Friday, September 23, 2016

1931 The Americas

The Americas
Belize

*A hurricane struck British Honduras, killing about 2,500 people (September 10).


Brazil
*About 50 workmen were killed when 1,000 tons of airplane bombs exploded in a naval laboratory near Niteroi, Brazil (April 30).

*In Sao Paulo, composer Heitor Villa-Lobos presented the first of his Civic Exhortations, performed by 12,000 voices.

*Fernando Henrique Cardoso (also known by his initials FHC), a Brazilian sociologist, professor and politician who served as President of Brazil from January 1, 1995 to January 1, 2003, was born in Rio de Janeiro (June 18). Cardoso was the first President of Brazil to have been re-elected for a subsequent term. 

Fernando Henrique Cardoso (b. June 18, 1931, Rio de Janeiro, Brazil) was descended from wealthy Portuguese immigrants. Some of his ancestors were politicians during the Empire of Brazil. Cardoso was also of Black African descent, through a Black great-great-grandmother and a COTW great-grandmother.

An accomplished scholar, Cardoso was awarded in 2000 with the prestigious Prince of Asturias Award for International Cooperation.

Born in Rio de Janeiro, Cardoso lived in Sao Paulo for most of his life. Educated as a sociologist, he was a Professor of Political Science and Sociology at the Universidade de Sao Paulo.  He was President of the International Sociological Association (ISA), from 1982 to 1986. Cardoso was a member of the Institute for Advanced Study (Princeton) and was an honorary foreign member of the American Academy of Arts and Sciences. He is also the author of several books.
He was also Associate Director of Studies in the Ecole des Hautes Etudes en Sciences Sociales in Paris and then visiting professor at the College de France and later at the Paris-Nanterre University.  He later lectured at United Kingdom and United States universities including Cambridge University, Stanford University, Brown University and the University of California, Berkeley.  Cardoso was fluent in four languages: Portuguese, English, French, and Spanish.
After his presidency, Cardoso was appointed to a five-year term (2003–2008) as professor-at-large at Brown University's Watson Institute for International Studies, where he later became a member of the board of overseers. Cardoso was a founding member of the University of Southern California Center on Public Diplomacy's Advisory Board.  In February 2005, he gave the fourth annual Kissinger Lecture on Foreign Policy and International Relations at the Library of Congress, Washington D.C. on "Dependency and Development in Latin America.  In 2005, Cardoso was selected by the British magazine Prospect as being one of the world's top one hundred living intellectuals.
Cardoso was married to Ruth Vilaca Correia Leite Cardoso until her death on June 24, 2008 and they had four children. 
Cardoso described himself as "slightly mulatto" and allegedly said he has "a foot in the kitchen" (a nod to 19th-century Brazilian domestic slavery). 
*****
*Breno Mello, an athlete and actor best known for playing Orfeu in the Academy Award winning film Orfeu Negro (Black Orpheus), was born in Porto Alegre, Brazil (September 7).
Breno Higino de Mello (b. September 7, 1931, Porto Alegre, Brazil – d. July 11, 2008, Porto Alegre, Brazil) was a Brazilian athlete and actor. He is primarily known for playing the title role in the 1959 film Orfeu Negro (Black Orpheus).
Mello was born in Porto Alegre, the capital of Rio Grande do Sul, a state of Southern Brazil. In the beginning of his career, Breno Mello was a soccer player. He played soccer for Renner and Fluminense, and also for Santos FC, where he met Pele.  Mello was walking in Rio De Janeiro,  when director Marcel Camus stopped him and asked if he would like to be in a film. Camus cast Mello to star in the classic 1959 film Orfeu Negro (Black Orpheus), in which Mello played the role of Orfeu. Camus was "fascinated" by Mello's physical beauty, which was an essential aspect of the character of Orfeu envisioned by Camus.
The film reinterpreted the Orpheus myth against the backdrop of the poverty of the Brazilian working class and Brazil's famous Carnaval. The film made extensive use of bossa nova music, including now famous songs such as "A Felicidade" and "Manha de Carnaval" (also known as "A Day in the Life of a Fool"), which were sung by the character of Orfeu. While Mello acted the part of Orfeu, his singing voice was dubbed by Agostinho dos Santos.
Orfeu was the most successful role of Mello's acting career. 
The film Orfeu Negro won the Palme d'Or at the 1959 Cannes Film Festival, as well as the 1960 Academy Award for Best Foreign Language Film, and the 1960 Golden Globe Award for Best Foreign Film.  Mello was not part of the group representing the film for these awards.  However, more than 40 years later, Mello attended the Cannes festival at the expense of the Brazilian government, and with the invitation of the producers of the 2005 documentary "In Search of Black Orpheus" (Em Busca do Orfeu negro / À la recherche d'Orfeu Negro (Brasil/França, 2005)), by Bernard Tournois and René Letzgus.
Mello appeared in several other films, including Rata de puerto (1963), Os Vencidos (1963), O Santo Módico (1964), O Negrinho do Pastoreio (1973) and Prisoner of Rio (1988). However, Mello was unable to maintain regular employment as an actor so he returned to soccer.  
In 2004, Mello returned to film, appearing in the documentary In Search of Black Orpheus (in which he portrayed himself) to talk about the impact that the movie Black Orpheus had on the world of Brazilian music, such as Bossa Nova and samba. 
Mello also lived in Florianopolis, Santa Catarina,  where he met Amelina Santos Corrêa, also known as Mana. He had his youngest daughter, Letícia, with her. Mello died in his hometown of  Porto Alegre, Brazil at the age of 76 years on July 11, 2008, from a heart attack. His Black Orpheus co-star, American-born actress Marpessa Dawn (Eurydice), died 45 days later of a heart attack, in Paris, France. She was 74.
*****
*The famous Christ the Redeemer statue overlooking the city of Rio de Janeiro was dedicated (October 12).

