A00048 - Don Covay, Performer and Writer of R&B Hits

Donald James Randolph (March 24, 1936 – January 31, 2015), better known by his stage name Don Covay, was an American R&B, rock and roll and soul singer and songwriter most active from the 1950s to the 1970s. His most successful recordings included "Mercy, Mercy" (1964), "See-Saw" (1965), and "It's Better To Have (And Don't Need)" (1974). Other songs written by Covay included "Pony Time", a United States #1 hit for Chubby Checker, and "Chain of Fools", a Grammy-winning song for Aretha Franklin. He received a Pioneer Award from the Rhythm and Blues Foundation in 1994.

A00047 - Ernie Banks, Eternally Optimistic "Mr. Cub"

Ernie Banks, byname of Ernest Banks (b. January 31, 1931, Dallas, Texas — d. January 23, 2015, Chicago, Illinois), was American professional baseball player, regarded as one of the finest power hitters in the history of the game. Banks starred for the Chicago Cubs from 1953 to 1971. An 11-time All-Star, Banks was named the National League’s (NL) Most Valuable Player for two consecutive seasons (1958–59). He hit more than 40 home runs in five different seasons, leading the NL in that category in 1958 and 1960. He also led the league in 1958–59 in runs batted in.

Banks excelled in football, basketball, track and field, and baseball at his Dallas high school. At age 17 he joined a barnstorming Negro League team at a salary rate of $15 per game. In 1950 legendary Negro League star Cool Papa Bell signed him to the Kansas City Monarchs. Soon after, Banks spent two years in the United States Army, after which he returned to the Monarchs. His stay there was short-lived, however, as the major leagues, recently integrated, were eager to take advantage of the wealth of talent in the Negro leagues.

Signed by the Chicago Cubs in 1953, Banks soon established himself as one of the league’s leading power hitters. In addition to his potent bat, he proved to be a skilled defensive player, setting a single-season mark for fielding percentage for a shortstop in 1959. After injuries limited his mobility, Banks moved to first base in 1962.

Banks was known for his enthusiasm and love of the game, his trademark cry of “let’s play two!” reflecting the pure enjoyment he took in baseball. When he retired in 1971, he was the holder of most of the Chicago Cubs’ offensive records and had earned the nickname “Mr. Cub” among the team’s fans. In his career Banks totaled 512 home runs and 1,636 runs batted in. He was elected into the National Baseball Hall of Fame in 1977; he was the eighth player to be elected in his first year of eligibility. In 2013 Banks was awarded the Presidential Medal of Freedom. 

A00046 - Faten Hamama, First Lady of the Arabic Screen

Hamama, Faten
Faten Hamama (Arabic: فاتن حمامة‎, Fātan Ḥamāmah), 27 May 1931 – 17 January 2015) was an Egyptian  film and television actress and producer.

She made her screen debut in 1939, when she was only seven years old. Her earliest roles were minor, but her activity and gradual success helped to establish her as a distinguished Egyptian actress. Eventually, and after many successful performances, she was able to achieve stardom. Revered as an icon in Egyptian and Middle Eastern cinema, Hamama substantially helped in improving the cinema industry in Egypt and emphasized the importance of women in cinema and Egyptian society.

After a seven-year hiatus from acting, Hamama returned in 2000 in what was a much anticipated television mini-series, Wajh al-Qamar (وجه القمر, Face of the Moon). In 2000, she was selected as Star of the Century by the Egyptian Writers and Critics organization. In 2007, eight of the films she starred in were included in the top 100 films in the history of Egyptian cinema by the cinema committee of the Supreme Council of Culture in Cairo.

Faten Hamama was born in 1931 to a Muslim lower middle class family in Mansoura, Egypt (according to her birth certificate), but she claimed to have been born in the Abdeen quarter of Cairo. Her father, Ahmed Hamama, worked as a clerk in the Egyptian Ministry of Education and her mother was a housewife. She had an older brother, Muneer, a younger sister, Layla, and a younger brother, Mazhar. Her aspiration for acting arose at an early age. Hamama was influenced by Assia Dagher as a child. When she was six years old, her father took her to the theater to see an Assia Dagher film; when the audience clapped for Assia, Faten told her father she felt they were clapping for her.

