele Bamu (born 15 August 1930, Boma, Belgian Congo) is a Congolese politician and banker. He served as vice-chairman of the College of Commissioners-General that governed the Republic of the Congo (Léopoldville).[1] He was later governor of the National Bank of the Congo.[2] He briefly served as the minister of finance from 15 September 1970 until his dismissal on 12 November 1970.[3]