Cuba

*A pipe bomb exploded inside a vent in the Cuban presidential palace, but no one was hurt (February 23).

*Cuban President Gerardo Machado survived the second attempt on his life within 24 hours when police seized a youth who attempted to draw a pistol while Machado was making a speech dedicating the new capitol (February 24).

*The Cuban government imposed censorship on four Havana papers for criticism of the Machado administration (June 25).

*Cuban President Gerardo Machado declared martial law to put down a rebellion (August 10)..

*Cuban revolutionary leaders Mario Garcia Menocal and Carlos Mendieta surrendered to authorities in Pinar del Rio Province (August 14).

*In a suburb of Havana at 2:20 in the morning, a large bomb exploded at the branch of the Royal Bank of Canada (September 1). The blast caused several thousand dollars worth of damage.

*The population of Cuba included 437,769 people of African descent, or 11% of the total population.

*****

Jamaica

*Roland Alphonso, a Jamaican tenor saxophonist, and one of the founding members of the Skatalites, was born in Havana, Cuba (January 12).

Roland Alphonso or Rolando Alphonso aka "The Chief Musician" (b. January 12, 1931, Havana, Cuba – d. November 20, 1998, Los Angeles, California) came to Jamaica at the age of two with his Jamaican mother, and started to learn saxophone at the Stony Hill Industrial School.
In 1948, he left school to join Eric Deans' orchestra and soon passed through other bands in the hotel circuit and first recorded as a member of Stanley Motta's group in 1952, going on to record frequently as a session musician. In 1956, he first recorded for Clement "Coxsone" Dodd, although these early recordings were lost before they were mastered. By 1958, he was a part of the stage-act of comedians Bim and Bam, who toured Jamaica sponsored by "McAulay liquor". Alphonso's dynamic version of Louis Prima's "Robin Hood" was one of highlights of the act. Following this, Clement Dodd and Duke Reid made him a regular member of their in-house band of session musicians. In 1959, Alphonso joined the band of Cluett Johnson named Clue J & His Blues Blasters and backed many of Dodd's recording sessions in a typical Jamaican R&B style. He also acted as arranger at many of Dodd's recording sessions.
By 1960, he was recording for many other producers such as Duke Reid, Lloyd "The Matador" Daley and King Edwards, as well as continuing to work for Dodd, contributing alto, tenor, and baritone saxophones, and flute to recordings. During this period he played in many different bands, such as The Alley Cats, The City Slickers, and Aubrey Adams & The Dew Droppers.  In 1963, after a few months spent in Nassau, Bahamas, he took part in the creation of The Studio One Orchestra, the first session band at Dodd's newly opened recording studio. This band soon adopted the name of The Skatalites.
When the Skatalites disbanded by August 1965, Alphonso formed the Soul Brothers (with Johnny "Dizzy" Moore and Jackie Mittoo).  The Soul Brothers would go on to become The Soul Vendors in 1967. In the late 1960s and early 1970s, Alphonso led the Ruinaires, the resident band at the Ruins restaurant/nightclub.  However, this stint came to an end when Alphonso suffered a stroke at the age of 41. He recovered quickly from this setback, and relocated to the United States in late 1972, soon returning to performing and recording.  Alphonso released the first album under his name in 1973 on the Studio One record label.
During the 1970s, ′80s, and ′90s, he kept on playing on numerous records coming out from Jamaican studios, especially for Bunny Lee, and he toured with many bands. In the late 1970s and early 1980s, he played with the band Jah Malla, performing regularly on the live circuit around New York.
Alphonso was awarded Officer of the Order of Distinction by the Jamaican government in 1977, and started to tour more often in the United States. He took part in the reformation of the Skatalites in 1983, with whom he toured and recorded constantly until he suffered a burst blood vessel (an aneurysm) in his head during a show at the Key Club in Hollywood on November 2, 1998. Alphonso died on November 20, 1998 at Cedars-Sinai Medical Center in Los Angeles, after suffering a second burst blood vessel, and spending four days in a coma.
*****
Marcus Garvey

*In April 1931, Marcus Garvey launched the Edelweiss Amusement Company. He set the company up to help artists earn their livelihood from their craft. Several Jamaican entertainers—Kidd Harold, Ernest Cupidon, Bim & Bam, and Ranny Williams—went on to become popular after receiving initial exposure that the company gave them.

*****

Saint Martin
*William H. Crogman, a pioneering African American educator in the United States, was born on the West Indian island of Saint Martin. 