When Faten won a children's beauty pageant in Egypt, her father sent her picture to the director Mohammed Karim who was looking for a young female child to play the role of a small girl with the famous actor and musician Mohamed Abdel Wahab in the film Yawm Said (يوم سعيد, Happy Day, 1939). After an audition, Abdel Wahab decided that Faten was the one he was looking for. After her role in the film, people called her "Egypt's own Shirley Temple". The director liked her acting and was impressed with her so much that he signed a contract with her father. Four years later, she was chosen by Kareem for another role with Abdel Wahab in the film Rossassa Fel Qalb (رصاصة في القلب,Bullet in the Heart, 1944) and in another film two years later, Dunya (دنيا, Universe, 1946). After her success, Hamama moved with her parents to Cairo and started her study in the High Institute of Acting in 1946.

Youssef Wahbi, an Egyptian actor and director, recognized the young actress's talent so he offered her a lead role in the 1946 film Malak al-Rahma (ملاك الرحمة, Angel of Mercy). The film attracted widespread media attention, and Hamama, who was only 15 at the time, became famous for her melodramatic role. In 1949, Hamama had roles in three films with Wahbi: Kursi Al-I'etraf (كرسي الاعتراف, Chair of Confession), Al-Yateematain (اليتيمتين, The Two Orphans), and Sït Al-Bayt (ست البيت, Lady of the House). All were successful films.

The 1950s were the beginning of the golden age of the Egyptian cinema industry and Hamama was a big part of it. In 1952 she starred in the film Lak Yawm Ya Zalem (لك يوم يا ظالم, Your Day will Come) which was nominated at the Cannes Film Festival for the Prix International award. She also played lead roles in Yousef Shaheen's Baba Ameen(بابا أمين, Ameen, my Father, 1950) and Sira' Fi Al-Wadi (صراع في الوادي, Struggle in the Valley, 1954) which was a strong nominee in the 1954 Cannes Film Festival for the Prix International award. Hamama is also known for playing the lead role in the first Egyptian mystery film Manzel Raqam 13 (منزل رقم 13, House Number 13). In 1963, she received an award for her role in the political film La Waqt Lel Hob (لا وقت للحب, No Time for Love). Hamama was also able to make it to Hollywood; in 1963 she had a role in the crime film, Cairo.

In 1947, Hamama married actor/director Ezzel Dine Zulficar while filming the Abu Zayd al-Hilali (أبو زيد الهلالي) film. They started a production company which produced the film Maw'ed Ma' Al-Hayat (موعد مع الحياة, Date with Life) in which she starred. This particular film earned her the title of the "lady of the Arabic screen". She divorced Zulficar in 1954. One year later, she married Egyptian film star Omar Sharif.  Hamama continued to act in films directed by her first husband.

In 1954, while filming a Youssef Chahine film, Struggle in the Valley, Hamama refused to have the Egyptian actor Shukry Sarhan as a co-star, and Chahine offered Omar Sharif the role. Omar had just graduated from college then and was working for his father; Hamama accepted him as her co-star. Hamama had never agreed to act any scene involving a kiss in her career, but she shockingly agreed to do so in this film. The two fell in love, and Sharif converted to Islam and married her. This marriage started a new era of Hamama's career as the couple made many films together. Sharif and Hamama were the romantic leads of Ayyamna Al-Holwa (أيامنا الحلوة, Our Sweet Days), Ardh Al-Salam (أرض السلام, Land of Peace), La Anam (لا أنام, Sleepless), and Sayyidat Al-Qasr (سيدة القصر, The Lady of the Palace). Their last film together, before their divorce, was Nahr Al-Hob (نهر الحب, The River of Love) in 1960.

Hamama left Egypt from 1966 to 1971 due to the harassment by Egyptian Intelligence. She had been a supporter of the 1952 Revolution, but later became an opponent of the Free Officers and their oppressive regime.  Consequently, she was forbidden to travel or participate in film festivals. She was only able to leave Egypt after many controversial disputes.

While Hamama was away, then President Gamal Abdel Nasser asked famous writers, journalists and friends to try to convince her to return to Egypt. He called her a "national treasure" and had even awarded her an honorary decoration in 1965. However, she would not return until 1971, after Nasser's death.

