1930
Pan-African Chronology
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February 1
Roy Reed (b. February 14, 1930, Hot Springs, Arkansas – d. December 10, 2017, Fayetteville, Arkansas) was an American journalist. He wrote about the Civil Rights Movement for The New York Times. He was the author of several books, including Looking for Hogeye (1986); a biography of Governor Orval Faubus, Faubus: The Life and Times of an American Prodigal (1997); and a memoir Beware of Limbo Dancers: A Correspondent's Adventures with the New York Times (2012). He also edited Looking Back at the Arkansas Gazette: An Oral History (2009).
Roy Earl Reed was born on February 14, 1930, in Hot Springs, Arkansas, and grew up in Piney, in the state’s western Hill Country. His parents were Roy Edward Reed, a grocer, and Ella Meredith Reed. A younger sister, Hattie, died in 1964. In his memoir, he said that working in the store as a boy and talking to a black customer, Leroy Samuels, about the injustice of segregation helped awaken him from “generations of family prejudice lying not quite dormant in my young mind.”
In 1952, he married the former Norma Pendleton. They had two children.
Reed studied journalism at the University of Missouri, earning bachelor’s and master’s degrees, and worked at The Globe in Joplin, Mo., from 1954 to 1956. From there, he made his way to The Arkansas Gazette in Little Rock, taking time off to continue his journalism studies with a Nieman fellowship at Harvard as a member of its class of 1964.
The New York Times hired Reed six months after he returned to The Gazette and assigned him to cover the Southern United States. He did his first Southern reporting for the newspaper from a base in Atlanta.
In his new post with The New York Times, Reed seemed to have an uncanny knack for being in the right place. He was there on February 5, 1965, when the Rev. Dr. Martin Luther King Jr. was released from jail in Selma, Alabama, after spending several days behind bars for trying to lead a voting-rights protest march. Mr. Reed not only wrote the front-page article; he also ended up inadvertently in the photograph that ran with it.
Reed was at the Edmund Pettus Bridge in Selma on Bloody Sunday, March 7, 1965, when troopers, as he wrote, “tore through a column of Negro demonstrators with tear gas, nightsticks and whips.” Choking from his own exposure to tear gas, Reed filed a vivid front page article that reported “the wedge moved with such force that it seemed almost to pass over the waiting column instead of through it.” As the protesters went down under the swinging billy clubs, he wrote, “a cheer went up from the white spectators lining the south side of the highway.”
Remembering the scene years later, Reed wrote, “I hope never again to see such hatred in the eyes of men, women and, yes, children.”
A month after Bloody Sunday, Reed was dining in Montgomery with other reporters at the city’s Elite Restaurant. John Doar, the assistant attorney general for civil rights, was at a nearby table when he was called away to the restaurant’s phone. Mr. Doar came back “grim-faced,” Reed later recalled, and moved from table to table to tell the reporters what he had just learned: A white woman affiliated with the civil rights movement, Viola Liuzzo, had been murdered by a carload of Ku Klux Klansmen. The restaurant cleared as reporters ran to file their stories.
Each of these incidents, and the reporting by Mr. Reed and many others, helped tip the balance in the nation’s racial conflict and propel civil rights legislation through Congress.
Reed moved to The New York Times Washington bureau in 1966, covering national politics and the White House. He returned to the South in 1969 to work from New Orleans, and ended his Times career as a correspondent based in London. He said that he had loved the life of adventure and travel until he didn’t, waking up one morning and not knowing where he was. “I got out of bed and found the hotel stationery and learned that I was in a hotel in Ireland,” he wrote.
After leaving The New York Times in 1979, Reed taught in the Journalism Department of the University of Arkansas, Fayetteville, serving as chairman from 1981 to 1982. After his retirement, the Journalism Department established the Roy Reed Lecture Series in his honor. Reed died of a stroke on December 10, 2017, in Fayetteville, Arkansas.