William Henry Crogman (b. 1841 - d. 1931) was born on the West Indian island of Saint Martin in 1841.  At age 12, he was orphaned.  By age 14, he took to the sea with B.L. Bommer where he received an informal but international education as he traveled to such places as Europe, Asia, and South America. At the urging of Mr. Bommer, in 1868, he entered Pierce Academy in Massachusetts.  Throughout his schooling experience he was an exceptional and advanced student.  At Pierce, he was considered the top student as he mastered in one quarter what usually took students two quarters to complete.

In 1870, Crogman became an instructor at Claflin University in Orangeburg, South Carolina. Soon thereafter, Crogman returned to college, entering Atlanta University.  As a student of Latin at Atlanta University, he completed the four-year curriculum in three years. He graduated first in his class in 1876 and was appointed professor of classics at Clark College, another black institution in the city. 

Crogman started his lifelong career at Clark University serving in various capacities including as a faculty member, department chair, and the University’s first African American president from 1903-1910.  He was a delegate to the General Conference of the Methodist Episcopal Church three times and was the first African American to serve as one of the secretaries.  He had a widespread reputation as an eloquent speaker and was invited to speak from the pulpit of Henry Ward Beecher's church and before the National Teachers’ Association. Although he had a demanding schedule as a public servant serving as the first secretary of the Board of Trustees of Gammon Theological Seminary, on Clark University’s Board, and as the permanent chairman of the Board of Commissioners for all African Americans from all States, he also authored several books including Talks for the Times which was first published in 1896.  He is best known for two of his early histories of blacks, Progress of a Race and Citizenship, Intelligence, Affluence, Honor and Trust.  The last work was revised and published as The Colored American.

William Crogman died in 1931.  The William H. Crogman School in Atlanta is named for him. 

*****
Europe
France

*Paulette Nardal and the Haitian Dr. Leo Sajou initiated La revue du Monde Noir (1931–32), a literary journal published in English and French, which attempted to appeal to African and Caribbean intellectuals in Paris.

*Josephine Baker scored her most successful song, "J'ai deux amours".


Josephine Baker, original name Freda Josephine McDonald   (b. June 3, 1906, St. Louis, Missouri — d. April 12, 1975, Paris, France) was an American-born French dancer and singer who symbolized the beauty and vitality of black American culture, which took Paris by storm in the 1920s.
Baker grew up fatherless and in poverty. Between the ages of 8 and 10 she was out of school, helping to support her family. As a child, Baker developed a taste for the flamboyant that was later to make her famous. As an adolescent, she became a dancer, touring at 16 with a dance troupe from Philadelphia. In 1923 she joined the chorus in a road company performing the musical comedy Shuffle Along and then moved to New York City, where she advanced steadily through the show Chocolate Dandies on Broadway and the floor show of the Plantation Club.
In 1925 she went to Paris to dance at the Théâtre des Champs-Élysées in La Revue Nègre and introduced her danse sauvage to France. She went on to become one of the most popular music-hall entertainers in France and achieved star billing at the Folies-Bergere, where she created a sensation by dancing semi-nude in a G-string ornamented with bananas. She became a French citizen in 1937. She sang professionally for the first time in 1930, made her screen debut as a singer four years later, and made several more films before World War II curtailed her career.
During the German occupation of France, Baker worked with the Red Cross and the Resistance, and as a member of the Free French forces she entertained troops in Africa and the Middle East. She was later awarded the Croix de Guerre and the Legion of Honour. with the rosette of the Résistance. After the war much of her energy was devoted to Les Milandes, her estate in southwestern France, from which she began in 1950 to adopt babies of all nationalities in the cause of what she defined as “an experiment in brotherhood” and her “rainbow tribe.” She retired from the stage in 1956, but to maintain Les Milandes she was later obliged to return, starring in Paris in 1959. She traveled several times to the United States to participate in civil rights demonstrations. In 1968 her estate was sold to satisfy accumulated debt. She continued to perform occasionally until her death in 1975, during the celebration of the 50th anniversary of her Paris debut.

*****
*Ada "Bricktop" Smith opened Bricktop's cafe in Paris.


Ada "Bricktop" Smith (b. August 14, 1894, Alderson, West Virginia - d. January 31, 1984, New York City, New York) was a vaudevillian, saloon entertainer, and nightclub owner whose clientele and friends included royalty, the wealthy, and the artistic elite.

Bricktop, born Ada Beatrice Queen Victoria Louisa Virginia Smith, was the third daughter and youngest of the five children of Thomas Smith, an African American barber, and Harriet ("Hattie") Elizabeth (Thompson) Smith. Her mother, seven-eighths white and of Irish descent, had been born a slave. Ada's lengthy name was an attempt to please many acquaintances. After her father died in 1898, the family moved to Chicago, where Hattie was a housekeeper and ran rooming houses. At the age of four or five, Ada made her stage debut in Uncle Tom's Cabin at the Haymarket Theatre in Chicago. She attended Keith public school and appeared in shows there. She also was fascinated with the saloons on State Street. When she was fourteen or fifteen, Ada joined the chorus at the Pekin Theatre but was forced to return to school.