Hamama played roles conveying messages of democracy. She often criticized the laws in Egypt in her films. In the 1972 film Imbarotiriyat Meem (إمبراطورية ميم, The Empire of M), Hamama presented a pro-democratic point of view and received an award from the Soviet Union of Women in the Moscow International Festival. Her most significant political film was Oridu Hallan (أريد حلاً, I Want a Solution). In this film, she criticized laws governing marriage and divorce in Egypt. After the film, the Egyptian government abrogated a law that forbade wives from divorcing their husbands, therefore allowing khul'.

As Hamama became older, her acting roles declined and she made fewer films compared to earlier in her career, but nevertheless the films she was able to make tended to be successful. She made her first television appearances in her late career. She starred in the TV mini-series Dameer Ablah Hikmat (ضمير أبلة حكمت, Mrs. Hikmat's Conscience).

After 1993, her career came to a halt. It was not until 2000 that she returned in the successful TV mini-series Wajh ِِal-Qamar which was broadcast on 23 TV channels in the Middle East. In this mini-series, Hamama portrayed and criticized many problems in Egyptian and Middle Eastern society. Despite some criticisms, the mini-series received much praise and acclaim. Hamama was awarded the Egyptian Best TV Actor of the Year and the mini-series won the Best TV Series Award in the Egyptian Radio and Television Festival. 

Before the 1950s, Hamama had leading roles in 30 films, in which she often played the role of a weak, empathetic, poor girl. After the 1950s, Hamama was in search of her real identity and was trying to establish herself as a distinct figure. During this period, her choice of material and roles was somewhat limited. However, film producers soon capitalized on her popularity with audiences in local and Middle Eastern markets and she began to play realistic, strong women, such as in Sira' Fi Al-Wadi (صراع في الوادي,Struggle in the Valley, 1954) where she portrayed a rich man's daughter who, contrary to stereotype, was a realistic woman who helped and supported the poor. In the 1952 film Miss Fatmah (الأستاذة فاطمة), Hamama starred as a law student who believed women were as important as men in society.

In Imbratoriyat Meem (امبراطورية ميم, The Empire of M), she played the role of a widow who takes care of her large family and suffers hardship. Her most influential film was Oridu Hallan (أريد حلا, I Want a Solution) which criticized the laws of marriage and divorce in Egypt. A law in Egypt that forbade khul' ( خلع ) – a divorce initiated by the wife.

Most critics agree that Hamama's most challenging role was in the 1959 film Dua'e Al-Karawan (دعاء الكروان, The Nightingale's Prayer), which was chosen as one of the best Egyptian film productions. It is based on the novel by the same name by the prominent Egyptian writer Taha Hussein. In this film, Hamama played the role of Amnah, a young woman who seeks revenge from her uncle for the honor killing of her sister. After this film, Hamama carefully picked her roles. In 1960, she starred in the film Nahr Hob (نهر حب, Love River) which was based on Leo Tolstoy's well known novel Anna Karenina and in 1961, she played the lead role in the film La Tutf'e al-Shams (لا تطفئ الشمس, Don't Turn Off the Sun) based on the novel by Ihsan Abdel Quddous.

Faten Hamama died on January 17, 2015, aged 83 due to health problems. Her son Tarek Sharif did not state the exact cause of death.

Hamama met director Ezzel Dine Zulficar, while filming Abu Zayd al-Hilali (أبو زيد الهلالى) in 1947, fell in love and wed. The marriage lasted for seven years. They divorced in 1954. The two remained friends, and Hamama continued to star in his films after the divorce. They had one child, a daughter, Nadia Zulficar. In 1954, Hamama chose Omar Sharif to co-star with her in a film. In this film, she uncharacteristically agreed to a romantic scene involving a kiss. During the filming, they fell in love. Sharif converted to Islam and married her. The couple co-starred in many films. However, after nearly two decades together, the couple divorced in 1974; they had one son, Tarek Sharif.

Hamama later married Dr Mohamed Abdel Wahab Mahmoud, an Egyptian physician. They resided in Cairo until her death on January 17, 2015 following a short illness.

Throughout Hamama's career, she received numerous accolades for best actress, and was nominated for the Cannes Film Festival's Prix International for her role in 1950's Your Day Will Come. She received her first award in 1951 for her role in I'm the Past. The country's Ministry of Guidance also awarded her the title of Best Actress in both 1955 and 1961. These were followed by many different awards for best actress from various national and international events. International ones included special awards for acting at the first Tehran International Film Festival in 1972 for her role in The Thin Thread, and in 1977 for her role in Mouths and Rabbits. In 1973, she received the Special Award at the Moscow International Film Festival for her role in Empire M. Other international accolades include the Best Actress awards at the Jakarta Film Festival in 1963 for her role in The Open Door, and at the Carthage Film Festival in 1988 for her role in Bitter Days, Nice Days.