Stage performer Richard Berry Harrison (b. September 28, 1864, London, Ontario, Canada - d. March 14, 1935, New York City, New York) found his passion for acting as a child. He devoted his life to pursuing this passion despite the barriers imposed by the era of Jim Crow. He finally achieved acclaim in the last years of his life for his portrayal of "De Lawd" in the Broadway production of The Green Pastures.
Harrison was born on September 28, 1864, in London, Ontario, Canada, to Thomas L. Harrison and Ysobel Benton. His parents had escaped slavery through the Underground Railroad.
Growing up in Ontario, Harrison loved to recite poetry and attend the local theater. He also performed his own plays for his neighbors. When his father died in 1881, Harrison became the main provider for his family at age seventeen. He moved to Detroit to work at the Russell House hotel. While in Detroit, Harrison met Chambless Hull, a theater manager, who arranged for him to study at the Detroit Training School of Art.
After graduating from the Detroit Training School of Art in 1887, Harrison sought work as an actor but was rejected because of his race. In response to this discrimination in the white theater industry, Harrison began touring the United States and Canada putting on one-man shows and reciting poetry in tents, churches, and schools.
In 1893, Harrison travelled to Chicago for the World's Columbian Exposition. In Chicago, he met the noted African American poet, Paul Laurence Dunbar. The two became good friends. Indeed, Dunbar was Harrison's best man when he married Gertrude Janet Washington in 1895 in Chicago.
Harrison continued his tours into the early twentieth century, which now included theaters in Mexico as well as the United States and Canada, under the sponsorship of the Great Western Lyceum Bureau of California. By 1913, Harrison performed at the first black-owned theater, the Pekin, in Chicago. Theatrical performances, however, never completely supported his family, so he intermittently worked as a porter and a waiter.
Constantly on the move and under pressure to learn scripts, Harrison suffered a nervous breakdown in 1922. Afterward James B. Dudley, President of North Carolina Agricultural and Technical (North Carolina A&T) College at Greensboro, offered Harrison the position of Chair of the Department of Dramatics. Harrison, interested in improving the theatrical training of African Americans, remained at the college for seven years and led the effort to strengthen its programs.
Harrison left North Carolina A&T College in 1929 when he was offered the role of "De Lawd" in Marc Connelly's play The Green Pastures. The play told the story of the Old Testament with one of the first all-black casts on Broadway. Although this was by far the most important theatrical opportunity of his career, Harrison was initially reluctant to accept the role fearing to play the stereotypical dumb and lazy black person. Despite these concerns, Harrison accepted the role. The Green Pastures became extraordinarily popular as audiences were impressed by the dignity and passion of Harrison's character.
Harrison never missed a show. He went on to perform his role in more than 1,650 shows in some 203 different cities and towns. The play and its leading actor won multiple awards and were featured on the cover of Time magazine on March 4, 1935. However, only ten days after Time lauded the play, Richard Harrison died of heart failure. He died on March 14, 1935, at the age of 71.
Two funeral services were held for Harrison. The first was at St. Philip's Church in Harlem and the second was the Cathedral of St. John the Divine in Chicago where he was buried. Thousands of people came to his funerals in order to honor the man who had enchanted the country with his portrayal of "De Lawd".
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February 24
*Richard Boone, a jazz musician and scat singer who became a resident of Denmark, was born in Little Rock, Arkansas.
Richard Bently Boone (b. February 24, 1930, Little Rock, Arkansas – d. February 8, 1999, Copenhagen, Denmark) was an American jazz trombonist and scat singer. Born in Little Rock, Arkansas, Boone sang in a Baptist church choir as a boy, then began playing the trombone at the age of twelve. By the time he was 15, Boone had learned enough to go out on the road with Grover Lofton's band. The following year he won a talent contest as a singer with his version of "Embraceable You". His singing was influenced by Nat "King" Cole and his prize was to tour with the eminent Lucky Millinder Orchestra for a month.