At age sixteen, Ada left school and began singing in vaudeville with Miller and Lyles. Later she toured the Theatre Owners' Booking Association and Pantage vaudeville circuits with McCabe's Georgia Troubadours, Ten Georgia Campers, the Kinky-Doo Trio, and the Oma Crosby Trio. The following year, in New York City, Ada met Barron Wilkins, the owner of Barron's Exclusive Club in Harlem; he nicknamed her "Bricktop" because of her flame-red hair. Later that year she performed at Roy Jones' saloon in Chicago and met the boxer Jack Johnson, for whom she worked at the Cabaret de Champion until it closed in 1912. Over the following years, she appeared in many saloons, including the Panama Club, where she, Florence Mills, and Cora Green were known as the Panama Trio.

In 1917 Bricktop left the trio and went to Los Angeles. While working at the Watts Country Club she met Walter Delaney. They lived together until Delaney's history of arrests for selling drugs, gambling, and promoting prostitution forced them to move to San Francisco during a crackdown on vice in Los Angeles. Rather than drag her down with him, Delaney left Bricktop in San Francisco. She later moved to Seattle.

In 1922 Bricktop convinced Barron Wilkins to hire Elmer Snowden's Washingtonians, with pianist Duke Ellington, for his New York City Club. In 1924 she performed at the Cafe Le Grand Duc in Paris. One of her first acquaintances there was a busboy and struggling author named Langston Hughes. Visitors to Le Grand Duc included Zelda and F. Scott Fitzgerald, Fred Astaire, Ernest Hemingway, Man Ray, Pablo Picasso, John Steinbeck, Josephine Baker, Elsa Maxwell, and Cole and Linda Porter. In 1925 Bricktop taught the Charleston at the Porters' lavish Charleston parties, and they introduced her to the Paris elite. In the fall of 1926, after returning from the Porters' palazzo in Venice, Bricktop opened the Music Box saloon in Paris. It closed the same year, and she then took over Le Grand Duc. Wanting a more chic place, before the end of 1926 she opened Bricktop's, where guests such as Jascha Heifetz, Duke Ellington, Noel Coward, the Prince of Wales, and Paul Robeson, gave impromptu performances.

In 1927 Bricktop met saxophonist Peter Duconge. They were married on December 19, 1929 and separated in 1933 but never divorced; they had no children. In 1931 Bricktop opened a bigger cafe, also named Bricktop's, with Mabel Mercer as her assistant. Following the custom of Montmartre cafes, Bricktop's closed for the summer; she opened another cafe during the summer in the resort of Biarritz. In 1934, the effects of the Great Depression forced her to move her cafe to a smaller location. By the fall of 1936 she could not afford to open for the season, so she and Mercer entertained at nightspots in Paris and Cannes.

From 1938 to 1939 Bricktop did radio broadcasts for the French government. In October 1939, at the insistence of the Duchess of Windsor and Lady Elsie de Wolfe Mendl, she fled the advancing war and returned to the United States, where she was reintroduced to American racial prejudice and segregation absent from her life in Paris. In New York City she worked at many cafes and attracted refugees from Paris. In 1940, when her following moved on, Bricktop helped open the Brittwood Cafe on 140th Street in Harlem. At first it was a success, drawing such celebrities and entertainers as Earl "Fatha" Hines, Anna Jones, Willie Grant, Minnie Hilton, and Robert Taylor. In 1943 Bricktop moved to Mexico City, where she lived for six years and was part owner of the Minuit and Chavez's clubs.

In 1949 Bricktop returned to Paris, and in May 1950 she opened a new Bricktop's on the Rue Fontaine. By Christmas it was closed. She then went to Rome, where in 1951 she opened Bricktop's on the Via Veneto, drawing Italian high society and royalty. While in Italy, Bricktop, who had converted to Catholicism in 1943, was involved with Catholic charity and fund-raising projects and became a friend of Bishop Fulton J. Sheen.

On March 6, 1964 Bricktop announced her retirement from the nightclub business because of poor health--she had arthritis and a heart condition. She returned to Chicago in 1965 to live with her sister Blonzetta. After Blonzetta's death in 1967, Bricktop settled in New York City. In 1972 she made her only recording, "So Long, Baby," with Cy Coleman. She also worked with Josephine Baker, a longtime friend, who was attempting a comeback, in 1973. In the same year Bricktop made the film documentary Honeybaby, Honeybaby! In 1975 she was awarded an honorary doctor of arts degree by Columbia College in Chicago. She continued to perform, but made few *after 1979 because of declining health. In 1983, on her last birthday, she was presented with the seal of New York City and a certificate of appreciation by Mayor Ed Koch. Just a few months later Bricktop died in her sleep at her Manhattan apartment. More than 300 people attended her funeral at St. Malachy's Church in Manhattan. She was buried at Woodlawn Cemetery in the Bronx.

*****

Tuesday, September 20, 2016

1931 The United States: Notable Deaths

Notable Deaths

*There were twelve recorded lynchings in 1931.

*Ida B. Wells Barnett, a journalist, an anti-lynching crusader, and a founder of the NAACP, died in Chicago (March 25).