Hamama was also a recipient of the Lebanese Order of Merit in 1984 for her role in The Night of Fatma's Arrest. She was later presented lifetime achievement awards, including one at the Montpellier Mediterranean Film Festival in 1993, and another at the Dubai International Film Festival in 2009. In 2001, the Egyptian Writers and Critics Organization chose her as "Star of the Century" at the Alexandria International Film Festival, honoring  her lengthy career in Egyptian cinema.

A00045 - Maher Hathout, American Muslim Leader

Maher Hathout (January 1, 1936 – January 3, 2015) was a leading American-Muslim community leader of Egyptian origin, and widely regarded as the Father of the American Muslim identity. Hathout helped to found the Muslim Public Affairs Council and spoke extensively against Islamic radicalism.

Born in Cairo, Egypt in 1936, Hathout eventually moved to Buffalo, New York, and then to Los Angeles. He immersed himself in volunteering at the Islamic Center of Southern California (ICSC) as Chairman and Spokesperson. One of the most progressive mosques in the country – the ICSC had a woman on its board of directors in 1952 – the Islamic Center became a vehicle for a vision of Islam in America that is rooted in what Hathout called the definition of home: "Home is not where my grandparents are buried, but where my grandchildren will be raised."

Hathout stressed throughout his life that being a faithful Muslim was entirely compatible with being a proud American, and that Islam is a religion of coexistence, reason and moderation.

He was also among the pioneers of interfaith engagement within the American Muslim community, helping found the Religious Coalition Against War in the Middle East with Reverend George Regas and Rabbi Leonard Beerman in 1991. Hathout was a charter member of the Pacific Council on International Policy, the western partner of the Council on Foreign Relations, and served on the Board of Directors of the Interfaith Alliance and Claremont Lincoln University.

Over the years, Hathout was invited repeatedly to Capitol Hill and the State Department to address a variety of topics, such as "Islam and U.S. Policy," "Islamic Democracy," "Emerging Trends in Islamic Movements," and "The Future of the Middle East." He was also the first Muslim invited to give the invocation prayer at the Democratic National Convention in 2000.

Hathout was the recipient of many awards, including the George Regas Courageous Peacemaker Award, the Islamic Shura Council of Southern California’s Lifetime Service Award, the South Coast Interfaith Council Award for his life-long commitment to interfaith work and the Los Angeles County John Allen Buggs Award for excellence in human relations. He died of cancer in Duarte, California on January 3, 2015.

A00044 - Andrae Crouch, The Father of Modern Gospel Music

Andraé Edward Crouch (July 1, 1942 – January 8, 2015) was an American gospel singer, songwriter, arranger, record producer and pastor. Referred to as "the father of modern gospel music" by contemporary Christian and gospel  music professionals, Crouch was known for his compositions The Blood Will Never Lose Its Power, My Tribute (To God Be the Glory) and Soon and Very Soon. In secular music, he was known for his collaborative work during the 1980s with Stevie Wonder, Elton John and Quincy Jones as well as conducting choirs that sang on the Michael Jackson hit Man in the Mirror and Madonna's Like a Prayer.  Crouch was noted for his talent of incorporating contemporary secular music styles into the gospel music he grew up with. His efforts in this area were what helped in paving the way for early American contemporary Christian music durng the 1960s and 1970s.

Crouch's original music arrangements were heard in the films The Color Purple and Disney's The Lion King, as well as the NBC television series Amen. Awards received by him include seven Grammy Awards, being inducted into the Gospel Music Hall of Fame in 1998, and receiving a star on the Hollywood Walk of Fame in 2004.

Crouch has won numerous awards and honors over the years including nine Grammy Awards, four GMA Dove Awards, and ASCAP, Billboard and NAACP Awards.  In 2004, he became the only living Gospel artist – and just the third in history – to have a star on the Hollywood Walk of Fame. 

Andrae Crouch was inducted into the Gospel Music Association's Gospel Music Hall of Fame in 1998.