When he was 18, Boone volunteered for the army and for six years played trombone in Special Service Orchestras. He travelled to Europe with one of these orchestras.
Out of the Army in 1953, he returned to Little Rock to study music at Philander Smith College.
With no musical outlet in Little Rock, he moved to Los Angeles in 1958 and worked as a postal clerk. It took him a year to become established as a musician, and eventually he began to get recording dates and studio work. He played with jazz legends like Dexter Gordon and Sonny Criss and toured with the singer Della Reese from 1961 until 1966.
While in Los Angeles, he got to know Count Basie's tenor player and band manager Eddie "Lockjaw" Davis. Davis called him the next time Basie's band needed a trombone player, and Boone joined and stayed for three years. One night in a California club, after Boone had been in the band a couple of months, Basie began improvising a blues number that the rest of the band did not recognize. Egged on by Davis, Boone went to the microphone and began singing a few words. Running out of lyrics he mumbled wordless syllables. Basie was impressed and called for the same routine the following night. It soon became a showcase for Boone and was so successful that Basie called for it every night. The band featured the number for the next 18 months, and Boone expanded his repertoire to include standards like "I Got Rhythm", "Some of These Days" and "Bye Bye Blackbird".
After he left Basie in 1968, Boone recorded an album, The Singer, under his own name with a big band in Los Angeles. However, his time in Europe with the army band and work there with Basie had given Boone a taste for what he felt was a more relaxed way of life. He returned there often and like many black jazz musicians he was particularly attracted to Denmark.
Boone settled in Copenhagen, Denmark in 1970. Two years later, he joined the Danish Radio Band, an outstanding orchestra that was to become one of the finest in the world under its resident leader Bob Brookmeyer. Boone stayed with the band until 1985.
Boone's lucrative job in the trombone section still left him plenty of time to tour Europe, and he played and recorded in many countries, often with American colleagues like Eddie "Lockjaw" Davis and Benny Carter. Another expatriate in Denmark was the ex-Basie arranger Ernie Wilkins. Boone joined him when Wilkins formed his Almost Big Band in 1986.
In 1998, Boone recorded his last album, Tribute To Love, under his own name, with a band of Danish musicians.
February 25
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*The President of the Dominican Republic Horacio Vasquez fled Santo Domingo as rebel forces controlled by General Rafael Trujillo, a person of African descent, toppled his government.
Rafael Leonidas Trujillo Molina was born on October 24, 1891, in San Cristobal, Dominican Republic, into a lower middle class family. His father was José Trujillo Valdez, the son of Silveria Valdez Méndez of colonial Dominican origin and José Trujillo Monagas, a Spanish sergeant who arrived in Santo Domingo as a member of the Spanish reinforcement troops during the annexation era. Trujillo's mother was Altagracia Julia Molina Chevalier, later known as Mama Julia, the daughter of Pedro Molina Peña, also of colonial Dominican origin, and the teacher Luisa Erciná Chevalier, whose parents were part of the remaining French descendants in Haiti. Luisa's father (Trujillo's great grandfather), Justin Alexis Víctor Turenne Carrié Blaise, was of French descent, while Luisa's mother (Trujillo's great grandmother), Eleonore Juliette Chevallier Moreau, was part of Haiti's mulatto class. Trujillo was the third of eleven children.
Trujillo entered the Dominican army in 1918 and was trained by United States Marines during the United States occupation (1916–24) of the country. He rose from lieutenant to commanding colonel of the national police between 1919 and 1925, becoming a general in 1927. Trujillo seized power in the military revolt against President Horacio Vásquez in 1930. From that time until his assassination 31 years later, Trujillo remained in absolute control of the Dominican Republic through his command of the army, by placing family members in office, and by having many of his political opponents murdered. He served officially as president from 1930 to 1938 and again from 1942 to 1952.
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(See also Appendix 2: Colonial Racial Categories.)
(See also Appendix 3: Race and Ethnicity in Contemporary Latin America.)
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