Ida B. Wells Barnett (also known as Ida Bell Wells) (b. July 16, 1862, Holly Springs, Mississippi - d. March 25, 1931, Chicago, Illinois) was an African American journalist who led an anti-lynching crusade in the United States in the 1890s.
Ida Wells was born into slavery.  She was educated at Rust University, a freedmen's school in her native Holly Springs, Mississippi, and at age 14 began teaching in a country school.  She continued to teach after moving to Memphis, Tennessee, in 1884 and attended Fisk University in Nashville during several summer sessions.  In 1887, the Tennessee Supreme Court, reversing a Circuit Court decision, ruled against Wells in a suit she had brought against the Chesapeake & Ohio Railroad for having been forcibly removed from her seat after she had refused to give it up for one in a "colored only" car.  Using the pen name Iola, Wells in 1891 also wrote some newspaper articles critical of the education available to African American children.  Her teaching contract was not renewed.  She thereupon turned to journalism, buying an interest in the Memphis Free Speech.  In 1892, after three friends of hers had been lynched by a mob.  Wells began an editorial campaign against lynching that quickly led to the sacking of her newspaper's office.  She continued her anti-lynching crusade, first as a staff writer for the New York Age and then as a lecturer and organizer of anti-lynching societies.  She traveled to speak in a number of major United States cities and twice visited Great Britain for the cause.  In 1895, she married Ferdinand L.Barnett, a Chicago lawyer, editor, and public official, and adopted the name Wells-Barnett.  From that time she restricted her travels, but she was very active in Chicago affairs.  Wells-Barnett contributed to the Chicago Conservator, her husband's newspaper, and to other local journals; published a detailed look at lynching in A Red Record (1895); and was active in organizing local African American women in various causes, from the anti-lynching campaign to the suffrage movement.  She founded what may have been the first black woman suffrage group, Chicago's Alpha Suffrage Club.
From 1898 to 1902, Wells-Barnett served as secretary of the National Afro-American Council, and in 1910 she founded and became the first president of the Negro Fellowship League, which aided newly arrived migrants from the South.  From 1913 to 1916 she served as a probation officer of the Chicago municipal court.  She was militant in her demand for justice for African Americans and in her insistence that it was to be won by their own efforts.  Although she took part in the 1909 meeting of the Niagara Movement, she would have nothing to do with the less radical National Association for the Advancement of Colored People that sprang from it.  Her autobiography, Crusade for Justice, was published posthumously in 1970.

*****
*Buddy Bolden, considered to be the first man to play jazz, died in a segregated Louisiana mental institution (November 4).

Buddy Bolden, byname of Charles Joseph Bolden (b. September 6, 1877, New Orleans, Louisiana - d. November 4, 1931, Jackson, Louisiana), was a cornetist and is a founding father of jazz. Many jazz musicians, including Jelly Roll Morton and the great trumpeter Louis Armstrong, acclaimed him as one of the most powerful musicians ever to play jazz.

Little is known about the details of Bolden's career, but it is documented that by about 1895 he was leading a band.  The acknowledged king of New Orleans lower musical life, Bolden often worked with six or seven different bands simultaneously.  In 1906, Bolden's emotional stability began to crumble, and the following year he was committed to the East Louisiana State Hospital, from which he never emerged. 

"Buddy" Bolden is regarded as a key figure in the development of a New Orleans style of rag-time music, or Jass, which later came to be known as jazz.
He was known as King Bolden, and his band was popular in New Orleans (the city of his birth) from about 1900 until 1907, when he was incapacitated by schizophrenia (then called dementia praecox). Bolden was known for his loud sound and improvisation, and although he left no known surviving examples of his playing style, it is certain he was recorded.
Bolden suffered an episode of acute alcoholic psychosis in 1907 at the age of 30. With the full diagnosis of dementia praecox, he was admitted to the Louisiana State Insane Asylum at Jackson, a mental instituion,  where he spent the rest of his life.
Bolden was buried in an unmarked grave in Holt Cemetery, a pauper's graveyard in New Orleans. In 1998, a monument to Bolden was erected in Holt Cemetery, but his gravesite remains unknown.

*****

*****

*Artist Edwin A. Harleston died in Charleston, South Carolina (May 5).

Edwin A. Harleston (b. 1882, Charleston, South Carolina - d. May 5, 1931, Charleston, South Carolina)  was one of the most distinguished artists and civil rights leaders of his generation. Born in 1882, in Charleston, South Carolina, he graduated from Avery Institute in 1900 and Atlanta University in 1904.  He studied at Howard University with the intention of becoming a physician, but instead set his sights on art.  From 1906 to 1912, he attended the School Museum of Fine Arts in Boston.

In 1913, Harleston returned to Charleston to help with the family funeral business.  He soon became an active artist, businessman, and civil rights leader.  Harleston founded the Charleston NAACP in 1916 and was successful in its efforts toward educational reform for Black schools, teachers and principals.  He was a firm believer in civil rights for all Americans.  By the 1920's Harleston's reputation as an artist had flourished.  An active participant in the Harlem Renaissance, he received portrait commissions from all over the United States.  Even though his primary mode of art was portraiture, his work also showed the people and culture of the era.