A discography for Andrae Crouch includes the following:

Andrae Crouch and The Disciples

• 1969: Take the Message Everywhere (Light)
• 1971: Keep on Singin' (Light)
• 1972: Soulfully (Light)
• 1973: Live at Carnegie Hall (Light)
• 1975: Take Me Back (Light)
• 1976: This Is Another Day (Light)
• 1978: Live in London (Light)

Andrae Crouch (solo artist)

• 1973: Just Andrae (Light)
• 1979: I'll Be Thinking of You (Light)
• 1981: Don't Give Up (Warner Bros.)
• 1982: Finally (Light)
• 1984: No Time to Lose (Light)
• 1986: Autograph (Light)
• 1994: Mercy (Qwest)
• 1997: Pray (Qwest)
• 1998: Gift of Christmas (Qwest)
• 2006: Mighty Wind (Verity)
• 2011: The Journey (Riverphlo Entertainment)
• 2013: Live in Los Angeles

Andrae Crouch won seven Grammys: 

• 1975: Best Soul Gospel Performance Take Me Back
• 1978: Best Contemporary Soul Gospel Album Live in London
• 1979: Best Contemporary Soul Gospel Album I'll Be Thinking of You
• 1980: Best Gospel Performance, Contemporary or Inspirational "The Lord's Prayer" (collaborative)
• 1981: Best Contemporary Soul Gospel Album Don't Give Up
• 1984: Best Soul Gospel Performance, Male "Always Remember"
• 1994: Best Pop/Contemporary Gospel Album Mercy

Andrae Crouch also won the following Dove Awards:

• Soul/Black gospel album
  • 1977 – This is another day(Light)
  • 1978 – Live in London (Light)
• Contemporary gospel album of the year
  • 1985 – No Time To Lose (Light)
  • 1998 – Pray (Qwest/Warner Bros.)
• Traditional gospel album of the year
  • 1993 – With all of my heart; Sandra Crouch and Friends (Sparrow)
• Contemporary gospel recorded song of the year
  • 1997 – "Take me back"; Tribute—The Songs of Andrae Crouch (songwriter) (Warner Alliance)

A00043 - Marion Barry, Washington's "Mayor for Life"

Marion Barry, in full Marion Shepilov Barry, Jr.   (b. March 6, 1936, Itta Bena, Mississippi, U.S.— d. November 23, 2014, Washington, D.C.), American civil rights activist and politician who served four terms as mayor of Washington, D.C.  Barry received a bachelor’s degree from LeMoyne College (1958) and a master’s degree from Fisk University (1960). He was a founding member of the Student Nonviolent Coordinating Committee and was selected as its first national chairman. In 1971 Barry was elected to the Washington, D.C., city school board and in 1974 won a seat on the city council. He was elected mayor in 1978 and twice won reelection, in 1982 and 1986, serving as a strong advocate of statehood for the District of Columbia. In 1990 Barry was convicted of a misdemeanor drug charge and sentenced to six months in prison. Following his release from prison, Barry reentered politics in Washington, D.C., winning a seat on the city council in 1992. In 1994 he was once again elected mayor; he left office after his term expired. In 2004 he was elected to the Washington, D.C., city council, and he was reelected in 2008 and 2012. He wrote (with Omar Tyree) the autobiography Mayor for Life (2014).

A00042 - Ali Mazrui, Controversial Scholar of Africa

Ali Al Amin Mazrui,  (b. February 24, 1933, Mombasa, Kenya - d. October 12/13, 2014, Binghamton, New York, United States), Kenyan American political scientist. After receiving a doctorate from the University of Oxford, he taught at Uganda’s Makerere University (1963–73) and later at the University of Michigan (1974–91). At SUNY–Binghamton (now Binghamton University) he founded and directed the Institute of Global Cultural Studies. He also taught at many other universities worldwide, was a consultant to numerous international organizations, and wrote more than 30 books on African politics and society as well as post-colonial patterns of development and underdevelopment, including The African Predicament and the American Experience: A Tale of Two Edens (2004). For television he wrote the nine-hour BBC-PBS co-production The Africans (1986) and was featured in the documentary film Motherland (2009). Mazrui received numerous honors and awards, including the Association of Muslim Social Scientists UK (AMSS UK) Academic Achievement Award (2000).