In 1931, Harleston joined the Harmon Foundation at International House in New York.  The House had presented the first all African American exhibition in the United States.  Harleston created sensitive humanistic portraits of mostly African American civic leaders, businessmen, and their families.  He always captured the strength and depth of his subjects' personalities. The Gibbes Museum and Art Gallery and the Avery Institute in his native Charleston co-hosted an exhibition of his work, Edwin Harleston: Painter of An Era, on the 101st anniversary of his birth.

Among the portraits displayed was his painting of Aaron Douglas, one of the most significant African-American artists of the 20th century.  This portrait was purchased by the Gibbes Museum. Many of Harleston's famous works, including "Mending Sock" and "The Old Servant" are in anthologies of African American Art.  Edwin Harleston died in 1931 at the age of 49.


*****

*May Howard Jackson, an African American sculptor, died.

May Howard Jackson (b. September 7, 1877, Philadelphia, Pennsylvania – d. 1931) was an African American sculptor. She was known as one of the first black sculptors to deliberately use America's racial problems as the theme of her art.

May Howard Jackson was born and grew up in Philadelphia, which had a large and well-established black community. She was a student at J. Liberty Tadd's art school there and in 1895 became the first African American to receive a scholarship to attend The Pennsylvania Academy of the Fine Arts. 

She married a mathematics teacher, William and moved to Washington, D.C. in 1902. She became a sculptor of portraits, and taught at Howard University. She did not travel to Europe to study and as a result was somewhat isolated from her peers. This allowed her to create her own vision and infused her work with a unique style. Her portraits were at first ignored, as they were not realistic in the cameo style popular at the time.
However, her portraits were provocative for expressing the features of the multi-racial in American society.  For centuries, Europeans and Africans had formed unions and marriages. May was fascinated with the wide variety of features among African Americans. Her works such as Head of a Negro Child 1916Mulatto Mother and Her Child 1929, and Shell-Baby in Bronze 1929 took up this theme in her abstracts and defined her sculptures.
Few galleries were willing to offer her exhibition space. With legal racial segregation and disenfranchisement of most blacks having been in force across the South since the turn of the century, topics such as racial mixing were taboo in general. Laws against miscegenation had been proposed in both federal and state legislatures after Democrat Woodrow Wilson was elected as President in 1912.
As a sculptress, Jackson was accomplished enough to be counted among the pantheon of great American sculptors. May Howard Jackson died in 1931. She is interred at the Woodlawn Cemetery in The Bronx, New York City.

*****

*George Wells Parker, a political activist and writer who co-founded the Hamitic League of the World, died in Chicago (July 28).

George Wells Parker (b. September 18, 1882 – d. July 28, 1931, Chicago, Illinois) was a political activist and writer who co-founded the Hamitic League of the World. 
His parents were born in Virginia and South Carolina, and his family moved to Omaha when Parker was young. He attended Creighton University and later graduated from Harvard University, one of the first African-Americans to do so. He became an ardent follower of Marcus Garvey, a rising figure on the national scene. Garvey first became known in Jamaica and then came to the United States to work on his plans for a pan-African movement.
In 1916, Parker started helping African Americans resettle in Omaha and, by 1917, he helped found the Hamitic League of the World to promote African pride and black economic progress.
Parker studied history and wrote about African contributions. His lecture on "The African Origin of the Grecian Civilization" was delivered to supporters in Omaha and then published in the Journal of Negro History in 1917. Parker argued that new anthropological research had demonstrated that Mesopotamian and Greek civilization originated in Africa. In 1918 the League published his pamphlet Children of the Sun, which further developed his arguments for the African presence in classical Egyptian, Asian and European civilizations. 
Parker became well known for his historic writing. He was commissioned by Cyril Briggs, a Caribbean-born journalist based in New York, to publish some of his work in his journal The Crusader, hoping to win wider circulation in the black community. They disagreed over politics, however, as Briggs was anti-Garvey and Socialist, and became a Communist. 
In 1922, Parker moved to Chicago to pursue newspaper and magazine work and died there almost a decade later, leaving a wife, two brothers and two sisters. 

*****

*Buddie Petit, a highly regarded early jazz cornetist, died (July 4).

Buddie Petit or Buddy Petit (b. ca. 1890? – d. July 4, 1931) was a highly regarded early jazz cornetist. 
His early life is somewhat mysterious, with dates of his birth given in various sources ranging from 1887 to 1897; if the later date is correct he was evidently a prodigy, regarded as one of the best in New Orleans, Louisiana, in his early teens. He was said to have been born in White Castle, Louisiana. 
His given name was Joseph Crawford, but he was adopted by the trombonist Joseph Petit, whose name he took.
By the early 1910s, he was one of the top horn players in the new style of music not yet generally known as "jazz". He took Freddie Keppard's place in the Eagle Band (a place earlier held by Buddy Bolden) when Keppard left town.
Buddie Petit was known as a hard-drinking, fun-loving man who played cornet with great virtuosity and inventiveness. He was briefly lured to Los Angeles, California, by Jelly Roll Morton and Bill Johnson in 1917, but objected to being told to dress and behave differently from what he was accustomed to back home, and promptly returned to New Orleans. He spent the rest of his career in the area around greater New Orleans and the towns north of Lake Pontchartrain like Mandeville, Louisiana, not venturing further from home than Baton Rouge and the Mississippi Gulf Coast.  
Okeh Records offered him a chance to record on their 1925 field trip to New Orleans, but Petit held out for more money and was never recorded. Musicians such as Danny Barker and Louis Armstrong noted that it is a great loss to jazz history that there are no recordings of Petit.
Some of his contemporaries said that Louis Armstrong's record "Cornet Chop Suey" is the closest to Petit's style and sound of anything put on record.

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*A'Lelia Walker Robinson, the daughter of millionaire Madame C. J. Walker, died in Long Branch, New Jersey (August 17).  Robinson created Harlem's celebrated "Dark Tower," a salon where African American writers, artists, and philosophers mingled with members of New York society.

A'Lelia Walker, original name Lelia McWilliams   (b. June 6, 1885, Vicksburg, Mississippi —d. August 17, 1931, Long Branch, New Jersey),  was a businesswoman associated with the Harlem Renaissance as a patron of the arts who provided an intellectual forum for the African American literati of New York City during the 1920s.

Walker grew up in St. Louis, Missouri, and attended Knoxville College in Tennessee before going to work for her mother, Madame C.J. Walker (Sarah Breedlove Walker), who had made a fortune in the hair-care business. When her mother died in 1919, Walker inherited the business and the lavish family estate, Villa Lewaro, in Irvington, NewYork. In the 1920s, Walker entertained writers and artists at Villa Lewaro and at her apartment and her town house in New York City. Her regular guests at the town house -- which she named The Dark Tower after Countee Cullen's column by that name --included Langston Hughes, Zora Neale Hurston, James Weldon Johnson, Jean Toomer, and other writers associated with the Harlem Renaissance.  
A'Lelia Walker became president of her mother's company in 1919 and remained in that position until her death in August 1931. She initiated a number of marketing campaigns to promote the company -- including a competition among prominent ministers for a Trip to the Holy Land in 1924 -- and remained the face of the Walker Company after her mother's death, but the day-to-day operation was overseen by Attorney F. B. Ransom and factory manager Alice Kelly at the Indianapolis headquarters. During the 1920s, A'Lelia Walker immersed herself in Harlem’s dynamic social life as a patron of the arts and hostess of some of the eras most notable social gatherings.
Walker Company sales began to suffer in 1929 with the beginning of the Great Depression. Increased expenses associated with a new million dollar headquarters and manufacturing facility opened in late 1927 in Indianapolis, Indiana, placed additional financial pressure on the operation and A’Lelia was forced to sell a great deal of her valuable art and antiques.
A'Lelia's adopted daughter Mae Walker was president of the company from 1931 until her death in 1945. Mae's daughter, A'Lelia Mae Perry Bundles (1928–1976), succeeded her mother as president of the company. Today the company's building is known as the Madam Walker Theatre Center and is a National Historic Landmark.
A'Lelia Walker counted among her friends many accomplished African American musicians. She developed an early love of classical music and opera in part because the choir director at the AME church she and her mother attended in St. Louis was a classically trained opera singer and organist. She grew up in the neighborhood where Scott Joplin and other ragtime musicians gathered at Tom Turpin's Rosebud Cafe on St. Louis' Market Street.
During the 1920s, A'Lelia hosted many musicians, actors, writers, artists, political figures and socialites in her townhouse at 108-110 West 136th Street near Lenox Avenue. The elegant brick and limestone building had been designed by Vertner Tandy, a founder of Alpha Phi Alpha fraternity and the first black architect licensed in New York State. Almost from the time of her arrival in Harlem in 1913, her dinner parties, dances and soirees included well known Harlem figures like James Reese Europe, J. Rosamond Johnson, Bert Williams and Florence Mills. Live music—from classical and ragtime to jazz and blues—was a regular feature with entertainment provided by her musician friends.
In October 1927, A'Lelia converted a floor of the home into The Dark Tower, a cultural salon that became legendary as one of the great gathering places of the era, a place where Harlem's talented artists socialized with their Greenwich Village counterparts as well as European and African royalty. She commissioned Austrian designer Paul Frankl to create the interior. She also entertained at Villa Lewaro, her country house in Westchester County and at her pied-a-terre at 80 Edgecomb Avenue in Harlem.
Villa Lewaro was named for Walker (Lelia Walker Robinson) after Italian tenor Enrico Caruso told her after a visit to the property that the newly built Irvington-on-Hudson mansion reminded him of the houses of his native country.
A'Lelia married three times: to John Robinson, a hotel waiter, from whom she separated about 1911 and whom she divorced in 1914; to Dr. Wiley Wilson in 1919; and to Dr. James Arthur Kennedy, in 1926, whom she divorced just a few months before her death in 1931.
A'Lelia had no biological children, but in 1912 she adopted Fairy Mae Bryant (1898–1945), who became known as Mae Walker and traveled with Madam C. J. Walker as a model and assistant.
In November 1923, A'Lelia Walker orchestrated an elaborate "Million Dollar Wedding" (actually closer to $40,000) for Mae's marriage to Dr. Gordon Jackson.  Mae Walker, a graduate of Spelman Seminary in Atlanta, divorced Jackson in 1926 and married Attorney Marion R. Perry in September 1927.
A'Lelia Walker died on August 17, 1931 of a cerebral hemorrhage brought on by hypertension, the same ailment that led to her mother's death in 1919. She was surrounded by friends who had traveled to Long Branch, New Jersey to celebrate a friend's birthday party with lobster and champagne in the midst of the Great Depression and Prohibition.
Thousands of Harlemites lined up to view her body. As her casket was lowered into the ground next to her mother's grave at Woodlawn Cemetery in the Bronx, Hubert Julian — the celebrated "Black Eagle"— flew over in a small plane and dropped dahlias and gladiolas onto the site.

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*Daniel Hale Williams, a heart surgeon and founder of Chicago's Provident Hospital died in Chicago (August 4).

Daniel Hale Williams,  (b. January 18, 1858, Hollidaysburg, Pennsylvania — d. August 4, 1931, Idlewild, Michigan), was a physician and founder of Provident Hospital in Chicago and is credited with the first successful heart surgery.

Daniel Hale Williams was born and raised in the city of Hollidaysburg, Pennsylvania. His father, Daniel Hale Williams, Jr. was the son of a black barber and a Scots-Irish woman.
He lived with his father who was a "free negro" barber, his mother, his brother and five sisters and was the fifth child of the family. His family eventually moved to Annapolis, Maryland.  Shortly after, when Williams was nine, his father died of tuberculosis. Williams' mother realized she could not manage the entire family and sent some of the children to live with relatives. Williams was apprenticed to a shoemaker in Baltimore, Maryland, but ran away to join his mother who had moved to Rockford, Illinois.  He later moved to Edgerton, Wisconsin, where he joined his sister and opened his own barber shop. After moving to nearby Janesville, Wisconsin, Williams became fascinated with a local physician and decided to follow his path. He began working as an apprentice to Dr. Henry W. Palmer for two years and in 1880 entered Chicago Medical College, now known as Northwestern University Medical School.
Williams graduated from Chicago Medical College in 1883. He served as surgeon for the South Side Dispensary (1884–92) and physician for the Protestant Orphan Asylum (1884–93). In response to the lack of opportunity for African Americans in the medical professions, he founded (in 1891) the nation’s first interracial hospital, Provident, to provide training for black interns and the first school for black nurses in the United States. He was a surgeon at Provident (1892–93, 1898–1912) and surgeon in chief of Freedmen's Hospital, Washington, D. C. (1894-98), where he established another school for African American nurses.

It was at Provident Hospital that Williams performed daring heart surgery on July 10, 1893. Although contemporary medical opinion disapproved of surgical treatment of heart wounds, Williams opened the patient’s thoracic cavity without aid of blood transfusions or modern anesthetics and antibiotics. During the surgery he examined the heart, sutured a wound of the pericardium (the sac surrounding the heart), and closed the chest. The patient lived at least 20 years following the surgery. Williams’ procedure is cited as the first recorded repair of the pericardium; some sources, however, cite a similar operation performed by H.C. Dalton of St. Louis in 1891.

Williams later served on the staffs of Cook County Hospital (1903–09) and St. Luke’s Hospital (1912–31), both in Chicago. From 1899 he was professor of clinical surgery at Meharry Medical College in Nashville, Tennessee, and was a member of the Illinois State Board of Health (1889–91). He published several articles on surgery in medical journals. Williams became the only African American charter member of the American College of Surgeons in 1913.

Williams was married in 1898 to Alice Johnson, daughter of sculptor Moses Jacob Ezekiel and a maid of mixed ancestry.  Williams died of a stroke in Idlewild, Michigan, on August 4, 1931. His wife, Alice Johnson, had died in 1924.


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Performing Arts

*The Harlem Experimental Theater Group launched its first season at the Saint Philip's Parish House.

*In Chicago, Thomas Dorsey and Theodore Frye established their gospel choir.

*William Grant Still's Afro-American Symphony was performed by the Rochester Philharmonic Symphony.

*Duke Ellington's Mood Indigo (with lyrics by Albany Bigard and Irving Mills) was one of the more popular songs of the year.

*The Negro Art Theater Dance Group gave its first concert (April 29).

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Publications

*Slaves Today, a Story of Liberia, by George Schuyler, was published.  Schuyler's book deals with the descendants of the original founders of Liberia and their exploitation of the native Africans.  The irony, Schuyler points out, is that the old antebellum South still lived in Liberia, only now the sons of freed slaves have assumed the role of plantation masters.  

*George Schuyler also published Black No More, an original satiricial fantasy about the race problem in the United States.  It ridicules virtually the whole spectrum of American society, from the KKK to the NAACP, the Southern aristocrats to the New York City liberals.

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Sports

*Gorilla Jones, a middleweight, became champion of his division.

*Young Jack Thompson, a welterweight, became champion of his division.

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Statistics

*In 19 major United States cities with large African American populations, at least twenty-five percent (25%) of all African American men and women were unemployed.  In Detroit, sixty percent (60%) of African American men and seventy-five percent (75%) of African American women were unemployed.

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Visual Arts

*Painter Horace Pippin finished The End of the War: Starting Home, which was burned into an oak panel. 

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